This has been called a western at sea and deservedly, considering the shootouts and roughhousing and a plot line of conflicted loyalties. There is great wildlife and glacier footage and tasty atmosphere. George Raft and Henry Fonda are an odd-couple match, but the chemistry works for the worldly-innocent contrast. In the "egg" incident, notice how both of them seem genuinely tickled. Fonda, of course, is the do-gooder and has little to do here until emotions build toward the climax. Raft has the more interesting role, and a salmon fisherman is a part definitely out of the norm for him. He gets an opportunity to lightly display a variety of talents (singing, swimming, stuntwork). But best of all, this is an example of the kind of performance that thoughtful direction like Hathaway's could bring from him. A vital sequence is emotionally honest without being hysterical or histrionic, and it's perfectly toned to the point of being wrenching. Also having good turns out of the usual are Dorothy Lamour and Akim Tamiroff, though John Barrymore seems a bit wasted - no pun intended.
13 Reviews
Two Fisted Actioneer!!!
xerses1327 March 2014
The setting could have been the OLD WEST or a Prohibition Gangster film, the plots are that interchangeable. Instead we have the great North-West territory of Alaska at the beginning of the 20th Century. The formula, a standard one for the 1930s, two Friends from similar back-rounds in Childhood. Upon maturity both come to a fork in the roads one going for the 'fast buck' the other wanting to build a new civilization.
Casting George Raft as Tyler Dawson assured that his character was going to take short-cuts. That left Henry Fonda's Jim Kimmerlee as the forthright and upright Friend. Each has a girl reflecting their respective temperaments. Dawson's Nicky Duval, Dorothy Lamour with a questionable background and good girl, Diane 'Di' Turlon, Louise Platt. Daughter of Windy Turlon, John Barrymore and with a name like 'RED' Skain you knew Akim Tamiroff was going to be up to no good.
The fight is over the annual Salmon run. 'RED' and Tyler just wanting to skim off others hard work. Jim and his Friends form a Vigilence Committee and with 'Harp Guns' at the ready do battle with the FISH PIRATES. Plenty of action, scenery with skillful directing by Henry Hathaway. Seldom seen now it was often shown on the old AMC. Available on DVD, good print, but NO extras, not even subtitles for the hard of hearing. Ask your library to order this one it is worth the viewing. Though John Barrymore was slipping into a caricature of himself and no longer 'The Great Profile'.
Casting George Raft as Tyler Dawson assured that his character was going to take short-cuts. That left Henry Fonda's Jim Kimmerlee as the forthright and upright Friend. Each has a girl reflecting their respective temperaments. Dawson's Nicky Duval, Dorothy Lamour with a questionable background and good girl, Diane 'Di' Turlon, Louise Platt. Daughter of Windy Turlon, John Barrymore and with a name like 'RED' Skain you knew Akim Tamiroff was going to be up to no good.
The fight is over the annual Salmon run. 'RED' and Tyler just wanting to skim off others hard work. Jim and his Friends form a Vigilence Committee and with 'Harp Guns' at the ready do battle with the FISH PIRATES. Plenty of action, scenery with skillful directing by Henry Hathaway. Seldom seen now it was often shown on the old AMC. Available on DVD, good print, but NO extras, not even subtitles for the hard of hearing. Ask your library to order this one it is worth the viewing. Though John Barrymore was slipping into a caricature of himself and no longer 'The Great Profile'.
Classic Scene.........
stanleybix-115 April 2006
This is a real good movie. Henry Fonda and George Raft Play the rival fishermen. Near the end of the movie George Raft is shot. While resting in bed he smokes a cigarette and the smoke comes up out of the bullet holes in his chest!? I remember when I was in high school. We were learning about first aid. The teacher told us about never giving a cigarette to an injury victim. Then he told us about a Humphrey Bogart movie where after being shot he smoked a cigarette and the smoke came out of his chest. I searched for years and found out it was the "Spawn of The North", With GEORGE RAFT not Bogart. Watch for this movie on AMC or TCM, just to see this scene. It is well worth watching, with fine acting and great scenery.
