A distant poor relative of the Duke D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.A distant poor relative of the Duke D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.A distant poor relative of the Duke D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.
- Nominated for 1 BAFTA Award
- 4 wins & 3 nominations total
Stanley Beard
- Warder
- (uncredited)
Storyline
Did you know
- TriviaSir Alec Guinness nearly drowned in the scene where the Admiral goes down with his sinking ship. Guinness was held down by wires whilst the set filled up with water. Once the scene was wrapped, the crew started to leave, until one technician suddenly realized that they had forgotten to release Sir Alec from the wires holding him underwater. He immediately dove into the waters with some wire-cutters and freed Guinness. Fortunately for all concerned, Guinness took great pride in his ability to hold his breath for long periods of time.
- GoofsThe first murder that Louis Mazzini commits involves him swimming fully dressed underwater to release a boat from its moorings. In spite of having brought no change of clothes or even a towel, he is shown shortly after committing the murder paddling down the river with his clothes bone-dry.
- Quotes
Sibella: [sobs] