Some 30 film organizations, festivals and professionals as well as freedom of speech NGOs have signed an open letter calling on Iranian authorities to immediately drop all charges against directors Maryam Moghadam and Behtash Sanaeeha as well as lift a travel ban.
The signatories include the Berlinale, the Amsterdam-based International Coalition for Filmmakers at Risk, and Pen America in New York.
The filmmakers, whose last collaboration Ballad Of A White Cow made waves on the festival circuit, have become caught in the crosshairs of their country’s hardline Islamist regime in relation to their upcoming film My Favourite Cake.
The pair were due to fly to Paris in September to complete post-production on the feature, exploring “life behind closed doors of an aging woman who dares to live her desires in a country where women’s rights are heavily restricted.”
Their passports were confiscated at Tehran airport, however, and they were...
The signatories include the Berlinale, the Amsterdam-based International Coalition for Filmmakers at Risk, and Pen America in New York.
The filmmakers, whose last collaboration Ballad Of A White Cow made waves on the festival circuit, have become caught in the crosshairs of their country’s hardline Islamist regime in relation to their upcoming film My Favourite Cake.
The pair were due to fly to Paris in September to complete post-production on the feature, exploring “life behind closed doors of an aging woman who dares to live her desires in a country where women’s rights are heavily restricted.”
Their passports were confiscated at Tehran airport, however, and they were...
- 12/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
Dissident Iranian film professionals are calling on the Academy of Motion Picture Arts and Sciences to consider an alternative film to represent Iran in 2024 Oscars’ Best International Feature Film category rather than the one submitted this week as the country’s official entry.
Iran’s government-controlled Farabi Cinema Foundation said Tuesday that it had selected Reza Mirkarimi’s The Night Guardian as the country’s submission to the 96th Academy Awards.
The announcement comes just days after the first anniversary of the beginning of the Woman Life Freedom protests, provoked by the death of 22-year-old Mahsa Amini on September 16, 2022, after her police detention for not wearing her veil correctly.
More than 500 protestors have been killed by Iranian security forces over the past year and thousands have been injured. A number of directors including Jafar Panahi, Mohammad Rasoulof and most recently Saeed Roustayi have wound up in jail in a related...
Iran’s government-controlled Farabi Cinema Foundation said Tuesday that it had selected Reza Mirkarimi’s The Night Guardian as the country’s submission to the 96th Academy Awards.
The announcement comes just days after the first anniversary of the beginning of the Woman Life Freedom protests, provoked by the death of 22-year-old Mahsa Amini on September 16, 2022, after her police detention for not wearing her veil correctly.
More than 500 protestors have been killed by Iranian security forces over the past year and thousands have been injured. A number of directors including Jafar Panahi, Mohammad Rasoulof and most recently Saeed Roustayi have wound up in jail in a related...
- 9/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAggro Dr1ft.NYFF have announced a few new lineups, including their adventurous-looking Spotlight section, with new work by Harmony Korine, Hayao Miyazaki, Nathan Fielder & Benny Safdie, and more. They've also shared the experimental program for Currents, which opens with Eduardo Williams’s The Human Surge 3 and features James Benning, Deborah Stratman, and Pham Thien An. And finally, their Revivals section includes restorations of Jean Renoir’s “almost ghostly last film in Hollywood,” The Woman on the Beach (1947); Niki de Saint Phalle's first solo feature Un rêve plus long que la nuit (1976); and a 4K restoration of Horace Ové’s Pressure (1976), world-premiering in conjunction with the London Film Festival. Following news last week that Leila’s Brothers (2022) filmmakers Saeed Roustayi and Javad Noruzbegi have been sentenced to six months in prison, suspended over five years,...
- 8/23/2023
- MUBI
Iranian documentary filmmaker and female rights activist Mojgan Ilanlou was arrested in Tehran on Sunday and then held for 24 hours, to be freed late Monday.
The detention follows news last week that Leila’s Brothers filmmakers Saeed Roustayi and Javad Noruzbegi had been sentenced to six months in prison on charges of “anti-regime propaganda activity” for screening the family drama in Cannes in 2022.
Ilanlou’s detention and the sentence for the Leila’s Brothers filmmakers are seen as signs that Iran’s Islamic Regime is upping its efforts to smother the “Woman Life Freedom” uprising as it approaches its one-year anniversary.
The protests were originally prompted by the death of 22-year-old Mahsa Amini in police custody last September, after she was arrested for not wearing her veil correctly.
Ilanlou was previously arrested in October 2022 for removing her veil and sharing the photos on social media in the early days of the protests.
The detention follows news last week that Leila’s Brothers filmmakers Saeed Roustayi and Javad Noruzbegi had been sentenced to six months in prison on charges of “anti-regime propaganda activity” for screening the family drama in Cannes in 2022.
Ilanlou’s detention and the sentence for the Leila’s Brothers filmmakers are seen as signs that Iran’s Islamic Regime is upping its efforts to smother the “Woman Life Freedom” uprising as it approaches its one-year anniversary.
The protests were originally prompted by the death of 22-year-old Mahsa Amini in police custody last September, after she was arrested for not wearing her veil correctly.
Ilanlou was previously arrested in October 2022 for removing her veil and sharing the photos on social media in the early days of the protests.
- 8/21/2023
- by Melanie Goodfellow
- Deadline Film + TV
Kohn’s Corner is a weekly column about the challenges and opportunities of sustaining American film culture.
Cinema is a global industry, but Hollywood struggles to see beyond its own reflection. This past week, much was made about the international impact of “Barbie,” a mass-market takedown of the patriarchy that somehow has been able to screen in Saudi Arabia but not in Kuwait, and got banned in Algeria for “homosexuality and other Western deviances” a month after its release, presumably because censors decided to see “Oppenheimer” first.
Yet far less attention in the West has been paid to Iran, which did not screen “Barbie” or any other American movie this month, and shows no sign of doing that anytime soon. The Middle Eastern country banned the theatrical release of most foreign films years ago, which means that most Iranian audiences for Hollywood blockbusters come from the industry’s greatest foe: piracy sites.
Cinema is a global industry, but Hollywood struggles to see beyond its own reflection. This past week, much was made about the international impact of “Barbie,” a mass-market takedown of the patriarchy that somehow has been able to screen in Saudi Arabia but not in Kuwait, and got banned in Algeria for “homosexuality and other Western deviances” a month after its release, presumably because censors decided to see “Oppenheimer” first.
Yet far less attention in the West has been paid to Iran, which did not screen “Barbie” or any other American movie this month, and shows no sign of doing that anytime soon. The Middle Eastern country banned the theatrical release of most foreign films years ago, which means that most Iranian audiences for Hollywood blockbusters come from the industry’s greatest foe: piracy sites.
