IMDb RATING
7.3/10
4.2K
YOUR RATING
After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.
- Awards
- 1 win & 1 nomination
Fred Aldrich
- Construction Worker
- (uncredited)
Maxine Ardell
- Chorus Dancer
- (uncredited)
Larry Arnold
- Minor Role
- (uncredited)
Al Bain
- Fight Spectator
- (uncredited)
David Bauer
- Prosecutor
- (uncredited)
Martin Begley
- Minor Role
- (uncredited)
Ray Beltram
- Man on Street
- (uncredited)
- Director
- Writers
- Philip Yordan
- Jerome Weidman
- Joseph L. Mankiewicz(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Kenneth L. Geist's biography of the film's director Joseph L. Mankiewicz, "People Will Talk", the film's producer Sol Siegel hired Philip Yordan to adapt Joseph Weidman's novel for the screen. After Yordan submitted three-quarters of the script, Siegel, finding the script unacceptable, fired him and asked Mankiewicz to redo the script. Mankiewicz rewrote all of Yordan's dialogue, reshaped the script and finished it. The Screen Writers Guild ruled that Yordan receive sole story credit and that Yordan and Mankiewicz share credit for the screenplay. Mankiewicz refused to share credit for a screenplay he had basically written and so received no credit. The studio remade House of Strangers as a western in 1954 as Broken Lance and Yordan was given credit for the story and won an Academy Award for Best Writing, Motion Picture Story.
- GoofsAt 2:00, Max approaches the front door of the Monetti Trust and Loan building. A young woman wearing a beret and a vertically-striped jacket steps out of the door, makes a right turn (from Max's perspective), and continues to walk until she disappears into the right side of the frame. 15 seconds later, the same woman is seen walking in front of the same building--again from Max's left to to his right--as if she had never been inside.
- Quotes
Max Monetti: Always looking for a new way to get hurt from a new man. Get smart, there hasn't been a new man since Adam.
- ConnectionsFeatured in Directed by: Joseph L. Mankiewicz (2008)
- SoundtracksLargo al factotum
From the opera "Il barbiere di Siviglia (The Barber of Seville)" (uncredited)
Music by Gioachino Rossini (uncredited)
Lyrics by Cesare Sterbini (uncredited)
Performed by Lawrence Tibbett
Played on the phonograph before dinner at the family house
Featured review
Superb
An Italian-American family is the subject of "House of Strangers," a 1949 film starring Edward G. Robinson, Richard Conte, Susan Hayward, Luther Adler, Debra Paget, Hope Emerson, and Efrem Zimbalist, Jr. Being of Italian extraction myself, I actually thought this film was written by an Italian and was surprised to see it wasn't. It was dead on.
Edward G. Robinson is Gino Monetti, who owns a bank in the '30s. He runs it like he's selling items out of his garage, with lousy bookkeeping, some people being charged interest up front on loans and some getting more money than they asked for. He has four sons, three of whom he treats like second-class citizens: Pietro is a guard at the bank by day and an amateur boxer by night, Joe is a teller, and Tony is a clerk. When Joe, who married a woman from a good Philadelphia family, asks for a raise he was promised, he gets a lecture from Gino about how the family lived in the back of a barber shop when Gino made $15 a week. When Pietro loses a boxing match, Gino takes the jacket off of his shoulders that says "Monetti Bank." Gino runs his home with more rigidity than he does his bank: His wife doesn't say much, and he has mandatory Wednesday night spaghetti dinners during which he plays opera recordings such as "Il Barbiere di Siviglia" starring Lawrence Tibbett.
Gino has a favored child, and that's Max, his lawyer son. When the Feds start investigating Gino, Max comes up with a solution. If all the brothers will take responsibility for the sloppiness at the bank, the Feds won't be able to pin anything on anybody. But the sons refuse to lift a finger to help their father, ultimately forcing him out and starting their own bank. Max goes to prison for attempting to bribe a juror, and when he gets out, he's bent on revenge against his brothers.
The acting is this film is nothing short of fantastic. Robinson is perfect as the dictatorial, ruthless Gino. Conte is totally believable as the favorite son - efficient and slightly to the right of slimy. Luther Adler gives a brilliant performance as the henpecked Tony. The rest of the cast is uniformly excellent. Susan Hayward plays Max's love interest, a woman who gives as good as she gets. She looks sensational and does a terrific job in her role. Stardom is right around the corner for her, and it's no surprise.
With a great pace kept by Joseph Mankiewicz, this is a film that I'm surprised we don't hear more about. It just goes to show that there were so many great films made in Hollywood in the past that even some marvelous ones are overlooked. "House of Strangers" is definitely one to see and remember.
Edward G. Robinson is Gino Monetti, who owns a bank in the '30s. He runs it like he's selling items out of his garage, with lousy bookkeeping, some people being charged interest up front on loans and some getting more money than they asked for. He has four sons, three of whom he treats like second-class citizens: Pietro is a guard at the bank by day and an amateur boxer by night, Joe is a teller, and Tony is a clerk. When Joe, who married a woman from a good Philadelphia family, asks for a raise he was promised, he gets a lecture from Gino about how the family lived in the back of a barber shop when Gino made $15 a week. When Pietro loses a boxing match, Gino takes the jacket off of his shoulders that says "Monetti Bank." Gino runs his home with more rigidity than he does his bank: His wife doesn't say much, and he has mandatory Wednesday night spaghetti dinners during which he plays opera recordings such as "Il Barbiere di Siviglia" starring Lawrence Tibbett.
Gino has a favored child, and that's Max, his lawyer son. When the Feds start investigating Gino, Max comes up with a solution. If all the brothers will take responsibility for the sloppiness at the bank, the Feds won't be able to pin anything on anybody. But the sons refuse to lift a finger to help their father, ultimately forcing him out and starting their own bank. Max goes to prison for attempting to bribe a juror, and when he gets out, he's bent on revenge against his brothers.
The acting is this film is nothing short of fantastic. Robinson is perfect as the dictatorial, ruthless Gino. Conte is totally believable as the favorite son - efficient and slightly to the right of slimy. Luther Adler gives a brilliant performance as the henpecked Tony. The rest of the cast is uniformly excellent. Susan Hayward plays Max's love interest, a woman who gives as good as she gets. She looks sensational and does a terrific job in her role. Stardom is right around the corner for her, and it's no surprise.
With a great pace kept by Joseph Mankiewicz, this is a film that I'm surprised we don't hear more about. It just goes to show that there were so many great films made in Hollywood in the past that even some marvelous ones are overlooked. "House of Strangers" is definitely one to see and remember.
helpful•497
- blanche-2
- Aug 16, 2006
- How long is House of Strangers?Powered by Alexa
Details
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 1.37 : 1
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