Notorious (1946)

Note des utilisateurs:

8.3/10   

Réalisateur:

Alfred Hitchcock

Scénariste:

Ben Hecht (written by)

Release Date:

6 septembre 1946 (USA)

Genre:

Film-Noir | Romance | Thriller

Accroche:

Notorious woman of affairs... Adventurous man of the world!

Plot:

A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?

Plot Keywords:

Spy | German | Wine | Love | Wine Cellar

Awards:

Nominated for 2 Oscars. Another 1 win & 1 nomination

Avis des utilisateurs:

Bergman and Grants chemistry goes unsurpassed

Ensemble

Cary Grant	...	T.R. Devlin
Ingrid Bergman	...	Alicia Huberman
Claude Rains	...	Alexander Sebastian
Louis Calhern	...	Captain Paul Prescott
Leopoldine Konstantin	...	Madame Anna Sebastian (as Madame Konstantin)
Reinhold Schünzel	...	Dr. Anderson (as Reinhold Schunzel)
Moroni Olsen	...	Walter Beardsley
Ivan Triesault	...	Eric Mathis
Alex Minotis	...	Joseph - Sebastian's Butler
Wally Brown	...	Mr. Hopkins
Charles Mendl	...	Commodore (as Sir Charles Mendl)
Ricardo Costa	...	Dr. Julio Barbosa
Eberhard Krumschmidt	...	Emil Hupka
Fay Baker	...	Ethel

Autre(s) titre(s):

Alfred Hitchcock's Notorious (UK) (complete title) (USA) (complete title)
Les enchaînés (Canada: French title) (France) [fr]

Durée:

101 min

Pays:

USA

Langue:

Anglais | Français | Portugais

Couleur:

Noir et Blanc

Aspect Ratio:

1.37 : 1

Son:

Mono (RCA Sound System)

Classification:

Spain:18 | Iceland:L | UK:U (2008) | Norway:16 (1947) | Argentina:13 | Australia:M | Chile:14 | Finland:S | Germany:16 | Peru:14 | South Korea:15 (DVD rating) | Sweden:15 | UK:U | USA:Approved (PCA #11261)

Emplacements De Pelliculage:

Beverly Hills, California, USA

Company:

Vanguard Films

Anecdotes:

The set used in this film for the interior of the house of Alex Sebastian (Claude Rains) can also be seen in the RKO production The Locket (1946) as the house of Mrs. Willis (Katherine Emery). This is especially noticeable in scenes filmed in the part of the set representing the second floor corridor.

Goofs:

Continuity: When Devlin and Alicia go to find Sebastian riding horses, when viewed from the front Alicia is nearest to the rails. When viewed from behind their positions are reversed and Alicia's horse has changed from chestnut to dapple gray.

Guillemet:

[first lines]
[Title card]: Miami, Florida, Three-Twenty P.M., April the Twenty-Fourth, Nineteen Hundred and Forty-Six...
[reporters and photographers converse amongst themselves outside the courtroom]
Judge: Is there any legal reason why sentence should not be pronounced?
District Attorney: No, your honor.
John Huberman: Yes, I have something to say. You can put me away, but you can't put away what's going to happen to you, and to this whole country next time. Next time we are going...
Defense Counsel: [whispering] I wouldn't say any more. We'll need that for the appeal.

Movie Connections:

Referenced in Casino Royale (2006)

Bergman and Grants chemistry goes unsurpassed

Bergman and Grant are the true romantics of cinema. They move throughout the film as if they were acting naturally toward one another. Hitchcock puts them both in closeups especially the illuminating Bergman, capturing the power of the medium.

When Bergman says "Oh, you love me-you love me" in that wonderful close up I have to think to myself, how much I look forward to becoming a film maker. Why can't Hollywood capture moments like these in today's features?

Note how long the kiss lasts as Bergman and Grant move from the balcony to the living room. The lighting and camera positioning are phenomenal. Do not expect the typical Hitchcock here but then again it is hard to say what a typical Hitchcock is. Each of his films contain so many different elements yet, at the same time possess the true signature of an auteur.