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1-19 of 19
- The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
- The affair between a politician and a contemporary dancer is affected by mysterious forces keeping the lovers apart.
- Comedy about a flighty, bored, kleptomaniac wife of a banker who robs her husband's bank of $60,000.
- Cassavetes' jazz-scored improvisational film explores interracial friendships and relationships in Beat-Era (1950s) New York City.
- In this romantic comedy/drama, George Segal stars as a freelance artist who's attempting to revitalize his career just as his marriage to Eva Marie Saint begins to fall apart. Co-starring David Doyle, Sterling Hayden and Kennan Wynn.
- Pamela B. Green's energetic film about pioneer filmmaker Alice Guy-Blaché is both a tribute and a detective story, tracing the circumstances by which this extraordinary artist faded from memory and the path toward her reclamation.
- A documentary that follows the Serbian performance artist as she prepares for a retrospective of her work at The Museum of Modern Art in New York.
- This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. The filmmakers expose this delightfully deranged cult by capturing the daily lives of its members. Interviews in movie houses, on the street and in the homes of the subjects tell the story of each individual. Many cannot hold a job, or choose not to. All of them have demoted the importance of the real world, giving all of their attention to the fantasy world of the movies. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. Many have no physical sex lives, living instead in a world of romance with stars like James Dean or Audrey Hepburn. In Cinemania, Hollywood's biggest fans become the true stars. This is the story of their lives, their memories, their unbending habits and the films they love.
- Ann, an attractive widowed New York model, lives in an apartment with her daughter Peggy. The courtship of Ann by visiting engineer Larry, and accompanying misadventures, are seen alternately from their and Peggy's viewpoint. Filmed realistically at many New York locations.
- In New York City, a young black boy and Puerto Rican girl fall in love despite objections from each other's families.
- In an age of legends and glamour Jack Warner reigned supreme. From humble beginnings, he and his brothers founded Warner Bros. studios. For over fifty years he held the crown, and with it made movie history-from flickering silents to wide-screen color epics. An insider's account of the man Bette Davis, Errol Flynn, James Cagney, Edward G. Robinson, Humphrey Bogart, and Bugs Bunny called "boss."
- Documentary about an artwork opening at The Museum of Modern Art.
- "Art in Our Time: Toward a New MoMA" features a cycle of 'end of century' exhibitions, cumulatively titled 'MoMA 2000', which aim to present the museum's rich collection in a brand new way. Instead of MoMA's famously traditional chronological installation, oriented heavily towards the 'School of Paris', the curators assembled works by themes which offered the public a new approach to the understanding of the art of our time. One aspect of this different approach was to experiment with finding new ways for MoMA to connect more decisively with the art of the present, as the term 'modern' can be construed as the art of the first half of the last century. By masterfully juxtaposing art of the past with art of the present, MoMA has encouraged it's visitors to observe, contemplate and process iconic pieces spanning the last century.
- In "Gerhard Richter: 4 Decades" Curator Robert Storr takes us through the artist's 2002 MoMA retrospective room by room, accompanied by the artist himself. The haunting and diverse collection features 188 of Richter's signature blurred photo-realistic paintings. From the political struggles of Western Germany to portraits of loved ones, Richter's body of work evokes a sense of both familiarity and dread. Storr and Richter's discussion of the artist's motivation and vision results in a deeply honest reflection on the retrospective as well as Richter's career as "Europe's greatest modern painter".