Nobody seemed to notice...
jozefkafka28 April 2011
None of the other reviews have mentioned that SPAWN OF THE NORTH is in fact a remake of THE VIRGINIAN, with a change in locale from Wyoming to Alaska. There is also one other notable change. While Akim Tamiroff is Trampas and Henry Fonda steps into Gary Cooper's boots as The Virginian, the emphasis has been shifted to the likable but shady Steve character (Richard Arlen in the '29 talkie, George Raft here). SPAWN OF THE NORTH would itself be remade in 1954 as ALASKA SEAS, with a nice cast including Robert Ryan, Brian Keith, and Gene Barry in the roles played by Raft, Fonda, and Tamiroff respectively. On its own terms SPAWN OF THE NORTH is very effective entertainment, thanks to the guiding hand of director Henry Hathaway as well as its cast, not only the aforementioned stars but also experienced scene-stealers John Barrymore and Lynne Overman in support.
Action and drama - with fish!..
AlsExGal31 December 2022
... from Paramount Pictures and director Henry Hathaway. Alaskan fish-cannery owner Jim (Henry Fonda) reconnects with old pal Tyler Dawson (George Raft), a seal hunter. They both have to deal with the illegal shenanigans of boat captain Red Skain (Akim Tamiroff) and his crew who keep looting the community's salmon traps. Jim also finds himself in a love triangle, as he pines for recently-returned gal Diane (Louise Platt), while hotel owner Nicky Duval (Dorothy Lamour) yearns for Jim from afar. Also featuring Lynne Overman, Fuzzy Knight, Vladimir Sokoloff, Duncan Renaldo, John Wray, Henry Brandon, and John Barrymore.
The subject matter isn't something that's frequently covered in cinema, and the cast is unexpected, as well. Raft isn't bad, while Fonda is very good, easing into the earnest, noble hero mold that served him well in his career leading up to the war. One of the most notable things about the movie is the presence of John Barrymore as the hopelessly drunk father of Platt's character. Barrymore's standing had sunk so low by this point that he's listed fifth in the credits. The movie was awarded an honorary Oscar for the sound effects and visual effects (there's a lot of rear projection on display).
The subject matter isn't something that's frequently covered in cinema, and the cast is unexpected, as well. Raft isn't bad, while Fonda is very good, easing into the earnest, noble hero mold that served him well in his career leading up to the war. One of the most notable things about the movie is the presence of John Barrymore as the hopelessly drunk father of Platt's character. Barrymore's standing had sunk so low by this point that he's listed fifth in the credits. The movie was awarded an honorary Oscar for the sound effects and visual effects (there's a lot of rear projection on display).
"There's no one more stubborn in the defense of morality than a reformed sinner."
classicsoncall17 September 2006
Warning: Spoilers
The opening music sounds like it could be from a jungle flick, though a title card calls attention to Old West parallels for fish pirates on the Alaskan frontier in the early 1900's. Prior to finding this film in a second hand shop, I had never heard of it, and to maintain the suspense, I didn't read the video sleeve, hoping that the combination of Fonda, Raft and Lamour would deliver. It's not too bad, set as it is in an unlikely venue of Arctic glaciers and salmon spawning grounds, with the Western parallel of good guys against bad guys only lacking the obligatory black hats.
Henry Fonda and George Raft seem an unlikely duo to co-star, and each is acceptable in their respective assignments. Fonda's role as Jim Kimmerlee is a little more fleshed out and philosophical than Raft's Tyler Dawson. There's an interesting scene where Jim responds to Dian's (Louise Platt) lament over what she sees as naive for the native Indians to perform ceremonial prayer for a successful fish harvest. Jim points out that it's no more hypocritical than praying for rain when a farmer plants his wheat. I thought that was great.
True to their respective natures, Jim's boat is 'Old Reliable', while Tyler Dawson's (Raft) is 'Who Cares', enough said subliminally to hint at what's going to happen. Interestingly, the 'pirates' of the film are cast as Russian thugs who raid the legal fishing nets, led by a seaman appropriately named 'Red' (Akim Tamiroff). When Dawson throws in with Red, it sets up a dramatic confrontation between Jim and Tyler that leads to Dawson's redemptive moment in the film's climax.
Along the way, Dorothy Lamour and Louise Platt stand by their men, Dawson and Kimmerlee respectively, right or wrong. It's a different role for Lamour if you're used to her 'Road' pictures with Hope and Crosby. Platt has the kind of looks that will have you wondering where you've seen her before, but you probably haven't. She appeared in only a handful of films between 1939 and 1942, but one of them was John Ford's acclaimed Western epic "Stagecoach".
