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Blind Husbands (1919)
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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes:
Date de sortie:
21 octobre 1919 (USA)
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Intrigue:
An Austrian military officer and roue' attempts to seduce the wife of a surgeon. The two men confront...
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Avis des utilisateurs:
Restraint
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Ensemble
(Casting officiel complet) | Sam De Grasse | ... | Dr. Armstrong |
| Francelia Billington | ... | Margaret Armstrong |
| Erich von Stroheim | ... | Lieutenant Erich von Steuben |
 | Gibson Gowland | ... | Silent Sepp (as T.H. Gibson Gowland) |
| Fay Holderness | ... | The 'Vamp' Waitress |
| Ruby Kendrick | ... | A Village Blossom |
| Valerie Germonprez | ... | The Newlywed |
| Jack Perrin | ... | The Newlywed |
| Richard Cummings | ... | The Village Physician |
| Louis Fitzroy | ... | The Village Priest |
| William De Vaull | ... | Man from 'Home' |
| Jack Mathis | ... | Man from 'Home' |
| Percy Challenger | ... | Man from 'Home' |
Détails supplémentaires
Autre(s) titre(s):
The Pinnacle (USA) (working title)
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Parents Guide:
Durée:
68 min | USA:91 min (DVD release) | Germany:99 min (Berlin International Film Festival)
Pays:
Langue:
Couleur:
Rapport de forme:
1,33 : 1 suite
Son:
Curiosités
Anecdotes:
422 different titles were considered for the adaptation of "The Pinacle". The eventual choice was made by New York exhibitors from a shortlist of eight.
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Goofs:
Révélant des erreurs: In one shot, when the wife walks across her bedroom, a spotlight beam is visible on the ground following her.
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Connexions De Film:
figure dans "Hollywood" (1980)
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Liens liés
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The story is simple and unoriginal: a love triangle, plus man's determination to conquer nature. But, this early effort by director Erich von Stroheim displays great restraint, especially for a filmmaker who would become notorious for excess. His films, such as 'Greed' (1924) are better known for their production and post-production histories than for their actual merits. He would shoot an excessive amount of footage for films of extraordinary length, which the producers then butchered. That's not the case with 'Blind Husbands,' though; this one has a normal runtime.
It also features the familiar Stroheim touches on a smaller scale. The acting is rather subtile. Stroheim introduces his typical role as a villainous Teutonic womanizer, with a scar, a monocle and a history of military service--"the man you love to hate." Here, he's the other man. Furthermore, the mise-en-scène takes precedence over camera movement or editing. The décor is detailed and occasionally allegorical to the melodrama. Attention to lighting is also evident. 'Blind Husbands' is sensational and too contrived and ruminant at times, but, for the most part, the simple story is harmonious with the restrained, yet detailed, film-making.