Love Letters (1945)
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- Approved
- 1h 41min
- Drama, Mystery
- 26 Oct 1945 (USA)
- Movie
- Nominated for 4 Oscars. Another 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Jennifer Jones | ... |
Victoria Morland aka Singleton
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Joseph Cotten | ... |
Alan Quinton
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Ann Richards | ... |
Dilly Carson
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Cecil Kellaway | ... |
Mac
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Gladys Cooper | ... |
Beatrice Remington
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Anita Louise | ... |
Helen Wentworth
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Robert Sully | ... |
Roger Morland
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Reginald Denny | ... |
Defense Counsel Phillips
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Ernest Cossart | ... |
Bishop
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Byron Barr | ... |
Derek Quinton
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Rest of cast listed alphabetically: | |||
Harry Allen | ... |
Farmer (uncredited)
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Conrad Binyon | ... |
Boy in Library (uncredited)
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Nina Borget | ... |
Italian Waitress (uncredited)
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Matthew Boulton | ... |
Judge (uncredited)
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Clifford Brooke | ... |
Cart Driver (uncredited)
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David Clyde | ... |
Postman (uncredited)
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Alec Craig | ... |
Dodd (uncredited)
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Catherine Craig | ... |
Jeanette Campbell (uncredited)
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Louise Currie | ... |
Clara Foley (uncredited)
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Mary Field | ... |
Nurse in Italy (uncredited)
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Helena Grant | ... |
Attendant (uncredited)
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Ethyl May Halls | ... |
Mary (uncredited)
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Lumsden Hare | ... |
Mr. Quinton (uncredited)
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Winifred Harris | ... |
Mrs. Quinton (uncredited)
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Arthur Hohl | ... |
Jupp (uncredited)
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George Humbert | ... |
Italian Innkeeper (uncredited)
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Katie Johnson | ... |
Nurse (uncredited)
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Connie Leon | ... |
Nurse (uncredited)
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Anthony Marsh | ... |
Young Man at Party (uncredited)
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Harold Miller | ... |
Trial Spectator (uncredited)
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James Millican | ... |
Jim Connings (uncredited)
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Ottola Nesmith | ... |
Elderly Nurse (uncredited)
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'Snub' Pollard | ... |
Trial Spectator (uncredited)
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Constance Purdy | ... |
Old Hag (uncredited)
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Ian Wolfe | ... |
Vicar (uncredited)
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Directed by
William Dieterle | ... | (directed by) |
Written by
Ayn Rand | ... | (screen play by) |
Christopher Massie | ... | (from the novel "Pity My Simplicity" by) (as Chris Massie) |
Produced by
Hal B. Wallis | ... | producer (produced by) |
Music by
Victor Young |
Cinematography by
Lee Garmes | ... | director of photography |
Editing by
Anne Bauchens |
Art Direction by
Roland Anderson | ||
Hans Dreier |
Set Decoration by
Ray Moyer | ||
Sam Comer | ... | (uncredited) |
Costume Design by
Edith Head |
Makeup Department
Wally Westmore | ... | makeup supervisor |
Second Unit Director or Assistant Director
Richard McWhorter | ... | assistant director (uncredited) |
Sound Department
Don Johnson | ... | sound recordist |
Don McKay | ... | sound recordist |
Visual Effects by
Farciot Edouart | ... | process photography |
Gordon Jennings | ... | special photographic effects |
Loyal Griggs | ... | process photography assistant (uncredited) |
Paul K. Lerpae | ... | special photographic effects assistant (uncredited) |
Camera and Electrical Department
Homer Plannette | ... | gaffer (uncredited) |
Harry Webb | ... | second camera operator (uncredited) |
Music Department
Sidney Cutner | ... | orchestrator (uncredited) |
George Parrish | ... | orchestrator (uncredited) |
Leo Shuken | ... | orchestrator (uncredited) |
Philip Wisdom | ... | music mixer (uncredited) |
Additional Crew
David O. Selznick | ... | artists by arrangement with: Jennifer Jones and Joseph Cotten |
Geoffrey Steele | ... | technical advisor (as Geoffrey Steele, Lieut. R.A.R.O. The Royal Dragoons) |
Victor Stoloff | ... | dialogue director |
Montfort F. Creves | ... | technical advisor: hospital scenes (uncredited) |
Gladys Percey | ... | research director (uncredited) |
Dorothy Robinson | ... | research assistant (uncredited) |
Production Companies
Distributors
- Paramount Pictures (1945) (United States) (theatrical) (as A Paramount Picture)
- Paramount Film Service (1945) (Canada) (theatrical)
- Paramount British Pictures (1945) (United Kingdom) (theatrical)
- Paramount Film Service (1945) (Australia) (theatrical)
- Film AB Paramount (1946) (Sweden) (theatrical)
- Les Films Paramount (1947) (France) (theatrical)
- Filmaktieselskapet Paramount (1947) (Norway) (theatrical)
- Paramount Films (1948) (Finland) (theatrical)
- Filmaktieselskabet Paramount (1949) (Denmark) (theatrical)
- M.P.E.A. (1949) (Germany) (theatrical)
- MCA/Universal Pictures (1958) (United States) (tv)
- MCA/Universal Home Video (1998) (United States) (VHS)
- Critics' Choice Video (1999) (United States) (VHS)
- Universal Pictures Home Entertainment (UPHE) (2014) (United States) (DVD) (Universal Vault Series)
- Kino Lorber Studio Classics (2023) (United States) (Blu-ray) (2k restoration)
Special Effects
Other Companies
- Western Electric (sound recording)
Storyline
Plot Summary |
After a man asks another man more facile with words to do his wooing for him, there are always complications. The man with no talent for writing marries the girl, confesses one night he didn't write the letters and ends up with a knife in his back. The writer of the letters falls in love with the woman he wrote to and wants to become her second husband even if she did murder husband number one. Singleton doesn't remember the murder or anything about the first 22 years of her life as Victoria Remington. Then at her second wedding she wonders why she said "I take you, Roger," instead of "I take you, Alan."
Written by Dale O'Connor |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | The role of Singleton was initially planned for Ann Richards, but after Jennifer became available, Richards ended up playing Dilly, Singleton's friend. See more » |
Goofs | Dilly Carson relates to Alan Quinton that she found Singleton sitting by the fireplace with a bloody knife and a letter from which Dilly quotes the signature line, "I think of you my dearest as the distance promise of beauty". But during the climactic flashback, we see the letter with that very line burning in the fireplace. See more » |
Movie Connections | Referenced in Mommie Dearest (1981). See more » |
Quotes |
Singleton:
I think very few people are happy. They wait all their lives for something to happen to them - something great and wonderful. They don't know what it is but they wait for it. Sometimes it never happens. What they want is the kind of spirit I found in those letters. A spirit that makes life beautiful. I love that man. I loved him more than my own life. I still love him. So you see, I couldn't have loved Roger Moreland, the man I killed. See more » |