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Enfants du paradis, Les (1945)
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Overview
Plot:
This tragic tale centers around the ill-fated love between Baptiste, a theater mime, and Claire Reine... suite | add synopsisAwards:
Nominated for Oscar. suiteAvis des utilisateurs:
A timeless masterpiece suiteEnsemble
(Cast overview, first billed only) | Arletty | ... | Garance (Claire Reine) |
| Jean-Louis Barrault | ... | Baptiste Debureau |
| Pierre Brasseur | ... | Frédérick Lemaître |
| Pierre Renoir | ... | Jéricho |
| María Casares | ... | Nathalie (as María Casarès) |
| Gaston Modot | ... | Fil de Soie |
| Fabien Loris | ... | Avril |
| Marcel Pérès | ... | Director of the Funambules |
| Palau | ... | Stage manager of the Funambules (as Pierre Palau) |
| Etienne Decroux | ... | Anselme Debureau (as Étienne Decroux) |
| Jane Marken | ... | Mme. Hermine (as Jeanne Marken) |
| Marcelle Monthil | ... | Marie |
| Louis Florencie | ... | Policeman |
| Habib Benglia | ... | Turkish Bath Attendant |
| Rognoni | ... | Director, 'Grand Theatre' |
Additional Details
Autre(s) titre(s) :
Boulevard du crime, Le (France) (first part title)Children of Paradise (USA)
Homme blanc, L' (France) (second part title)
Enfants du paradis, Les (Belgium: French title) [fr]
suite
Parents Guide:
Add content advisory for parentsDurée:
190 min | USA:163 minPays:
FranceLangue:
FrançaisCouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
MonoClassification:
Brazil:18 | Australia:PG | Finland:K-16 | Sweden:15 | Sweden:7 (1986) | UK:PG | USA:Approved | Germany:12MOVIEmeter: 
3% since last week
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Curiosités
Anecdotes:
Turning was ended a short time before the D-Day and the director, having planned to distribute the film after the liberation of France, had three copies printed and concealed in three different places: a cellar of the Banque de France, a strongbox of Pathé and a Provence country house. suiteGuillemet:
Pierre-François Lacenaire: I don't love you, but you are the only women for whom I have no contempt. suitefoire aux questions
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It is an epic. One of the best films ever made. The script and the dialogues show that the genius of Jacques Prévert wasn't made only for written poetry but for poetry in motion as well.Carné's camera is precise and makes one feel like a real witness of the plot. All in all a lesson of how to make a film yesterday, today and tomorrow.