- 8/19/2023
- by Eric Kohn
- Indiewire
An Iranian filmmaker and his producer reportedly face prison time and being barred from filmmaking after they showcased a movie at the Cannes Film Festival without government approval, drawing immediate criticism internationally from leading American director Martin Scorsese and others.
Director Saeed Roustayi and producer Javad Norouzbeigi traveled to Cannes last year to show “Leila’s Brothers,” competing for the festival’s grand Palme d’Or prize. The film focuses on a family struggling to make ends meet as Iran faces international sanctions and includes sequences showing protests in the Islamic Republic as a series of nationwide demonstrations shook the nation.
The film also depicts security forces beating demonstrators protesting Iran’s ailing economy, which has already sparked mass protests and bloody security force crackdowns killing hundreds. The family in it loses all its savings over the rapid depreciation of Iran’s rial currency, something Iranians across the country have lived with for years.
Director Saeed Roustayi and producer Javad Norouzbeigi traveled to Cannes last year to show “Leila’s Brothers,” competing for the festival’s grand Palme d’Or prize. The film focuses on a family struggling to make ends meet as Iran faces international sanctions and includes sequences showing protests in the Islamic Republic as a series of nationwide demonstrations shook the nation.
The film also depicts security forces beating demonstrators protesting Iran’s ailing economy, which has already sparked mass protests and bloody security force crackdowns killing hundreds. The family in it loses all its savings over the rapid depreciation of Iran’s rial currency, something Iranians across the country have lived with for years.
- 8/17/2023
- by Corey Atad
- ET Canada
Updated, 8:47 Am: Following the arrest in Iran of Leila’s Brothers filmmakers Saeed Roustayi and Javad Noruzbegi, who screened their family drama at Cannes last year without government approval, Martin Scorsese has shared a petition on social with hopes to “bring justice” to the duo.
“Please sign and share the petition in my bio seeking justice for Roustayi and Noruzbegi, so they can continue to be a force of good in the world,” said the Killers of the Flower Moon helmer. “Their voices needs to be heard.” Read more about the circumstances surrounding the pair’s arrest below.
View this post on Instagram
A post shared by Martin Scorsese (@martinscorsese_)
Previous, August 16: Saeed Roustayi and Javad Noruzbegi, the director-producer duo behind family drama Leila’s Brothers, will see jail time in Iran after premiering the film at last year’s Cannes Film Festival without government approval, according to local media reports.
“Please sign and share the petition in my bio seeking justice for Roustayi and Noruzbegi, so they can continue to be a force of good in the world,” said the Killers of the Flower Moon helmer. “Their voices needs to be heard.” Read more about the circumstances surrounding the pair’s arrest below.
View this post on Instagram
A post shared by Martin Scorsese (@martinscorsese_)
Previous, August 16: Saeed Roustayi and Javad Noruzbegi, the director-producer duo behind family drama Leila’s Brothers, will see jail time in Iran after premiering the film at last year’s Cannes Film Festival without government approval, according to local media reports.
- 8/17/2023
- by Matt Grobar
- Deadline Film + TV
Ever since Abbas Kiarostami’s And Life Goes On premiered back in 1992, movies set in cars have become the modus operandi of some of Iranian cinema’s greatest works.
Kiarostami followed Life with Through the Olive Trees, where driving is also a major part of the narrative, and then made his masterly Palme d’Or winner Taste of Cherry, where the main character is at the wheel for nearly the entire film. Director Jafar Panahi, who was once Kiarostami’s assistant, won Berlin’s Golden Bear in 2015 for Taxi, in which he pretended to be a cab driver in order to scrutinize his country’s dire social situation. In 2021, Panahi’s son, Panah, made his debut with the exuberant and crowd-pleasing Hit the Road, about a family taking one last road trip together toward the Turkish border.
There are reasons for this phenomenon. First off, driving scenes are essentially cinematic,...
Kiarostami followed Life with Through the Olive Trees, where driving is also a major part of the narrative, and then made his masterly Palme d’Or winner Taste of Cherry, where the main character is at the wheel for nearly the entire film. Director Jafar Panahi, who was once Kiarostami’s assistant, won Berlin’s Golden Bear in 2015 for Taxi, in which he pretended to be a cab driver in order to scrutinize his country’s dire social situation. In 2021, Panahi’s son, Panah, made his debut with the exuberant and crowd-pleasing Hit the Road, about a family taking one last road trip together toward the Turkish border.
There are reasons for this phenomenon. First off, driving scenes are essentially cinematic,...
- 8/16/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
“We learned of the conviction in Iran of the director Saeed Roustayi, director of «Metro Shekh Va Nim » in 2019 and of «Leila’s Brothers’» in 2022, in competition at the Cannes Film Festival last year.
Once again, freedom and culture are being attacked by the Iranian regime by the condemnation of this other talented director, who has been dubbed by international cinema.
The Vesoul International Festival of Asian Cinemas gives its full support to Saeed Roustayi, as well as to all other filmmakers and actors of Iranian culture and cinema, in these difficult times, for the defense of their art, but also and above all of their freedom.”
Jean-Marc Therouanne
General delegate, artistic director, co-founder of Fica
International Festival of Asian Cinemas of Vesoul (France)...
Once again, freedom and culture are being attacked by the Iranian regime by the condemnation of this other talented director, who has been dubbed by international cinema.
The Vesoul International Festival of Asian Cinemas gives its full support to Saeed Roustayi, as well as to all other filmmakers and actors of Iranian culture and cinema, in these difficult times, for the defense of their art, but also and above all of their freedom.”
Jean-Marc Therouanne
General delegate, artistic director, co-founder of Fica
International Festival of Asian Cinemas of Vesoul (France)...
- 8/16/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Iranian director Saeed Roustaee has been sentenced to six months to prison for showing his latest film, “Leila’s Brothers,” at last year’s Cannes Film Festival, according to an Iranian report.
The Islamic Revolutionary Court convicted both Roustaee and Javad Noruzbegi for “contributing to the propaganda of the opposition against the Islamic system,” according to the Iranian daily Etemad.
The nearly three-hour saga, which marked Roustaee’s debut in competition at the Cannes Film Festival, stars “The Salesman” actor Taraneh Alidoosti as one of five siblings fighting to find a way out of poverty in Tehran. The socially-minded movie was banned in Iran last year for “breaking the rules by being entered at international film festivals without authorisation,” according to the Afp, which quoted Iranian authorities.
Roustaee and Noruzbegi will serve about nine days in prison, while the remainder of the sentence will be suspended over five years, during which...
The Islamic Revolutionary Court convicted both Roustaee and Javad Noruzbegi for “contributing to the propaganda of the opposition against the Islamic system,” according to the Iranian daily Etemad.
