Show Boat (1936)

Note Générale:

7,8/10   

Réalisateur:

James Whale

Scénaristes:

Edna Ferber (novel)
Oscar Hammerstein II (play) ...

Date de sortie:

14 mai 1936 (USA)

Genre:

Comedie | Drame | Musical | Romance

Accroche:

Here Comes the Grand and Glorious "Show Boat" (version of 1936)

Intrigue:

Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.

Plot Keywords:

Showboat | Riverboat | Racial Overtones | Showbiz | Beautiful Woman

Récompenses:

1 win & 1 nomination

Avis des utilisateurs:

A cinematic masterpiece and true to the Ferber epic

Ensemble

Irene Dunne	...	Magnolia Hawks
Allan Jones	...	Gaylord Ravenal
Charles Winninger	...	Cap'n Andy Hawks
Paul Robeson	...	Joe
Helen Morgan	...	Julie LaVerne
Helen Westley	...	Parthenia "Parthy" Hawks
Queenie Smith	...	Ellie May Chipley
Sammy White	...	Frank Schultz
Donald Cook	...	Steve Baker
Hattie McDaniel	...	Queenie
Francis X. Mahoney	...	Rubber Face Smith
Marilyn Knowlden	...	Kim as a child
Sunnie O'Dea	...	Kim (at 16)
Arthur Hohl	...	Pete
Charles Middleton	...	Sheriff Ike Vallon

Autre(s) titre(s):

Edna Ferber's Show Boat (USA) (complete title)

Durée:

113 min

Pays:

USA

Langue:

Anglais

Couleur:

Noir et Blanc

Rapport de forme:

1,37 : 1

Son:

Mono (Western Electric Noiseless Recording)

Classification:

USA:Approved (PCA #2043) | Finland:S | UK:U

Lieux de tournage:

Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Société:

Universal Pictures

Anecdotes:

The song "Why Do I Love You?", as sung by Irene Dunne and Allan Jones, and the chorus "Happy The Day" (from the Act I Finale) were filmed but deleted before release, because it was felt that the movie was too long. "Why Do I Love You?" was to be sung in the scene in which Magnolia and Ravenal are riding in an automobile with their baby daughter, Kim. The rest of the scene remains in the film.

Goofs:

Continuité: At one point in the story, Cap'n Andy and Parthy discuss hiring a new leading man and leading lady. Just before Cap'n Andy says, "But where do we go from here? We can't give no more shows without a leading man !" he and Parthy are abruptly seen in a slightly different position.

Guillemet:

Parthy: We don't usually pick up actors off the wharves, but we can't be choosy right now!
Gaylord Ravenal: Madam, your courtesy is only exceeded by your charm.

Connexions:

Référencé sur Still Waiting... (2009) (V)

Bande son:

Why Do I Love You?

A cinematic masterpiece and true to the Ferber epic

This is not a musical. This is a film. James Whale's visual expressionism and the truly remarkable performances he coached from his actors is what makes SHOW BOAT a great movie. As an historical record, this SHOW BOAT is nearest to the Ferber novel as well as the Ziegfeld stage production, using several members of the original and / or London cast. The evocative tone of the film, bringing alive the seedy rural Mississippi River towns, coupled with the natural and subtle acting jobs, make this film real to the touch. Yes, MGM's production is more opulent, with more modern orchestrations and stronger vocals on the part of Gay and Magnolia. Even William Warfield is more polished than Paul Robeson. And that's the trouble. That performance belongs in an opera house. Universal's 1936 SHOW BOAT is musical realism. As for the cultural aspects, blackface happened. Get over it. So did rampant racism; and the misegenation aspects of the script are dealt with frankly and brutally. I know of precious few films of the thirties that were so bold in their statements regarding racial intolerance. And don't think Whale was oblivious to the fact that he was placing one infraction side-by-side with another. It is the perfect unmasking of the hypocrisy of racism - you can make yourself up to look like a nigger; but don't dare marry one or carry a drop of one's blood in your veins or let a real one on the same stage with a white actor.

Why is "Bill" so powerful? Listen to the second chorus. Victor Baravelle brings in high sustained strings. Whale cuts to the old charwomen halting in their work, stopping to listen, wiping away an unwanted tear with an apron.

SHOW BOAT 1936 pulls no punches. It's a masterpiece.