Les dames du Bois de Boulogne (1945)
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- Not Rated
- 1h 26min
- Drama, Romance
- 03 Apr 1964 (USA)
- Movie
Photos and Videos
Cast
Paul Bernard | ... |
Jean
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María Casares | ... |
Hélène
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Elina Labourdette | ... |
Agnès
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Lucienne Bogaert | ... |
Mme. D
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Jean Marchat | ... |
Jacques
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Yvette Etiévant | ... |
La bonne
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Marcel Rouzé |
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Bernard Lajarrige |
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Lucy Lancy |
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Nicole Regnault |
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Emma Lyonel |
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Marguerite de Morlaye |
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Rest of cast listed alphabetically: | |||
Blanchette Brunoy | ... |
(uncredited)
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Gilles Quéant | ... |
(uncredited)
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Directed by
Robert Bresson |
Written by
Robert Bresson | ... | (scenario & adaptation) |
Denis Diderot | ... | (novel "Jacques le fataliste et son maître") |
Jean Cocteau | ... | (dialogue: additional) |
Produced by
Raoul Ploquin | ... | producer |
Music by
Jean-Jacques Grünenwald |
Cinematography by
Philippe Agostini |
Editing by
Jean Feyte |
Production Design by
Max Douy |
Costume Design by
Mme Grès | ... | (uncredited) |
Schiaparelli | ... | (uncredited) |
Production Management
Robert Lavallée | ... | production manager |
Second Unit Director or Assistant Director
Paul Barbellion | ... | assistant director |
Roger Mercanton | ... | assistant director |
Art Department
James Allan | ... | assistant art director |
Robert Clavel | ... | assistant art director |
Sound Department
Robert Ivonnet | ... | sound (as Ivonnet) |
Lucien Legrand | ... | sound (as Legrand) |
René Louge | ... | sound (as Louge) |
Camera and Electrical Department
Maurice Pecqueux | ... | camera operator |
Marcel Weiss | ... | camera operator |
Location Management
Raymond Pillon | ... | location manager |
Script and Continuity Department
Suzanne Bon | ... | script supervisor |
Production Companies
Distributors
- Les Films Raoul Ploquin (1945) (France) (theatrical)
- Consortium du Film (1945) (France) (theatrical) (Paris)
- Brandon Films (1964) (United States) (theatrical) (subtitled) (edited version)
- Connoisseur Film Ltd. (1967) (United Kingdom) (theatrical) (subtitled)
- Les Acacias (2018) (France) (theatrical) (re-release) (restored version)
- ARTE (2020) (Germany) (tv)
- ARTE (2020) (France) (tv)
- BFI Video (2004) (United Kingdom) (DVD)
- Kinokuniya (2003) (Japan) (DVD)
- The Criterion Channel (2023) (United States) (tv) (streaming)
- The Criterion Collection (2003) (United States) (DVD)
Special Effects
Other Companies
Storyline
Plot Summary |
Hélène understands that Jean doesn't love her anymore. She is full of grief and anger, and she starts brooding on revenge. When she meets Jean, she pretends herself to be the one that has ceased to love the other. Jean is relieved, because now he thinks they can part as friends. Hélène goes to a night club, where a young woman, Agnès, is a famous dancer. Agnés has been forced into this life of debauchery and courtesanship because of poverty. She hates it and all the lecherous men. Hélène has met Agnès and her mother several years ago, and after the show she looks them up. She says that she will help them to leave this degrading life. The next day they shall move to an apartment she has rented, and stay there anonymously. Some days later she arranges a seemingly spontaneous meeting between Jean and Agnès in the Bois de Boulogne. Jean immediately falls in love with Agnès, who he thinks is an innocent girl from the countryside. Fueled by Hélène, and by Agnès's resistance, his infatuation turns into an obsession. Hélène's goal is to get Jean to marry Agnès, and then tell him that he has married a whore. Written by Maths Jesperson {maths.jesperson1@comhem.se} |
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Taglines | Starring the magnificent Maria Casares as 'first violin" in a 'string quartet" of 3 women and 1 man - Diderot's classic tale adapted by Jean Cocteau of a jilted woman's devastating revenge that boomeranged! See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Filmed in 1944 during the German occupation of Paris, there is no mention of World War II, no sign of any German presence, not a single uniform in sight, even at the wedding, and none of the usual well-known wartime regulations and/or shortages. Jean, with apparent ample income, but no meaningful source of obtaining it, seems also to have not only escaped military service, but also drives around Paris, otherwise devoid of civilian traffic and military or police control, in a pre-war American-made 1936 Pontiac convertible that would have normally have been confiscated for wartime use decades earlier, and with an apparent ample supply of otherwise unobtainable gasoline. See more » |
Goofs | In the meeting between Hélène and Jean in which they tell each other that there is no more love between the two, the clock on the mantelpiece jumps from ten to twelve to ten past twelve within seconds. See more » |
Movie Connections | Edited into La monnaie de l'absolu (1999). See more » |
Quotes |
Jacques:
There's no such thing as love, only proofs of love. See more » |