The nearly three-hour saga, which marked Roustaee’s debut in competition at the Cannes Film Festival, stars “The Salesman” actor Taraneh Alidoosti as one of five siblings fighting to find a way out of poverty in Tehran. The socially-minded movie was banned in Iran last year for “breaking the rules by being entered at international film festivals without authorisation,” according to the Afp, which quoted Iranian authorities.
Roustaee and Noruzbegi will serve about nine days in prison, while the remainder of the sentence will be suspended over five years, during which...
- 8/16/2023
- by Elsa Keslassy
- Variety Film + TV
Iranian director and screenwriter Saeed Roustayi has been sentenced to six months in prison for screening his film Leila’s Brothers at the 2022 Cannes Film Festival without necessary authorization, according to local reports.
The filmmaker — alongside his producer Javad Noruzbegi — were on Tuesday found guilty of “contributing to propaganda of the opposition against the Islamic system” by Tehran’s Islamic Revolutionary Court, as per reports in the Iranian daily Etemad and Radio Free Europe.
The court ruled that the two will serve about nine days in jail, while the remainder of the sentence will be suspended over five years, during which time they have effectively been banned from making films. The requirements say that they “refrain from activities related to the committed crime or using tools effective in it,” “avoid contact and association with individuals active in the film industry” and “attend a filmmaking course at the Qom Sound and Vision Academy.
The filmmaker — alongside his producer Javad Noruzbegi — were on Tuesday found guilty of “contributing to propaganda of the opposition against the Islamic system” by Tehran’s Islamic Revolutionary Court, as per reports in the Iranian daily Etemad and Radio Free Europe.
The court ruled that the two will serve about nine days in jail, while the remainder of the sentence will be suspended over five years, during which time they have effectively been banned from making films. The requirements say that they “refrain from activities related to the committed crime or using tools effective in it,” “avoid contact and association with individuals active in the film industry” and “attend a filmmaking course at the Qom Sound and Vision Academy.
- 8/16/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Sentence of the Leila’s Brothers maker, along with producer Javad Noruzbegi, was for ‘propaganda of the opposition against the Islamic system’
A court in Iran has sentenced prominent film director Saeed Roustayi to six months’ prison for the screening of his film Leila’s Brothers at the Cannes film festival in 2022, local media reported.
Leila’s Brothers, a rich and complex tale of a family struggling with economic hardship in Tehran, has been banned in Iran since its release last year. The film was in competition for the Palme d’Or at last year’s Cannes festival, winning the International Federation of Film Critics award.
A court in Iran has sentenced prominent film director Saeed Roustayi to six months’ prison for the screening of his film Leila’s Brothers at the Cannes film festival in 2022, local media reported.
Leila’s Brothers, a rich and complex tale of a family struggling with economic hardship in Tehran, has been banned in Iran since its release last year. The film was in competition for the Palme d’Or at last year’s Cannes festival, winning the International Federation of Film Critics award.
- 8/16/2023
- by Staff and agencies
- The Guardian - Film News
Saeed Roustayi’s tense policier about a cop hunting a drug kingpin deftly mixes brutality and gallows farce
This increasingly nerve-jangling narco policier from Life and a Day writer-director Saeed Roustayi, who has since made the feted 2022 Palme d’Or contender Leila’s Brothers, was hailed as Iran’s highest-grossing non-comedic domestic film. Not that Law of Tehran (Aka Just 6.5), which won the audience award at Iran’s Fajr film festival back in 2019, is without a pointedly nihilistic streak of jet-black humour. For proof, check out the horrifyingly absurdist opening salvo: a drug bust that turns into a breakneck, on-foot chase sequence, climaxing in a lethal disappearing act that combines the vérité grit of The French Connection with the physical slapstick of Buster Keaton. Really. It’s a deliberately bewildering cocktail of brutal tragedy and gallows farce that runs throughout this very arresting feature.
Playing out amid the human...
This increasingly nerve-jangling narco policier from Life and a Day writer-director Saeed Roustayi, who has since made the feted 2022 Palme d’Or contender Leila’s Brothers, was hailed as Iran’s highest-grossing non-comedic domestic film. Not that Law of Tehran (Aka Just 6.5), which won the audience award at Iran’s Fajr film festival back in 2019, is without a pointedly nihilistic streak of jet-black humour. For proof, check out the horrifyingly absurdist opening salvo: a drug bust that turns into a breakneck, on-foot chase sequence, climaxing in a lethal disappearing act that combines the vérité grit of The French Connection with the physical slapstick of Buster Keaton. Really. It’s a deliberately bewildering cocktail of brutal tragedy and gallows farce that runs throughout this very arresting feature.
Playing out amid the human...
- 4/2/2023
- by Mark Kermode, Observer film criic
- The Guardian - Film News
A barnstorming – and ultimately gruesome – opening sequence sets the grisly action-packed tone, as a morally ambiguous cop takes on a powerful drug lord
If Michael Mann made a movie in Iran it might look like this: a ferocious drama-thriller in which a haunted, morally ambiguous cop faces off with a despairing drug lord. We begin with a barnstorming chase sequence in which an officer runs after a drug dealer holding a bag of heroin; the scene climaxes with a shockingly nasty end for the dealer, setting a gruesome tone for the rest of the film.
The director is Saeed Roustayi, whose Leila’s Brothers was in competition at Cannes last year; this is in fact his previous film. Payman Maadi (from Asghar Farhadi’s A Separation) is police officer Samad, who is losing the “war on drugs”; gangsters have murdered the son of his subordinate, so his team’s dedication to...
If Michael Mann made a movie in Iran it might look like this: a ferocious drama-thriller in which a haunted, morally ambiguous cop faces off with a despairing drug lord. We begin with a barnstorming chase sequence in which an officer runs after a drug dealer holding a bag of heroin; the scene climaxes with a shockingly nasty end for the dealer, setting a gruesome tone for the rest of the film.
The director is Saeed Roustayi, whose Leila’s Brothers was in competition at Cannes last year; this is in fact his previous film. Payman Maadi (from Asghar Farhadi’s A Separation) is police officer Samad, who is losing the “war on drugs”; gangsters have murdered the son of his subordinate, so his team’s dedication to...
- 3/29/2023
- by Peter Bradshaw
- The Guardian - Film News
For writers of hardboiled fiction, the private eye could act as a conduit, an unmoored guide moving freely across social ranks and situations. For director Nima Javidi – whose new series “The Actor” is the first Iranian production to premiere in competition at Series Mania – the thespian might play a similar role.
“Shakespeare said that all the world’s a stage,” Javidi tells Variety. “And that all the men and women are merely players, assuming different roles depending on their situations and what they want to achieve. I thought it was fascinating [to put performers in those private detective roles and have them], overcome obstacles, solve problems, and save themselves and others from difficulties by using their acting abilities.”
Led by Venice best actor winner Navid Mohammadzadeh (who recently anchored Saeed Roustayi’s Cannes-acclaimed “Leila’s Brothers”), “The Actor” follows Ali (Mohammadzadeh) and Morteza (Ahmad Mehranfar), two down-and-out performers with little to their names but a derelict theater for which they can barely make rent.
