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Lillian Russell (1940)

 -  Biography | Drama | Musical  -  24 May 1940 (USA)
6.8
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Ratings: 6.8/10 from 272 users  
Reviews: 16 user | 5 critic

Life story of the musical star from her discovery in 1890 by band leader Tony Pastor till her retirement in 1912 when she married newspaperman Alexander Moore.

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Title: Lillian Russell (1940)

Lillian Russell (1940) on IMDb 6.8/10

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Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
...
...
Edward Solomon
...
Alexander Moore
...
Warren William ...
The Famous J.L.
Leo Carrillo ...
Tony Pastor
Helen Westley ...
Grandma Leonard
Dorothy Peterson ...
Cynthia Leonard
Ernest Truex ...
Charles K. Leonard
...
William Gilbert
Lynn Bari ...
Edna McCauley
Claud Allister ...
Arthur Sullivan (as Claude Allister)
Joe Weber ...
Himself (as Weber)
Lew Fields ...
Himself (as Fields)
Eddie Foy Jr. ...
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Storyline

Life story of the musical star from her discovery in 1890 by band leader Tony Pastor till her retirement in 1912 when she married newspaperman Alexander Moore.

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

24 May 1940 (USA)  »

Also Known As:

A Bela Lillian Russell  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

After the huge success of The Great Ziegfeld (1936) MGM wanted to make a movie of Lillian Russell starring Jeanette MacDonald, but that project fell through. Twentieth Century Fox then decided to make a movie about Russell. See more »


Soundtracks

Adored One
(1940)
Music by Alfred Newman
Lyrics by Mack Gordon
Performed by Don Ameche (uncredited)
Also sung by Alice Faye (uncredited)
In the score as background music often
See more »

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User Reviews

 
A film that plods along
30 July 2014 | by See all my reviews

Henry Fonda is thrown into action by trying to halt two spirited horses charging down the street with an open carriage. This is the kind of incident that propels a story forward. Without it, there's no need for Fonda to be in the film.

You get a clear sense of who Lillian Russell is. She wants to sing on stage just like an actor wants to act in the theatre. She is consumed by her ambition and cannot see herself doing anything else.

I'm not particularly a fan of Don Ameche and I'm not sure if he contributes anything to this film.

It touches on the Suffragette Movement, but that's just a backdrop. It's not the story.

Overall, it plods along without any engagement in terms of story or character. Fonda fans would do well to stay away from this film.


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What Lillian Russell *really* looked like meredithsloan
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