True to his Western film roots, director Henry Hathaway called on a few veterans of the genre for supporting roles here. Fans will recognize Stanley Andrews, Duncan Renaldo and Fuzzy Knight, even though fishing boats replace stagecoaches.
"Spawn of the North" was recognized with an Oscar for Paramount's creation of special photographic and sound effects for the picture. The Academy might have also come up with something for the film's uncredited scene stealer, Slicker the sea lion. Every scene with Slicker was something special, the best being his team up with Fonda to put one over on Louise Platt's character, that was simply great!
Henry Fonda and George Raft seem an unlikely duo to co-star, and each is acceptable in their respective assignments. Fonda's role as Jim Kimmerlee is a little more fleshed out and philosophical than Raft's Tyler Dawson. There's an interesting scene where Jim responds to Dian's (Louise Platt) lament over what she sees as naive for the native Indians to perform ceremonial prayer for a successful fish harvest. Jim points out that it's no more hypocritical than praying for rain when a farmer plants his wheat. I thought that was great.
True to their respective natures, Jim's boat is 'Old Reliable', while Tyler Dawson's (Raft) is 'Who Cares', enough said subliminally to hint at what's going to happen. Interestingly, the 'pirates' of the film are cast as Russian thugs who raid the legal fishing nets, led by a seaman appropriately named 'Red' (Akim Tamiroff). When Dawson throws in with Red, it sets up a dramatic confrontation between Jim and Tyler that leads to Dawson's redemptive moment in the film's climax.
Along the way, Dorothy Lamour and Louise Platt stand by their men, Dawson and Kimmerlee respectively, right or wrong. It's a different role for Lamour if you're used to her 'Road' pictures with Hope and Crosby. Platt has the kind of looks that will have you wondering where you've seen her before, but you probably haven't. She appeared in only a handful of films between 1939 and 1942, but one of them was John Ford's acclaimed Western epic "Stagecoach".
True to his Western film roots, director Henry Hathaway called on a few veterans of the genre for supporting roles here. Fans will recognize Stanley Andrews, Duncan Renaldo and Fuzzy Knight, even though fishing boats replace stagecoaches.
"Spawn of the North" was recognized with an Oscar for Paramount's creation of special photographic and sound effects for the picture. The Academy might have also come up with something for the film's uncredited scene stealer, Slicker the sea lion. Every scene with Slicker was something special, the best being his team up with Fonda to put one over on Louise Platt's character, that was simply great!
The parts are better than the whole.
Tipster31 October 2000
Some surprisingly violent action scenes are the highlights of this Alaska-set adventure tale of boats and salmon fishermen, which plays like a disguised Western. Unfortunately, they're lost in a sea of footage (almost two hours), and the savvy viewer can see the ending coming from halfway to Skag
One for the money says Henry Fonda
bkoganbing28 April 2004
I've always looked on this film as a perfect blend of obvious location shooting for background very well integrated with the plot of the story which was done on the Paramount back-lot. The best part of the film is the footage of Alaska, of the Inuit, and even of the salmon going upstream to their demise.
Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate.
However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.
Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.
Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.
Nice entertainment and Dorothy Lamour does NOT wear a sarong.
Looking at Henry Fonda and George Raft however is quite a contrast between a great actor and a personality. Raft's gangster persona is not quite right for this tale of best friends ending up on opposite sides of the law. Still he gives it his best shot and the results are more than adequate.
However the best acted performance in this film without a doubt goes to Akim Tamiroff as the Russian fish pirate Red Skane. Skane is a swaggering thug and Tamiroff is perfect.
Many years ago I saw Henry Fonda and he said he divided his films in two categories, those he did for art's sake and those he did for the money. Spawn of the North was one for the money, but still he was proud of it as entertainment. His Jim Kimmerlee does not belong in the category of his great parts like Mister Roberts or Oxbow Incident, but it still is a good piece of work. Fonda does the best he can with a part that doesn't call for him to do much, but be noble.
Back in the 1930s location shooting was an expensive proposition and here Paramount did a superb job at masking the studio origins of the film. Looking at those shots with the fisherman against the backdrop of the glaciers and icebergs you really do think you're in Alaska. Great special effects here, especially in the climax which involves boats being crushed by icebergs.
Nice entertainment and Dorothy Lamour does NOT wear a sarong.