“Shakespeare said that all the world’s a stage,” Javidi tells Variety. “And that all the men and women are merely players, assuming different roles depending on their situations and what they want to achieve. I thought it was fascinating [to put performers in those private detective roles and have them], overcome obstacles, solve problems, and save themselves and others from difficulties by using their acting abilities.”
Led by Venice best actor winner Navid Mohammadzadeh (who recently anchored Saeed Roustayi’s Cannes-acclaimed “Leila’s Brothers”), “The Actor” follows Ali (Mohammadzadeh) and Morteza (Ahmad Mehranfar), two down-and-out performers with little to their names but a derelict theater for which they can barely make rent.
- 3/24/2023
- by Ben Croll
- Variety Film + TV
Iranian actress Taraneh Alidoosti has been detained on charges of “spreading falsehoods” regarding the country’s ongoing protest movement. The BBC reported that Alidoosti condemned the country’s recent execution of Mohsen Shekari for his involvement in protests. The actor made her statements through a now-deleted post on Instagram, reports Variety.
“His name was Mohsen Shekari. Every international organisation who is watching this bloodshed and not taking action is a disgrace to humanity,” Alidoosti wrote.
The actor was arrested after being unable to produce “any documents in line with her claims,” according to state media. Alidoosti’s Instagram account, which possessed about eight million followers, has since been taken down.
Variety reports that Shekari was hanged earlier this month after being accused of blocking a main road in Tehran and wounding a military officer with a machete. Shekari was found guilty by a Revolutionary Court of fighting and drawing a...
“His name was Mohsen Shekari. Every international organisation who is watching this bloodshed and not taking action is a disgrace to humanity,” Alidoosti wrote.
The actor was arrested after being unable to produce “any documents in line with her claims,” according to state media. Alidoosti’s Instagram account, which possessed about eight million followers, has since been taken down.
Variety reports that Shekari was hanged earlier this month after being accused of blocking a main road in Tehran and wounding a military officer with a machete. Shekari was found guilty by a Revolutionary Court of fighting and drawing a...
- 12/18/2022
- by Glamsham Bureau
- GlamSham
Taraneh Alidoosti, one of Iran’s most renowned actors, was detained on charges of “spreading falsehoods” regarding the country’s ongoing protest movement, according to state media.
The BBC reported that Alidoosti condemned the country’s recent execution of Mohsen Shekarim for his involvement with protests. The actor made her statements through a now-deleted post on Instagram.
“His name was Mohsen Shekari. Every international organisation who is watching this bloodshed and not taking action is a disgrace to humanity,” Alidoosti wrote. The actor was arrested after being unable to produce “any documents in line with her claims,” according to state media. Alidoosti’s Instagram account, which possessed about eight million followers, has since been taken down.
Shekari was hanged earlier this month after being accused of blocking a main road in Tehran and wounding a military officer with a machete. Shekari was found guilty by a Revolutionary Court of fighting...
The BBC reported that Alidoosti condemned the country’s recent execution of Mohsen Shekarim for his involvement with protests. The actor made her statements through a now-deleted post on Instagram.
“His name was Mohsen Shekari. Every international organisation who is watching this bloodshed and not taking action is a disgrace to humanity,” Alidoosti wrote. The actor was arrested after being unable to produce “any documents in line with her claims,” according to state media. Alidoosti’s Instagram account, which possessed about eight million followers, has since been taken down.
Shekari was hanged earlier this month after being accused of blocking a main road in Tehran and wounding a military officer with a machete. Shekari was found guilty by a Revolutionary Court of fighting...
- 12/17/2022
- by J. Kim Murphy
- Variety Film + TV
Iranian actress Taraneh Alidoosti, who was at the Cannes Film Festival this year with Competition Title Leila’s Brothers, has posted an image of herself on social media without her headscarf in support of ongoing protests in Iran calling for freedom for women.
Her defiant removal of her headscarf, which is obligatory in public settings for women under Iran’s Sharia Law, comes as widespread anti-government protests sparked by the death in police custody of 22-year-old Kurdish-Iranian woman Mahsa Amini on September 16 enter their third month in Iran.
Posing with her long hair hanging loose, Alidoosti held up a sign carrying the slogan of the protest “Woman. Life. Freedom.” in the Kurdish language, even though she herself does not have Kurdish roots.
Her Instagram post was accompanied by a poem that read: “Your last absence, like the migration of singing birds, doesn’t mark the end of this rebellion.”
Alidoosti...
Her defiant removal of her headscarf, which is obligatory in public settings for women under Iran’s Sharia Law, comes as widespread anti-government protests sparked by the death in police custody of 22-year-old Kurdish-Iranian woman Mahsa Amini on September 16 enter their third month in Iran.
Posing with her long hair hanging loose, Alidoosti held up a sign carrying the slogan of the protest “Woman. Life. Freedom.” in the Kurdish language, even though she herself does not have Kurdish roots.
Her Instagram post was accompanied by a poem that read: “Your last absence, like the migration of singing birds, doesn’t mark the end of this rebellion.”
Alidoosti...
- 11/10/2022
- by Melanie Goodfellow
- Deadline Film + TV
Festival
Saeed Roustayi’s Cannes winner “Leila’s Brothers” and Amil Shivji’s Toronto selection and Tanzanian Oscar submission “Tug of War” will open and close the inaugural Qisah International Film Festival in London. The festival seeks to provide a platform for films from across the Muslim world enabling filmmakers, both Muslim and non-Muslim, who are producing films exploring social changes in Muslim life. Qisah means stories in Arabic.
The first edition of the festival will feature 14 films that explore themes of family, resilience, patriarchy, secularism and religion, empowerment, anti-colonial politics, love across Muslim cultures as well as questions of aesthetics, politics and censorship. It is curated by academic Asad Ali and Phillippe Jalladeau who, for over 25 years, ran the Festival du Trois Continent in Nantes. Filmmaker Ahmed Jamal serves as festival director.
The festival will take place Nov. 9-12 at Kiln Cinema, Lyric Hammersmith and Rio Cinema and is supported by the BFI.
Saeed Roustayi’s Cannes winner “Leila’s Brothers” and Amil Shivji’s Toronto selection and Tanzanian Oscar submission “Tug of War” will open and close the inaugural Qisah International Film Festival in London. The festival seeks to provide a platform for films from across the Muslim world enabling filmmakers, both Muslim and non-Muslim, who are producing films exploring social changes in Muslim life. Qisah means stories in Arabic.
