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1-4 of 4
- Actress
- Soundtrack
Fay Bainter's career began as a child performer in 1898. For some time, she was a member of the traveling cast of the Morosco Stock Company in Los Angeles. In 1912, she made her Broadway debut in 'The Rose of Panama', but this and her subsequent play 'The Bridal Path' (1913), were conspicuous failures. She continued in stock and, after forming an association with David Belasco, took another swing at Broadway. She had her first hit with a dynamic performance, which established her as major theatrical star, as Ming Toy in 'East is West', at the Astor Theatre (1918-1920). Alternating between comedy and melodrama, Fay then shone in 'The Enemy' (1925-26) with Walter Abel and gave an outstanding performance of mid-life crisis as the desperate Fran Dodsworth ('Dodsworth',1934-35), opposite Walter Huston as her husband Sam. Fay never had the chance to recreate her stage role on screen - Ruth Chatterton got the part instead. At the same time, now aged 41, she was offered a role in her first motion picture, This Side of Heaven (1934). Co-starring opposite Lionel Barrymore, this was the first of many thoughtful, understanding wives, aunts and mothers she was to play over the next twenty years.
Of stocky build, with expressive eyes and a warm, slightly smoky voice, Fay rarely essayed unsympathetic or hard-boiled characters, with the exception of her Oscar-nominated dowager in The Children's Hour (1961). While not often top-billed, her name remained consistently high in the list of credits throughout her career. Critics applauded her sterling performances in productions like Make Way for Tomorrow (1937) and Quality Street (1937), as Katharine Hepburn's excitable spinster sister. Fay won the Academy Award as Best Supporting Actress for the movie Jezebel (1938). As Bette Davis' stern, reproving Aunt Belle, she excelled in a somewhat meatier role than the genteel or fluttery ladies she had previously been engaged to portray. That same year, she was also nominated (as Best Actress) for her housekeeper, Hannah Parmalee, in White Banners (1938), but lost to Bette Davis. Fay enhanced many more films with her presence during the 1940's, notably as Mrs. Elvira Wiggs, in Mrs. Wiggs of the Cabbage Patch (1942), Merle Oberon's eccentric aunt from the bayou in Dark Waters (1944) and Danny Kaye's mother in The Secret Life of Walter Mitty (1947). From the 1950's, she alternated stage with acting on television. Her last role of note was as Mary Tyrone in Eugene O'Neill's 'Long Day's Journey into Night', on tour with the National Company in 1958.- Writer
- Additional Crew
Ferber initially studied acting. She then worked as a reporter in Milwaukee and Chicago. Travels through America and Europe followed. Ferber became the author of interesting novels with a cultural-historical background. She often designed the plot in such a way that a female figure was in the foreground. In her works she depicts changing environments and American life in a realistic style. Her books often reveal a socially critical attitude. She expanded her narrative approach to create broad family and homeland novels that she linked to the history of the USA or the respective regions. It features the lower Mississippi region in the early 19th century, the time of the fur trade in Seattle, the run on oil in Oklahoma and the settlement of Texas.
She also wrote social comedies as stage plays, which were successful, as well as short stories, dramas and her autobiography. Some of her novels have been made into films. The most famous example is probably "Giant", the film of the same name, in German: "Giganten". It was made into a film in 1956 by director George Stevens with stars such as James Dean, Elizabeth Taylor, Dennis Hopper and Rock Hudson. The film became a box office hit worldwide. Edna Ferber also provided the book for the musical "Show Boat" (premiered in 1927). It is about a critical attitude towards segregation and prejudices against blacks. This adaptation brought this socially critical, previously taboo topic to the musical stage for the first time. "Cimarron", a film title from 1960, is also based on the book title of the same name by Edna Ferber.
Her works include "Dawn O'Hara" (1911, German 1916), "Buttered Side Down" (1912), "Fanny Herself" (1917, German 1930: "This is Fanny"), "Half Portions " (1920), "The Girls" (1921, German 1928), "So Big" (1924, German 1927, "A Woman Alone" from 1962), "Show Boat" (1926, German 1929: "That Comedian Ship"), "Mother Knows Best" (1927), "The Royal Family" (1928, German 1931). This was followed by "American Beauty" (1931, German 1957: "The House of the Fathers"), "Dinner at Eight" (1932), "They Brought Their Women" (1933), "Come and Get it" (1935), "Stage Door" (1936), "A Peculiar Treasure" (191939), "Saratoga Drunk" (1941, German 1947), "The Land is Bright" (1941), "Great Son" (1945, German 1950) , "Bravo" (1948), "Ice Palace" (1958) and "Kind of Magic" (1963).- Actress
- Music Department
- Soundtrack
Born in Parma, she is a lyric soprano graduated from the Conservatory of her city beginning to work in the field of opera, but in 1934 the director Max Ophuls makes to cast for the film "La signora di tutti", along with Isa Miranda. It will be the first of a long list of films that engage until the mid-50s. In the Teatro dell'Opera di Roma in 1945 is Micaela in "Carmen" replication with Galliano Masini and Sofia in direct "Werther" shooting by Oliviero De Fabritiis with Tito Schipa, Saturno Meletti and Titta Ruffo. After the war also plays some direct film-opera by Carmine Gallone, a specialist in this kind of films, and Mario Costa and Piero Ballerini. She will work in some operettas, even abandoning television for the early activities of the '60s. She was married to director Marco Elter.- Mano Ziffer-Teschenbruk was born on 17 December 1888 in Gura Humorului, Romania. Mano was a director and writer, known for Die Menschen nennen es Liebe... (1922), Parema - Das Wesen aus der Sternenwelt (1922) and Die gelbe Gefahr (1922). Mano died on 16 April 1968 in Vienna, Austria.