Henry Fonda and Dorothy Lamour
marthawilcox18312 August 2014
Henry Fonda doesn't contribute much to this film, although Dorothy Lamour does put in a good performance. This is really a George Raft film who puts in a strong performance, and there is a lot that you can learn from his acting. Fonda seems to be trying too hard to act. You just don't believe him, and you feel that he was very lucky to get a break in films in the 1930s. Even Akim Tamaroff puts in a better performance than Fonda standing shoulder to shoulder with Raft as an equal. I can see what Cecil B. DeMille saw in Tamaroff to cast him in 'The Buccaneer', although that was not a good film.
Despite all this, I fell asleep during the film because it bored me to tears.
Despite all this, I fell asleep during the film because it bored me to tears.
I should watch this one more often.
pmtelefon15 September 2019
"Spawn of the North" turns out to be a really good movie. It gets off to a slow start but after that it's really good. The first half does a nice job establishing the characters and the plot. It's just that the first half spends a lot of the time trying to be funny. It is pretty funny but I just wish they got to the meat and potatoes earlier. The second half is very exciting and quite emotional. The cast is very good but for me the star of the show is the production design. It's terrific. "Spawn of the North" is another solid movie from director Henry Hathaway. Honorable mention: a very dreamy Dorothy Lamour. Man, let me tell you, there's a scene towards the end where I couldn't take my eyes off her sweater.
Upstaged by a seal
AAdaSC26 February 2023
Fishermen buddies Henry Fonda (Jim) and George Raft (Tyler) meet up in Alaskan waters when Raft gives Fonda a business proposition to move away from fishing Alaskan salmon and join him for bigger profits. Raft is set on buying a bigger boat and just needs to make the purchase. However, Fonda has settled into his own business and is now very much part of the Alaskan village community. Raft needs to make money fast - he wants his new boat. Akim Tamiroff (Red) is the Russian bad guy who steals fish from everyone else's traps and George Raft allies himself with this evil-doer. This brings him into conflict with Fonda.
The film is ok. It is also too long and a bit boring and we've seen the story before - a buddy-buddy movie where friends fall out. The best in the cast is Tamiroff followed by barmaid Dorothy Lamour (Nicky) who is Raft's girlfriend. Raft and Lamour are a more interesting couple than Fonda and snooty Louise Platt (Di). John Barrymore is also put into the mix as Platt's father and pretty much plays an old drunkard who thinks he's eloquent. The standout moment for me comes one evening when the Alaskan Indians perform a salmon ceremony to encourage a good fishing season. The chanting is quite haunting and provides a memorable occasion.
At the film's start, we see a documentary montage showing the wildlife - salmon and bears - as well as the fishing vessels carrying out their tasks for this particular industry. It ends with a climax - literally - as we see the salmon reproductive process and lots of sperm. I mean spawn. It's a fish porno. What a horrid title for a film and what a horrid word 'spawn' is. Spawn. Say it again. Spawn. See what I mean?
The film is ok. It is also too long and a bit boring and we've seen the story before - a buddy-buddy movie where friends fall out. The best in the cast is Tamiroff followed by barmaid Dorothy Lamour (Nicky) who is Raft's girlfriend. Raft and Lamour are a more interesting couple than Fonda and snooty Louise Platt (Di). John Barrymore is also put into the mix as Platt's father and pretty much plays an old drunkard who thinks he's eloquent. The standout moment for me comes one evening when the Alaskan Indians perform a salmon ceremony to encourage a good fishing season. The chanting is quite haunting and provides a memorable occasion.
At the film's start, we see a documentary montage showing the wildlife - salmon and bears - as well as the fishing vessels carrying out their tasks for this particular industry. It ends with a climax - literally - as we see the salmon reproductive process and lots of sperm. I mean spawn. It's a fish porno. What a horrid title for a film and what a horrid word 'spawn' is. Spawn. Say it again. Spawn. See what I mean?
Gripping entertainment!
JohnHowardReid24 October 2017
Warning: Spoilers
Not copyrighted. A Paramount picture. New York opening at the Paramount 7 September 1938. U.S. release: 26 August 1938. Sydney opening at the Prince Edward, 19 November 1938 (ran 4 weeks). 110 minutes.
SYNOPSIS: Russian salmon fisheries are on the agenda!
NOTES: Special Academy Award "for outstanding achievement in creating Special Photographic and Sound Effects in the Paramount production, Spawn of the North. Special Effects by Gordon Jennings, assisted by Jan Domela, Dev Jennings, Irmin Roberts and Art Smith. Transparencies by Farciot Edouart, assisted by Loyal Griggs. Sound effects by Loren Ryder, assisted by Harry Mills, Louis H. Mesenkop and Walter Oberst".
