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IMDb > Joyû Sumako no koi (1947)

Joyû Sumako no koi (1947)

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Note des utilisateurs: 7.0/10 (54 votes)
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Overview

Réalisateur:
Kenji Mizoguchi
Writers:
Hideo Nagata (play)
Yoshikata Yoda (writer)
Release Date:
16 août 1947 (Japan) suite
Genre:
Drame suite
Plot:
The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui... suite | add synopsis
Awards:
1 win suite
Avis des utilisateurs:
Tanaka tour de force suite

Ensemble

 (Interprètes principaux)
Kinuyo Tanaka ... Sumako Matsui
Sô Yamamura ... Hôgetsu Shimamura
reste de la distribution par ordre alphabétique:
Sugisaku Aoyama
Kyoko Asagiri ... Haruko Shimamura
Chieko Higashiyama ... Seki
Teruko Kishi
Hisao Kokuboda ... Shimpei Nakayama
Kikue Môri ... Ichiko Shimamura
Tomoo Nagai
Eitarô Ozawa ... Kichizô Nakamura
Koreya Senda
Shin Tokudaiji
Eijirô Tono ... Shoyo Tsubouchi
Saeko Watanabe ... Kimiko
suite
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Additional Details

Autre(s) titre(s) :
The Love of Sumako the Actress
Amour de l'actrice Sumako, L' (France) [fr]
suite
Durée:
96 min
Pays:
Japan
Langue:
Japonais
Couleur:
Noir et Blanc
Aspect Ratio:
1.37 : 1 suite
Son:
Mono
MOVIEmeter: ?
^ 48% since last week why?

Curiosités

Connexions De Film:
Referenced in Aru eiga-kantoku no shogai (1975) suite

foire aux questions

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1 out of 2 people found the following comment useful:-
Tanaka tour de force, 19 January 2005
8/10
Author: Michael Kerpan (kerpan) de New England

*** This comment may contain spoilers ***

The most impressive element of this film is a stunning performance by Kinuyo Tanaka as the title character Sumako -- the first real stage actress in Japan, whose short life was compounded of triumph and tragedy. We get to see Tanaka (as Sumako) in Ibsen's "Doll House", Tolstoy's "Resurrection" and a non-operatic version of "Carmen". So Yamamura did a decent job as the teacher/director who was Tanaka's mentor/lover. I found the script a bit too rigid (presumably this largely followed the facts of this actress's career). Nonetheless, one of the better scripts used by Mizoguchi around this time.

Filmed by Minoru Miki, who shot many of Mizoguchi's best early films, the visual beauty here was probably not fully shown off in the battered 16mm print I saw. I hope that a better print exists -- and that I see it some day.

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