The first edition of the festival will feature 14 films that explore themes of family, resilience, patriarchy, secularism and religion, empowerment, anti-colonial politics, love across Muslim cultures as well as questions of aesthetics, politics and censorship. It is curated by academic Asad Ali and Phillippe Jalladeau who, for over 25 years, ran the Festival du Trois Continent in Nantes. Filmmaker Ahmed Jamal serves as festival director.
The festival will take place Nov. 9-12 at Kiln Cinema, Lyric Hammersmith and Rio Cinema and is supported by the BFI.
- 10/26/2022
- by Naman Ramachandran
- Variety Film + TV
This article contains IndieWire’s preliminary Best International Feature predictions for the 2023 Oscars. We regularly update our predictions throughout awards season, and republish previous versions (like this one) for readers to track changes in how the Oscar race has changed. For the latest update on the frontrunners for the 95th Academy Awards, see our 2023 Oscars predictions hub.
Nominations voting is from January 12-17, 2023, with official Oscar nominations announced January 24, 2023. Final voting is March 2-7, 2023. And finally, the 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt. We update predictions through awards season, so keep checking IndieWire for all our 2023 Oscar picks.
The Oscar submission deadline (October 3) has returned to its pre-pandemic place on the awards calendar, with the Best International Feature Film shortlist announced on December 21.
As always, film festivals are the gatekeepers for the Best International Feature Oscar race,...
Nominations voting is from January 12-17, 2023, with official Oscar nominations announced January 24, 2023. Final voting is March 2-7, 2023. And finally, the 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt. We update predictions through awards season, so keep checking IndieWire for all our 2023 Oscar picks.
The Oscar submission deadline (October 3) has returned to its pre-pandemic place on the awards calendar, with the Best International Feature Film shortlist announced on December 21.
As always, film festivals are the gatekeepers for the Best International Feature Oscar race,...
- 9/24/2022
- by Anne Thompson
- Indiewire
There is barely anyone who isn’t rich or in position of power who doesn’t often exclaim “I would never do that if I were in their shoes”, truly convinced to hold a higher moral ground than “them folks”. You can thank this self-foolery for all the irritating quotes and misquotes by big thinkers, shanti-shanti spiritual leaders, and celebrities on social media, the same you can also find on the wall calendars and help-yourself books. Hell is other people, right?
Make no mistake, Houman Seyedi’s 6th feature “World War III” also leans on a quote attributed to Mark Twain which kicks it off, but this one sits hand in hand with the script which fabulously rhymes the events. “History doesn’t repeat itself, but it often rhymes”, goes the sad quote, gaining more on its meaning with every passing minute of the film. Hell is,...
Make no mistake, Houman Seyedi’s 6th feature “World War III” also leans on a quote attributed to Mark Twain which kicks it off, but this one sits hand in hand with the script which fabulously rhymes the events. “History doesn’t repeat itself, but it often rhymes”, goes the sad quote, gaining more on its meaning with every passing minute of the film. Hell is,...
- 9/17/2022
- by Marina D. Richter
- AsianMoviePulse
Click here to read the full article.
Iranian director Vahid Jalilvand’s second film No Date, No Signature became Iran’s submission in 2019 for the Oscars’ Best Film Not in the English Language category. It would be a miracle if his latest, Venice competition entrant Beyond the Wall, gleaned the same honor, not because it wouldn’t be a worthy choice — it’s a ravaging, powerful work. It’s just that it’s impossible to imagine the Iranian authorities would approve submitting it.
Overtly critical of the repressive state apparatus, especially its capriciously cruel and violent police forces and merciless justice system, this feature played in Venice without Iranian government support and no doubt places Jalilvand in the ranks of audacious cinema dissidents, along with currently imprisoned filmmakers Jafar Panahi (whose latest No Bears also plays Venice this year), Mohammad Rasoulof and Mostafa Aleahmad.
For this twisty study of guilt and self-sacrifice,...
Iranian director Vahid Jalilvand’s second film No Date, No Signature became Iran’s submission in 2019 for the Oscars’ Best Film Not in the English Language category. It would be a miracle if his latest, Venice competition entrant Beyond the Wall, gleaned the same honor, not because it wouldn’t be a worthy choice — it’s a ravaging, powerful work. It’s just that it’s impossible to imagine the Iranian authorities would approve submitting it.
Overtly critical of the repressive state apparatus, especially its capriciously cruel and violent police forces and merciless justice system, this feature played in Venice without Iranian government support and no doubt places Jalilvand in the ranks of audacious cinema dissidents, along with currently imprisoned filmmakers Jafar Panahi (whose latest No Bears also plays Venice this year), Mohammad Rasoulof and Mostafa Aleahmad.
For this twisty study of guilt and self-sacrifice,...
- 9/9/2022
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Rarely in cinema, and especially in Iranian cinema, we get a glimpse into the lives of upper classes, especially upper-middle class, commonly known as bourgeoisie. The oddity is even higher if the plot of the story is not set in the capital Teheran. “Summer with Hope”, a sophomore feature by Sadaf Foroughi, following her 2017 acclaimed debut “Ava”, is one of such oddities. The film won the Crystal Globe main competition of Karlovy Vary and it seems like it will be going places, establishing Montreal-based Foroughi as one of the most interesting voices in the contemporary Iranian cinema.
Our hero Omid whose name translates to “hope” from Farsi is a big swimming prodigy, which was the reason for his family, mother Leili and uncle Saadi (Alireza Kamali) to move from Teheran to an elite residential area in Gilan province on the bank of the Caspian Sea. While Leili waits to finalize...
Our hero Omid whose name translates to “hope” from Farsi is a big swimming prodigy, which was the reason for his family, mother Leili and uncle Saadi (Alireza Kamali) to move from Teheran to an elite residential area in Gilan province on the bank of the Caspian Sea. While Leili waits to finalize...
- 7/10/2022
- by Marko Stojiljković
- AsianMoviePulse
Armageddon Time – James Gray [Review]
Boy from Heaven – Tarik Saleh [Review]
Broker – Hirokazu Kore-eda [Review]
Frère et sœur – Arnaud Desplechin [Review]
Close – Lukas Dhont [Review]
Crimes of the Future – David Cronenberg [Review]
Decision to Leave – Park Chan-wook [Review]
The Eight Mountains – Charlotte Vandermeersch, Felix van Groeningen [Review]
Eo – Jerzy Skolimowski [Review]
Les Amandiers – Valeria Bruni Tedeschi [Review]
Holy Spider – Ali Abbasi [Review]
Leila’s Brothers – Saeed Roustayi [Review]
Un petit frère – Léonor Serraille [Review]
Nostalgia – Mario Martone [Review]
Pacifiction – Albert Serra [Review]
R.M.N.…...
Boy from Heaven – Tarik Saleh [Review]
Broker – Hirokazu Kore-eda [Review]
Frère et sœur – Arnaud Desplechin [Review]
Close – Lukas Dhont [Review]
Crimes of the Future – David Cronenberg [Review]
Decision to Leave – Park Chan-wook [Review]
The Eight Mountains – Charlotte Vandermeersch, Felix van Groeningen [Review]
Eo – Jerzy Skolimowski [Review]
Les Amandiers – Valeria Bruni Tedeschi [Review]
Holy Spider – Ali Abbasi [Review]
Leila’s Brothers – Saeed Roustayi [Review]
Un petit frère – Léonor Serraille [Review]
Nostalgia – Mario Martone [Review]
Pacifiction – Albert Serra [Review]
R.M.N.…...
- 6/16/2022
- by Eric Lavallée
- IONCINEMA.com
The 39th edition of the Munich Film Festival, which runs June 23-July 2, will screen 120 films from 52 countries, including 35 world premieres, such as “Paloma” by Marcelo Gomes, one of several films in the festival that tackles the subject of trans identities.
The three international competition sections will feature numerous highlights from the Cannes Film Festival, including “Corsage,” which opens the event. Vicky Krieps was honored in Cannes with the best actress award in the Un Certain Regard section for her performance as Empress Elisabeth of Austria, also known as “Sissi.”
Four films come to Munich fresh from Cannes’ main competition: “Leila’s Brothers” by Iranian director Saeed Roustayi, about a family’s struggle for survival in an Iran economically weakened by Western sanctions and consumed by corruption; “Pacifiction” by Albert Serra, in which Benoît Magimel excels as a conflicted police commissioner; “The Eight Mountains,” directed by Charlotte Vandermeersch and Felix van Groeningen,...
The three international competition sections will feature numerous highlights from the Cannes Film Festival, including “Corsage,” which opens the event. Vicky Krieps was honored in Cannes with the best actress award in the Un Certain Regard section for her performance as Empress Elisabeth of Austria, also known as “Sissi.”
Four films come to Munich fresh from Cannes’ main competition: “Leila’s Brothers” by Iranian director Saeed Roustayi, about a family’s struggle for survival in an Iran economically weakened by Western sanctions and consumed by corruption; “Pacifiction” by Albert Serra, in which Benoît Magimel excels as a conflicted police commissioner; “The Eight Mountains,” directed by Charlotte Vandermeersch and Felix van Groeningen,...
- 6/10/2022
- by Leo Barraclough
- Variety Film + TV
by Cláudio Alves
The 75th Cannes Film Festival is almost over! If there's any hope of finishing Cannes at Home before the closing ceremony, it's critical to pick up speed. So, here go two days' worth of auteurs in one go.
The Dardennes showed their latest, Tori and Lokita, to some acclaim. However, after The Unknown Girl and Young Ahmed, I'm skeptical about the Belgian duo's tackling of immigrant stories. Mario Martone also returned to the competition, and his Nostalgia could see Perfrancesco Favino winning the festival's Best Actor trophy. In contrast, Saeed Roustayi is competing for the Palme for the first time with Leila's Brothers. All that being said, the big story from these latest festival days was surely Claire Denis' Stars at Noon. Most critics seem to hate it – some even jokingly calling for the director's retirement – while a scattering of ardent fans provides a contrarian takes. For sure,...
The 75th Cannes Film Festival is almost over! If there's any hope of finishing Cannes at Home before the closing ceremony, it's critical to pick up speed. So, here go two days' worth of auteurs in one go.
The Dardennes showed their latest, Tori and Lokita, to some acclaim. However, after The Unknown Girl and Young Ahmed, I'm skeptical about the Belgian duo's tackling of immigrant stories. Mario Martone also returned to the competition, and his Nostalgia could see Perfrancesco Favino winning the festival's Best Actor trophy. In contrast, Saeed Roustayi is competing for the Palme for the first time with Leila's Brothers. All that being said, the big story from these latest festival days was surely Claire Denis' Stars at Noon. Most critics seem to hate it – some even jokingly calling for the director's retirement – while a scattering of ardent fans provides a contrarian takes. For sure,...
- 5/28/2022
- by Cláudio Alves
- FilmExperience
One of the two Iranian entries at this year’s Cannes competition, this is Saeed Roustayi‘s first time. Starring Taraneh Alidoosti, Saeed Poursamimi, Navid Mohammadzadeh, Payman Maadi — Leila’s Brothers is the filmmaker first trip to Cannes. Previously he directed Life and a Day (2016) and Just 6.5 (2019).
With a 2h45 runtime, this centers around Leila — the young matriarch having to juggle many agendas – excluding her own. Caring for her parents and four brothers — this is at once a parable about debt, being indebted and a patriarchal overreach.
Currently with fifteen of our twenty critics having graded the film, despite some support Leila’s Brothers enters the grid at a paltry 2.7 — which places this almost at the bottom.…...
With a 2h45 runtime, this centers around Leila — the young matriarch having to juggle many agendas – excluding her own. Caring for her parents and four brothers — this is at once a parable about debt, being indebted and a patriarchal overreach.
Currently with fifteen of our twenty critics having graded the film, despite some support Leila’s Brothers enters the grid at a paltry 2.7 — which places this almost at the bottom.…...
- 5/26/2022
- by Eric Lavallée
- IONCINEMA.com
How to Beat the High Cost of Living: Roustayi Ponders Poverty in Familial Melodrama
“Anyone who has struggled with poverty knows how extremely expensive it is to be poor,” wrote James Baldwin, as succinct a statement as any about the iron grip of being economically disadvantaged. Director Saeed Roustayi takes an extensive approach on the subject in modern day Iran with his third feature, Leila’s Brothers, a commendable case study which ends up belaboring its point in Iran’s entrenched patriarchy.
Although named for the sole daughter in a struggling, resignedly miserable family, Roustayi crafts more of an ensemble piece, pulling focus on two of the siblings who seem most capable of clawing their way out of cyclical disenfranchisement.…...
“Anyone who has struggled with poverty knows how extremely expensive it is to be poor,” wrote James Baldwin, as succinct a statement as any about the iron grip of being economically disadvantaged. Director Saeed Roustayi takes an extensive approach on the subject in modern day Iran with his third feature, Leila’s Brothers, a commendable case study which ends up belaboring its point in Iran’s entrenched patriarchy.
Although named for the sole daughter in a struggling, resignedly miserable family, Roustayi crafts more of an ensemble piece, pulling focus on two of the siblings who seem most capable of clawing their way out of cyclical disenfranchisement.…...
- 5/26/2022
- by Nicholas Bell
- IONCINEMA.com
Iran’s Saeed Roustayi puts the spotlight on a woman driven to distraction by the indolent, incompetent patriarchy
Iranian film-maker Saeed Roustayi delivers a big, absorbing, character-driven family drama in the Italian-American style with fierce performances, a huge set-piece wedding scene and touches of Visconti’s Rocco and His Brothers and Coppola’s The Godfather. There’s even some Arthur Miller amid the angry, painful recrimination.