Re-made in 1954 as "Alaska Seas".
COMMENT: A typically vigorous Henry Hathaway actioner, "Spawn of the North" is a powerful drama with some terrific action scenes and awesome location material brilliantly blended into the studio footage.
Mind you, this studio footage isn't to be put down either, as all the players contribute excellent portrayals, particularly John Barrymore as a loquacious newspaper editor (well-named "Windy") and Lynne Overman as his "translater". Lamour is quite fetching, while Fonda, Raft, Tamiroff and Sokoloff also provide most agreeable character sketches.
My only complaint is that the movie is a trifle over-long. The big fight scene occurs almost 30 minutes from the actual end of the picture. Slight trimming of this excess anti-climax would be helpful.
The hero's dilemma is real and believable, even though the basic plot is one of the most commonly used in Hollywood movies.
The characters also are thoroughly convincing, even though on paper they might be criticized as stereotypes. It's the way they are so skilfully and dramatically brought to life on the screen that counts. Hathaway's solid, punchy direction could not be bettered. Other technical credits are likewise first-rate.
All told, this movie certainly comes across as gripping entertainment.
SYNOPSIS: Russian salmon fisheries are on the agenda!
NOTES: Special Academy Award "for outstanding achievement in creating Special Photographic and Sound Effects in the Paramount production, Spawn of the North. Special Effects by Gordon Jennings, assisted by Jan Domela, Dev Jennings, Irmin Roberts and Art Smith. Transparencies by Farciot Edouart, assisted by Loyal Griggs. Sound effects by Loren Ryder, assisted by Harry Mills, Louis H. Mesenkop and Walter Oberst".
Re-made in 1954 as "Alaska Seas".
COMMENT: A typically vigorous Henry Hathaway actioner, "Spawn of the North" is a powerful drama with some terrific action scenes and awesome location material brilliantly blended into the studio footage.
Mind you, this studio footage isn't to be put down either, as all the players contribute excellent portrayals, particularly John Barrymore as a loquacious newspaper editor (well-named "Windy") and Lynne Overman as his "translater". Lamour is quite fetching, while Fonda, Raft, Tamiroff and Sokoloff also provide most agreeable character sketches.
My only complaint is that the movie is a trifle over-long. The big fight scene occurs almost 30 minutes from the actual end of the picture. Slight trimming of this excess anti-climax would be helpful.
The hero's dilemma is real and believable, even though the basic plot is one of the most commonly used in Hollywood movies.
The characters also are thoroughly convincing, even though on paper they might be criticized as stereotypes. It's the way they are so skilfully and dramatically brought to life on the screen that counts. Hathaway's solid, punchy direction could not be bettered. Other technical credits are likewise first-rate.
All told, this movie certainly comes across as gripping entertainment.
First to be Recognized by the Academy For Its Special Effects
springfieldrental10 January 2024
Because we're so familiar with Hollywood's ability to use computer graphics imagery in today's top blockbusters, we can't fathom how movies before computers were made creating and showing breathtaking visuals. Many older films were produced ingeniously using effects that are now no longer practiced, such as seen in Paramount Pictures' August 1938 "Spawn of the North," the first movie to be given an Oscar, albeit honorary, for its special effects. The award opened the way for the Academy Awards to establish the "Best Special Effects" category the following year.
Before 1938's "Spawn of the North," cinema had a long history of producing special effects ever since France's George Melies took his journey into space in 1903's "A Trip to the Moon." The Academy was slow to recognize such achievements, restricting its 'Best Engineering Effects' to only the silent film 1929's "Wings" before eliminating the category. When 1933's "King Kong" mesmerized audiences, RKO producer David O. Selznick unsuccessfully lobbied the Academy to highlight the work of stop-motion wizard Willis O'Brien. Academy board members finally felt the need to honor the work of effects technicians in "Spawn of the North." The spectacular movie was the first to use a huge 36-foot rear projection screen to create realistic depth of field images, matte paintings and other tricks that brought the wilds of Alaska to the neighborhood screen.
