Double Indemnity (1944)

Note des utilisateurs:

8.6/10   

Réalisateur:

Billy Wilder

Writers:

James M. Cain (novel)
Billy Wilder (screenplay) ...

Release Date:

6 septembre 1944 (USA)

Genre:

Crime | Film-Noir | Thriller

Accroche:

It's Love And Murder At First Sight !

Plot:

An insurance rep lets himself be talked into a murder/insurance fraud scheme that arouses an insurance investigator's suspicions.

Plot Keywords:

Insurance | Murder | Insurance Investigator | Train | Marriage

Awards:

Nominated for 7 Oscars. Another 1 win

Avis des utilisateurs:

Timeless Classic

US TV Schedule:

Thur. July 16

9:00 AM

TCM

Ensemble

Fred MacMurray	...	Walter Neff
Barbara Stanwyck	...	Phyllis Dietrichson
Edward G. Robinson	...	Barton Keyes
Porter Hall	...	Mr. Jackson
Jean Heather	...	Lola Dietrichson
Tom Powers	...	Mr. Dietrichson
Byron Barr	...	Nino Zachetti
Richard Gaines	...	Edward S. Norton, Jr.
Fortunio Bonanova	...	Sam Garlopis
John Philliber	...	Joe Peters
reste de la distribution par ordre alphabétique:
George Anderson	...	Warden at Execution (scenes deleted)
Al Bridge	...	Execution Chamber Guard (scenes deleted)
Edward Hearn	...	Warden's Secretary (scenes deleted)
Boyd Irwin	...	First Doctor at Execution (scenes deleted)
George Melford	...	Second Doctor at Execution (scenes deleted)
William O'Leary	...	Chaplain at Execution (scenes deleted)
Lee Shumway	...	Door Guard at Execution (scenes deleted)

Autre(s) titre(s):

Assurance sur la mort (Belgium: French title) (France) [fr]

Durée:

107 min | Argentina:110 min | Canada:90 min (Ontario)

Pays:

USA

Langue:

Anglais

Couleur:

Noir et Blanc

Aspect Ratio:

1.37 : 1

Son:

Mono (Western Electric Mirrophonic Recording)

Classification:

Germany:16 | Norway:16 | South Korea:15 | Portugal:M/12 | Argentina:16 | Australia:PG | Finland:K-16 | Sweden:15 | USA:Unrated | USA:Approved | UK:PG

Emplacements De Pelliculage:

1825 N. Kingsley Drive, Hollywood, Los Angeles, California, USA

Company:

Paramount Pictures

Anecdotes:

In the scene where Phyllis is listening at Neff's door as he talks with Keyes, Keyes exits into the hallway and Phyllis hides behind the door. The door opens into the hallway which isn't allowed by building codes even back then, but it does give Phyllis something to hide behind and increases the tension.

Goofs:

Continuity: After Neff meets with the President of his company, he returns to his apartment and places a folder on the chair to the right of the door. When Keyes comes to the door, after Neff's brief phone conversation, the folder is nowhere to be seen.

Guillemet:

[first lines]
Building attendant: Well, hello there, Mr. Neff.

Movie Connections:

Referenced in "The Simpsons: Dial 'N' for Nerder (#19.14)" (2008)

Soundtrack:

Tangerine

Timeless Classic

This film is great fun. Sxity years later, it's as taut and engaging and beautiful as any contemporary story.

It simmers, it sizzles, the tension between Neff and Dietrichson is positively palpable. But, as the tension between Neff and Dietrichson fizzles, the tension between Neff and Keyes heats up.

It's as pure a sample of classic film noir as there is, and it does it with unparalleled style.

This is what movie-making is all about. It's not a labrynth of characters and trick endings and gimmicks. In fact, the movie starts with our tragic hero admitting he's the who whodunit...what are we left with?

The story of how and why he dunit, of how he was intoxicated and bewitched, yet came to his senses, not soon enough to save him legally, but at least to come to terms with his own failure.