We get a blistering turn from Taraneh Alidoosti – known for her work on movies by Asghar Farhadi – playing the Leila of the title: a woman driven to distraction by the indolent, incompetent patriarchy. Leila lives with her elderly parents; she is plagued with periodic back pain brought on by stress and overwork and is basically the only regular wage-earner, single-handedly supporting four adult brothers.
Overweight Parviz (Farhad Aslani) works as a toilet cleaner in the mall, but does not make enough to feed his family,...
Iranian film-maker Saeed Roustayi delivers a big, absorbing, character-driven family drama in the Italian-American style with fierce performances, a huge set-piece wedding scene and touches of Visconti’s Rocco and His Brothers and Coppola’s The Godfather. There’s even some Arthur Miller amid the angry, painful recrimination.
We get a blistering turn from Taraneh Alidoosti – known for her work on movies by Asghar Farhadi – playing the Leila of the title: a woman driven to distraction by the indolent, incompetent patriarchy. Leila lives with her elderly parents; she is plagued with periodic back pain brought on by stress and overwork and is basically the only regular wage-earner, single-handedly supporting four adult brothers.
Overweight Parviz (Farhad Aslani) works as a toilet cleaner in the mall, but does not make enough to feed his family,...
- 5/25/2022
- by Peter Bradshaw
- The Guardian - Film News
It is the Iranian director’s first film since road movie 3 Faces which won best screenplay in competition at Cannes in 2018.
Paris-based Celluloid Dreams will kick off sales on Iranian director Jafar Panahi’s new feature No Bears at the upcoming edition of Cannes.
The drama follows two parallel love stories in which the partners are thwarted by hidden, inevitable obstacles, the force of superstition, and the mechanics of power.
It Is currently in post-production and will be ready for a launch at a festival this year.
It marks Panahi’s first fiction film since the road movie 3 Faces,...
Paris-based Celluloid Dreams will kick off sales on Iranian director Jafar Panahi’s new feature No Bears at the upcoming edition of Cannes.
The drama follows two parallel love stories in which the partners are thwarted by hidden, inevitable obstacles, the force of superstition, and the mechanics of power.
It Is currently in post-production and will be ready for a launch at a festival this year.
It marks Panahi’s first fiction film since the road movie 3 Faces,...
- 5/11/2022
- by Melanie Goodfellow
- ScreenDaily
The 2022 Cannes Film Festival has revealed its competition jury, with “Titane” and “Fire” star Vincent Lindon presiding as President of the Jury to mark the 75th anniversary of the festival.
Lindon is the first French actor to be Jury President in over a decade, since Isabelle Huppert helmed the jury in 2009. In the history of the Festival, French celebrities have often held this role in an anniversary year, such as Yves Montand in 1987 for the 40th Festival, Gérard Depardieu in 1993 for the 45th Festival, and Isabelle Adjani in 1997 for the 50th.
The festival is set to take place May 17 through May 28, resuming in-person festivities for the second year in a row after last year’s return to normal (albeit two months later than usual).
Rebecca Hall, Deepika Padukone, Noomi Rapace, Asghar Farhadi, Ladj Ly, Jeff Nichols, and Joachim Trier also serve as jury members.
Jury President Lindon starred in the...
Lindon is the first French actor to be Jury President in over a decade, since Isabelle Huppert helmed the jury in 2009. In the history of the Festival, French celebrities have often held this role in an anniversary year, such as Yves Montand in 1987 for the 40th Festival, Gérard Depardieu in 1993 for the 45th Festival, and Isabelle Adjani in 1997 for the 50th.
The festival is set to take place May 17 through May 28, resuming in-person festivities for the second year in a row after last year’s return to normal (albeit two months later than usual).
Rebecca Hall, Deepika Padukone, Noomi Rapace, Asghar Farhadi, Ladj Ly, Jeff Nichols, and Joachim Trier also serve as jury members.
Jury President Lindon starred in the...
- 4/26/2022
- by Ryan Lattanzio and Samantha Bergeson
- Indiewire
Updated, April 21: The Cannes Film Festival has added competition titles and additional screenings in the Midnight, Un Certain Regard, and Out of Competition sections. They are:
Competition
“The Eight Mountains,” Charlotte Vandermeersch, Felix Van Groeningen
“Un Petit Frère,” Leonor Serraille
“Tourment Sur Les Iles,” Albert Serra
Cannes Premiere
“Don Juan,” Serge Bozon
“La Nuit du 12,” Dominik Moll
“Chronicle of a Temporary Affair,” Emmanuel Mouret
Midnight Screenings
“Rebel,” Adil Arbi, Bilall Fallah
Un Certain Regard
“More Than Ever,” Emily Atef
“Mediterranean Fever,” Maha Haj
“The Blue Caftan,” Maryam Touzani
Out of Competition
“L’Innocent,” Louis Garrel
Special Screenings
“Mi Pais Imaginario,” Patricio Guzmán
“The Vagabonds,” Doroteya Droumeva
“Riposte Feministe,” Marie Perennes, Simon Depardon
“Restos do Vento,” Tiago Guedes
“Little Nicholas,” Amandine Fredon, Benjamin Massoubre
Earlier, April 14: The 2022 Cannes Film Festival is upon us and once again taking place in person this spring from May 17 through May 28. The lineup for...
Competition
“The Eight Mountains,” Charlotte Vandermeersch, Felix Van Groeningen
“Un Petit Frère,” Leonor Serraille
“Tourment Sur Les Iles,” Albert Serra
Cannes Premiere
“Don Juan,” Serge Bozon
“La Nuit du 12,” Dominik Moll
“Chronicle of a Temporary Affair,” Emmanuel Mouret
Midnight Screenings
“Rebel,” Adil Arbi, Bilall Fallah
Un Certain Regard
“More Than Ever,” Emily Atef
“Mediterranean Fever,” Maha Haj
“The Blue Caftan,” Maryam Touzani
Out of Competition
“L’Innocent,” Louis Garrel
Special Screenings
“Mi Pais Imaginario,” Patricio Guzmán
“The Vagabonds,” Doroteya Droumeva
“Riposte Feministe,” Marie Perennes, Simon Depardon
“Restos do Vento,” Tiago Guedes
“Little Nicholas,” Amandine Fredon, Benjamin Massoubre
Earlier, April 14: The 2022 Cannes Film Festival is upon us and once again taking place in person this spring from May 17 through May 28. The lineup for...
- 4/21/2022
- by Ryan Lattanzio
- Indiewire
Cinephiles were drooling early Thursday morning over what was cooking at Cannes. Cannes Film Festival director Thierry Frémaux unleashed the competition and out-of-competition slate for 2022, and it is très formidable.
