Werewolf of London (1935)

Réalisateur:

Stuart Walker

Scénaristes:

Robert Harris (story)
John Colton (screenplay)

Date de sortie:

13 mai 1935 (USA)

Genre:

Drame | Fantasy | Horreur | Science-Fiction

Accroche:

Beware the Stalking Being - Half-Human - Half-Beast!

Intrigue:

The juice of a rare Tibetan flower is the only thing that keeps Dr. Glendon from turning into a werewolf during a full moon.

Plot Keywords:

Flower | Werewolf | Tibet | Moon | Antidote

Avis des utilisateurs:

A minor classic.

Ensemble

Henry Hull	...	Dr. Glendon
Warner Oland	...	Dr. Yogami
Valerie Hobson	...	Lisa Glendon
Lester Matthews	...	Paul Ames
Lawrence Grant	...	Sir Thomas Forsythe
Spring Byington	...	Miss Ettie Coombes
Clark Williams	...	Hugh Renwick
J.M. Kerrigan	...	Hawkins
Charlotte Granville	...	Lady Forsythe
Ethel Griffies	...	Mrs. Whack
Zeffie Tilbury	...	Mrs. Moncaster
Jeanne Bartlett	...	Daisy

Autre(s) titre(s):

Unholy Hour

Durée:

75 min

Pays:

USA

Langue:

Anglais | Tibetan | Latin

Couleur:

Noir et Blanc

Rapport de forme:

1,37 : 1

Son:

Mono (Western Electric Noiseless Recording)

Classification:

Finland:K-11 (2004) | Spain:13 | Australia:PG | USA:Approved (PCA #714) | Sweden:7

Lieux de tournage:

Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Société:

Universal Pictures

Anecdotes:

The well-known "Wolf Man" makeup used on Lon Chaney Jr. was actually created by Universal Pictures makeup designer Jack P. Pierce for Henry Hull in this film. After makeup tests, Hull declined to wear the makeup, citing his dislike of the time-consuming makeup application. A less hairy version was then devised by Pierce, and it is this version that is seen in the film. A still photograph of the original test makeup survives, however, and has been published.

Goofs:

Continuité: When the werewolf creeps up on the floozie at the Zoo, he conceals his face with his cape and arm, but when the floozie spots him in her compact, he is shown unconcealed.

Guillemet:

Dr. Yogami: The werewolf is neither man nor wolf, but a Satanic creature with the worst qualities of both.

Connexions De Film:

Référencé sur Monster by Moonlight! The Immortal Saga of 'The Wolf Man' (1999) (V)

A minor classic.

WEREWOLF OF LONDON (1935) does not satisfy as a whole, but it does have some memorable spots. The basic plot tells of a introverted botanist (Henry Hull) who is stricken with the ability to become a werewolf. The film's great moments are peppered through out. There's the beautifully photographed scene in Tibet, where moonlight is almost sun-beach bright. There's the bit in the zoo with a cockney hag fooling around with the zookeeper. Hull's perfomance is superb. We feel his anger over his failed marriage to much younger Valarie Hobson, his fear over his new affiction. It's a shame the screenwriters didn't dwell on his marriage more. The film has a humdinger of an ending, especially with the werewolf's last line.