Mumbai, Feb 10 (Ians) Actors Prajakta Koli, Shikha Talsania, Adhaar Khurana and Chaitnya Sharma among many others are all set to star in ‘Taming of the Shrew’ adaptation ‘Yeh Shaadi Nahi Ho Sakti’.
Drenched in 90s nostalgia, it is directed by Akarsh Khurana. The central conflict of the plot is that love birds Lakshman (Chaitnya Sharma) and Priya (Prajakta Koli) cannot marry each other till the latter’s elder sister Pallavi (Shikha Talsania) gets married. Lakshman then devises a hilarious plan and tries to get Pallavi hitched to an eligible Nri groom (Adhaar Khurana). What follows is absolute mayhem, endless fun, and impossible wedding moments.
Akarsh Khurana says, “Some stories are just an absolute joy to tell, and ‘Yeh Shaadi Nahi Ho Sakti’ was one such project from the very beginning. The cast and crew and I absolutely loved blending the colourful quirks of the 90s with the comedic genius of Shakespeare,...
Drenched in 90s nostalgia, it is directed by Akarsh Khurana. The central conflict of the plot is that love birds Lakshman (Chaitnya Sharma) and Priya (Prajakta Koli) cannot marry each other till the latter’s elder sister Pallavi (Shikha Talsania) gets married. Lakshman then devises a hilarious plan and tries to get Pallavi hitched to an eligible Nri groom (Adhaar Khurana). What follows is absolute mayhem, endless fun, and impossible wedding moments.
Akarsh Khurana says, “Some stories are just an absolute joy to tell, and ‘Yeh Shaadi Nahi Ho Sakti’ was one such project from the very beginning. The cast and crew and I absolutely loved blending the colourful quirks of the 90s with the comedic genius of Shakespeare,...
- 2/10/2023
- by News Bureau
- GlamSham
Marion Davies Monumental Painting by Federico Beltrán Masses Rudolph Valentino's Travis Banton-designed matador outfit from Blood and Sand; Mary Pickford's period hat from the 1924 historical drama Dorothy Vernon of Haddon Hall; the charioteer helmet worn by Francis X. Bushman in the 1925 version of Ben-Hur, filmdom's biggest worldwide blockbuster until Gone with the Wind; a blue suit and signature hat from the Harold Lloyd estate; Douglas Fairbanks' costumes from the 1929 version of The Taming of the Shrew; Greta Garbo's green velvet dress from Anna Karenina; Marilyn Monroe's 'subway' dress from The Seven Year Itch; Audrey Hepburn's Cecil Beaton-designed dress from My Fair [...]...
- 6/16/2011
- by Andre Soares
- Alt Film Guide
Russell Crowe's dynamic Robin Hood repels foreign invaders in this blood-soaked interpretation of the folk tale
Ten years ago, Ridley Scott retrieved the Roman imperial epic from the 36 years of neglect that followed the failure of Anthony Mann's The Fall of the Roman Empire. Recognising that what sank Mann's movie was its elegance, careful pacing and world-weary sophistication, Scott's Gladiator began with a ferocious pitched battle in Germania that established its hero, Maximus, as a courageous leader, followed by the death far from home of Emperor Marcus Aurelius and the anointing of a weak successor. Scott's reworking of the Robin Hood legend begins in a similar fashion with a succession of violent scenes: the exploitation of provincial landowners in 12th-century England and a bloody siege of a French town by Richard the Lionheart on his return from the Crusades.
The first scene establishes that all is not well...
Ten years ago, Ridley Scott retrieved the Roman imperial epic from the 36 years of neglect that followed the failure of Anthony Mann's The Fall of the Roman Empire. Recognising that what sank Mann's movie was its elegance, careful pacing and world-weary sophistication, Scott's Gladiator began with a ferocious pitched battle in Germania that established its hero, Maximus, as a courageous leader, followed by the death far from home of Emperor Marcus Aurelius and the anointing of a weak successor. Scott's reworking of the Robin Hood legend begins in a similar fashion with a succession of violent scenes: the exploitation of provincial landowners in 12th-century England and a bloody siege of a French town by Richard the Lionheart on his return from the Crusades.
The first scene establishes that all is not well...
- 5/17/2010
- by Philip French
- The Guardian - Film News
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