Eighteen movies from across the globe will compete for the Palme D’or. (Don’t be surprised if another title slips in between now and opening night; last-minute additions are common occurrences.) The big guns are as follows:
David Cronenberg will make his return to whacked-out weirdo body horror with “Crimes of the Future.” After last year’s win for “Titane,” don’t count this one out for the top prize. The film stars Cronenberg vet Viggo Mortensen plus Léa Seydoux (a Cannes regular who had to skip last summer’s fest after testing positive for Covid) and Kristen Stewart. Not much is known about the picture, other than it shares a title with a one-hour feature with non-synchronous sound...
Eighteen movies from across the globe will compete for the Palme D’or. (Don’t be surprised if another title slips in between now and opening night; last-minute additions are common occurrences.) The big guns are as follows:
David Cronenberg will make his return to whacked-out weirdo body horror with “Crimes of the Future.” After last year’s win for “Titane,” don’t count this one out for the top prize. The film stars Cronenberg vet Viggo Mortensen plus Léa Seydoux (a Cannes regular who had to skip last summer’s fest after testing positive for Covid) and Kristen Stewart. Not much is known about the picture, other than it shares a title with a one-hour feature with non-synchronous sound...
- 4/14/2022
- by Jordan Hoffman
- Gold Derby
Reims Polar, a new international festival set in Northern France and dedicated to police thrillers, has awarded Wen Shipei’s “Are You Lonesome Tonight?,” Adikhan Yerzhanov’s “Assault” and Lado Kvataniya’s “The Execution.”
The selection of Reims Polar is curated by Bruno Barde, who is also the artistic director of the Deauville American Film Festival.
“Assault,” a dead-pan thriller set fictional village in rural Kazakhstan and revolving around a school hostage situation, won the festival’s Grand Prize Award. Yerzhanov, a prolific Kazakh director, previously directed “The Gentle Indifference of the World” which played at Cannes’ Un Certain Regard in 2018.
The Reims Polar jury prize went to a pair of feature debuts, “Are You Lonesome Tonight?,” a Chinese film which world premiered out of competition at last year’s Cannes, and Russian filmmaker Lado Kvataniya’s “The Execution,” a thriller inspired by the case of an infamous Soviet-era serial killer.
The selection of Reims Polar is curated by Bruno Barde, who is also the artistic director of the Deauville American Film Festival.
“Assault,” a dead-pan thriller set fictional village in rural Kazakhstan and revolving around a school hostage situation, won the festival’s Grand Prize Award. Yerzhanov, a prolific Kazakh director, previously directed “The Gentle Indifference of the World” which played at Cannes’ Un Certain Regard in 2018.
The Reims Polar jury prize went to a pair of feature debuts, “Are You Lonesome Tonight?,” a Chinese film which world premiered out of competition at last year’s Cannes, and Russian filmmaker Lado Kvataniya’s “The Execution,” a thriller inspired by the case of an infamous Soviet-era serial killer.
- 4/12/2022
- by Elsa Keslassy
- Variety Film + TV
The 6th edition of Herat International Women’s Film Festival was held from November 16th to 19th, and Saeed Roustayi’s ‘Just 6.5′ won the Golden Earring Statue for Best Feature Narrative (World Cinema).
‘Hava, Maryam, Ayesha‘ by Afghani ‘Sahraa Karimi‘ and produced by Iranian ‘Katayoon Shahabi’ won the Golden Earring Statue for Best Feature Narrative (Women Cinema). Also, the Joint Award Certificate for the best actress went to ‘Sara Bahrami’ for ‘Axing’ made by ‘Behrouz Shoeibi’ and ‘The Visit’ by ‘Azadeh Mousavi’ won the Bronze Earring Statue for Best Short Narrative.
Hava, Maryam, Ayesha
The ‘Tangle’ directed by ‘Maleha Gholamzadeh’ won the Bronze Earring Statue for Best Animation and ‘Khatemeh’ by Hadi and Mehdi Zarei won the Bronze Earrings Statue for Feature Documentary.
Afshin Hashemi’s film ‘Goodbye Shirazi Girl’ also received a certificate of appreciation for the different view of women in his film
The 6th edition of the...
‘Hava, Maryam, Ayesha‘ by Afghani ‘Sahraa Karimi‘ and produced by Iranian ‘Katayoon Shahabi’ won the Golden Earring Statue for Best Feature Narrative (Women Cinema). Also, the Joint Award Certificate for the best actress went to ‘Sara Bahrami’ for ‘Axing’ made by ‘Behrouz Shoeibi’ and ‘The Visit’ by ‘Azadeh Mousavi’ won the Bronze Earring Statue for Best Short Narrative.
Hava, Maryam, Ayesha
The ‘Tangle’ directed by ‘Maleha Gholamzadeh’ won the Bronze Earring Statue for Best Animation and ‘Khatemeh’ by Hadi and Mehdi Zarei won the Bronze Earrings Statue for Feature Documentary.
Afshin Hashemi’s film ‘Goodbye Shirazi Girl’ also received a certificate of appreciation for the different view of women in his film
The 6th edition of the...
- 11/21/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Uncle by Denmark's Frelle Petersen won the grand prix, the top award, and $30,000 at the 32nd Tokyo International Film Festival on Tuesday.
The film, a tale of a young woman who dreams of becoming a veterinarian but has to care for her elderly disabled uncle, was also written, shot and edited by Petersen.
Iran's Saeed Roustayi won best director with Just 6.5, his film about a battle between a drug gang and the police, which also won the best actor award for Navid Mohammadzadeh.
The $10,000 audience award went to Only the Animals from France'...
The film, a tale of a young woman who dreams of becoming a veterinarian but has to care for her elderly disabled uncle, was also written, shot and edited by Petersen.
Iran's Saeed Roustayi won best director with Just 6.5, his film about a battle between a drug gang and the police, which also won the best actor award for Navid Mohammadzadeh.
The $10,000 audience award went to Only the Animals from France'...
- 11/5/2019
- The Hollywood Reporter - Film + TV
Uncle by Denmark's Frelle Petersen won the grand prix, the top award, and $30,000 at the 32nd Tokyo International Film Festival on Tuesday.
The film, a tale of a young woman who dreams of becoming a veterinarian but has to care for her elderly disabled uncle, was also written, shot and edited by Petersen.
Iran's Saeed Roustayi won best director with Just 6.5, his film about a battle between a drug gang and the police, which also won the best actor award for Navid Mohammadzadeh.
The $10,000 audience award went to Only the Animals from France'...
The film, a tale of a young woman who dreams of becoming a veterinarian but has to care for her elderly disabled uncle, was also written, shot and edited by Petersen.
Iran's Saeed Roustayi won best director with Just 6.5, his film about a battle between a drug gang and the police, which also won the best actor award for Navid Mohammadzadeh.
The $10,000 audience award went to Only the Animals from France'...
- 11/5/2019
- The Hollywood Reporter - Movie News
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