We get a good look at a small village in Savoie for an hour before Father Christmas is found dead. This gives us a chance to look at all the suspects: the local Prince, Raymond Rouleau, returned after ten years' absence, suffering from leprosy which has already blighted his hand; the local globemaker who has gone from home to home as Father Christmas for three decades, the inimitable Harry Baur; his dreamy daughter, Renée Faure; her suitor, schoolteacher Robert Le Vigan; crazy Marie-Hélène Dasté, who has been searching for her cat forever; the kindly pharmaicst Jean Brochard; and the children, who believe in Father Christmas and depend on the gifts he brings. There's also a diamond stolen from the church, worth more than the entire village. All this happens before Father Christmas is found dead, and then strange things happen.
Will the murderer be found? Will the diamond be returned? Will the children get their presents? All of these are of equal importance, because despite the mystery at the center of the story, all good murder mysteries are about the restoration of moral order to the universe, and this is a charming little village filled with people who care about each other. It is only the solution that can restore that order.
Because this is the first film produced by Continental Films, the production company set up by the occupying Germans, there is a tendency to look on it as German propaganda. In fact, the remit of the company was to produce pure entertainment, and that is what we have here. With excellent actors under the direction of solidly commercial director Christian-Jaque.