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Hitori musuko (1936)
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Overview
Note des utilisateurs:
Release Date:
1 avril 1987 (USA) suitePlot:
In 1923, in the province of Shinshu, the widow and simple worker of a silk factory Tsune Nonomiya (O-Tsune)... suite | add synopsisAvis des utilisateurs:
Early Ozu masterpiece suiteEnsemble
(Interprètes principaux) | Chouko Iida | ... | Tsune Nonomiya (O-Tsune) |
| Shinichi Himori | ... | Ryosuke Nonomiya |
| Masao Hayama | ... | Ryosuke Nonomiya, as child |
| Yoshiko Tsubouchi | ... | Sugiko |
| Mitsuko Yoshikawa | ... | O-Taka |
| Chishu Ryu | ... | Professor Ookubo |
| Tomoko Naniwa | ... | Ookubo's wife |
| Bakudankozo | ... | Okubo's son |
| Kiyoshi Seino | ... | Matsumura, old man |
| Eiko Takamatsu | ... | Jokou |
| Seiichi Kato | ... | Kinjo no ko |
| Kazuo Kojima | ... | Kimiko |
| reste de la distribution par ordre alphabétique: | |||
| Tomio Aoki | ... | Tomibo (as Tokkan Kozou) |
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Additional Details
Parents Guide:
Add content advisory for parentsDurée:
87 minPays:
JapanLangue:
JaponaisCouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
MonoMOVIEmeter: 
60% since last week
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Curiosités
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Discuss this title with other users on IMDb message board for Hitori musuko (1936)| Recent Posts (updated daily) | User |
|---|---|
| german movie | jrglaves-smith |
| 'The Only Son' ( a 'must' for Ozu fans) out on DVD now | mac_alain |
Recommendations
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| Full cast and crew | Company credits | External reviews |
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Of all the major directors in the world, Ozu was the last one to convert to sound; "The Only Son" was his first "all-talkie" film (in 1936), and it is remarkably inventive (technically) as well as deeply moving. Once again, his film deals with family dynamics: in this case, a widowed mother who has worked selflessly to provide her son with an education. But when she goes to visit him, she finds that he has not fulfilled his promise: he's stuck in a mediocre job, he has a wife and child and can't make any drastic changes because of his responsibilities. The ways that the mother and son try to reach an understanding, and their mutual resignation to the disappointments of life, create a glancing but powerful sense of that "quiet desperation" which was so often Ozu's theme.