Director Henry Hathaway assigned a film crew to the northern territory to capture Alaska's boundless, rugged country. Once he received over 75,000 feet of footage in the six months of shooting, Hathaway, through the magic of special effects, brilliantly used the clips to complement his Hollywood studio shooting for "Spawn of the North." Spectacular shots, including the salmon migration up the rivers seen in the beginning of the movie as well as the spell-bounding sequences with their glacier calving near our heroes' boats, added tremendously to the picture's excitement. Additional footage taken at Lake Tahoe, Lake Arrowhead, the coastal areas of California as well as the mock Indian villages gave viewers a sense that all the motion picture's action took place in Alaska. A massive 375,000 gallon tank complete with piers and fishing boats built inside the Paramount studio lot allowed Hathaway to direct his controlled shots.
Film reviewer Laura Boyes noticed, "Even with our modern, sophisticated eye, it's not always possible to decide how certain effects were obtained."
The story loosely follows the structure of 'The Virginian,' where two close friends, Jim (Henry Fonda) a salmon cannery owner, links up with buddy Tyler (George Raft), who has taken out a loan on a boat to hunt seals. After Jim rejects his offer to partner on his ship, Tyler seeks out Ruskie Red Skain (Akim Tamiroff), who's notorious for stealing fishing traps. Jim and Tyler eventually come to blows, but the ending is one that brings tears to even the most unsentimental muscle men. Lending the requisite romantic angle to "Spawn of the North" is Dorothy Lamour as Nicky Duval, girlfriend of Tyler's. Lamour replaced an ill Carole Lombard as the proprietor of the fishing community's hotel who goes around not wearing a bra. Louise Platt as 'Di' Turlon, an East Coast gal who's a little startled by the wildness of Alaska, is visiting her father Windy Turlon (John Barrymore), a newspaper editor.
"Spawn of the North" was a huge hit for Paramount, and produced a remake in 1954 called "Alaska Seas," starring Robert Ryan and Brian Keith.
Before 1938's "Spawn of the North," cinema had a long history of producing special effects ever since France's George Melies took his journey into space in 1903's "A Trip to the Moon." The Academy was slow to recognize such achievements, restricting its 'Best Engineering Effects' to only the silent film 1929's "Wings" before eliminating the category. When 1933's "King Kong" mesmerized audiences, RKO producer David O. Selznick unsuccessfully lobbied the Academy to highlight the work of stop-motion wizard Willis O'Brien. Academy board members finally felt the need to honor the work of effects technicians in "Spawn of the North." The spectacular movie was the first to use a huge 36-foot rear projection screen to create realistic depth of field images, matte paintings and other tricks that brought the wilds of Alaska to the neighborhood screen.
Director Henry Hathaway assigned a film crew to the northern territory to capture Alaska's boundless, rugged country. Once he received over 75,000 feet of footage in the six months of shooting, Hathaway, through the magic of special effects, brilliantly used the clips to complement his Hollywood studio shooting for "Spawn of the North." Spectacular shots, including the salmon migration up the rivers seen in the beginning of the movie as well as the spell-bounding sequences with their glacier calving near our heroes' boats, added tremendously to the picture's excitement. Additional footage taken at Lake Tahoe, Lake Arrowhead, the coastal areas of California as well as the mock Indian villages gave viewers a sense that all the motion picture's action took place in Alaska. A massive 375,000 gallon tank complete with piers and fishing boats built inside the Paramount studio lot allowed Hathaway to direct his controlled shots.
Film reviewer Laura Boyes noticed, "Even with our modern, sophisticated eye, it's not always possible to decide how certain effects were obtained."
The story loosely follows the structure of 'The Virginian,' where two close friends, Jim (Henry Fonda) a salmon cannery owner, links up with buddy Tyler (George Raft), who has taken out a loan on a boat to hunt seals. After Jim rejects his offer to partner on his ship, Tyler seeks out Ruskie Red Skain (Akim Tamiroff), who's notorious for stealing fishing traps. Jim and Tyler eventually come to blows, but the ending is one that brings tears to even the most unsentimental muscle men. Lending the requisite romantic angle to "Spawn of the North" is Dorothy Lamour as Nicky Duval, girlfriend of Tyler's. Lamour replaced an ill Carole Lombard as the proprietor of the fishing community's hotel who goes around not wearing a bra. Louise Platt as 'Di' Turlon, an East Coast gal who's a little startled by the wildness of Alaska, is visiting her father Windy Turlon (John Barrymore), a newspaper editor.
"Spawn of the North" was a huge hit for Paramount, and produced a remake in 1954 called "Alaska Seas," starring Robert Ryan and Brian Keith.
See also
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