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Casablanca (1942)
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Overview
Note des utilisateurs:
Release Date:
23 janvier 1943 (USA) suiteAccroche:
They had a date with fate in Casablanca! suitePlot:
Set in unoccupied Africa during the early days of World War II: An American expatriate meets a former lover, with unforeseen complications. full summary | full synopsisAwards:
Won 3 Oscars. Another 2 wins & 6 nominations suiteAvis des utilisateurs:
"I should never have switched from scotch to martinis." suiteEnsemble
(Complete credited cast)| Humphrey Bogart | ... | Rick Blaine | |
| Ingrid Bergman | ... | Ilsa Lund | |
| Paul Henreid | ... | Victor Laszlo | |
| Claude Rains | ... | Captain Renault | |
| Conrad Veidt | ... | Major Strasser | |
| Sydney Greenstreet | ... | Signor Ferrari | |
| Peter Lorre | ... | Ugarte | |
| S.Z. Sakall | ... | Carl (as S.K. Sakall) | |
| Madeleine Lebeau | ... | Yvonne | |
| Dooley Wilson | ... | Sam | |
| Joy Page | ... | Annina Brandel | |
| John Qualen | ... | Berger | |
| Leonid Kinskey | ... | Sascha | |
| Curt Bois | ... | Pickpocket |
Additional Details
Autre(s) titre(s):
Everybody Comes to Rick's (USA) (original script title)Casablanca (France) [fr]
suite
MPAA:
Rated PG for mild violence.Parents Guide:
View content advisory for parentsDurée:
102 minPays:
USACouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
Mono (RCA Sound System)Classification:
Iceland:L | Spain:T | USA:Approved (certificate #8457) | USA:TV-PG (TV rating) | Brazil:12 | Netherlands:AL | New Zealand:PG | Argentina:Atp | Australia:PG | Canada:G (Manitoba/Nova Scotia/Quebec) | Canada:PG (Ontario) | Chile:TE | Denmark:A | Finland:S | Germany:6 | Norway:10 (re-rating) (1992) | Norway:11 (re-rating) (2002) | Norway:16 (original rating) | Peru:PT | Portugal:M/12 | South Korea:12 | Sweden:15 | Sweden:7 (re-release) | UK:U | USA:PG (new rating) (1992)Curiosités
Anecdotes:
The film cost approximately $950,000, some $100,000 over budget. suiteGoofs:
Continuity: When he enters in the Rick's, Ugarte passes through the people who are in the doorway and turns to his right. The subsequent shot shows him walking to the left, behind Rick. suiteGuillemet:
[first lines]Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles...
[...]
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Movie Connections:
Referenced in "Mystery Science Theater 3000: The Dead Talk Back (#7.3)" (1994) suiteSoundtrack:
Shine suitefoire aux questions
A NOTE REGARDING SPOILERSWas Ronald Reagan originally cast as Rick?
How does it end?
suite
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The Petrified Forest convinced the world Bogart was a bad guy. And for years he shocked and awed the audience with roles fitting that image. The Maltese Falcon showed a new kind hero, one with an edge. Bogart, with all the right things to say and seemingly never losing his cool. Then came Casablanca and the ages. The man's man comes with a heart. Arguably, three of his best pictures. All showing a change in a man's character and the depths of what acting is supposed to be. Maybe it was Warner Bros all along. Maybe Bogart was simply Bogart.
What can I say about this film that hasn't been said in over 60 years since its release. Is it a great film? Yes. Is it a showcase for Bogart? If not, than what else. Was Bogart the coolest guy to ever live? Absolutely. Casablanca is a different kind of love story, more likely to infect rather than effect.
She almost makes me believe it every time. When she says, "You're very kind." Bergman was more than just beautiful. And with Paul Henreid, Claude Rains, Conrad Veidt and Peter Lorre, cinema magic was created. But to me, Bogart was the greatest actor of all time. It's hard for me to believe he died almost 50 years ago. Every time I watch his films, it's like they were made yesterday. And that's why he is timeless. I'm still trying to figure him out.
"I should never have switched from scotch to martinis." Is said to be Bogart's last words. A legend, indeed.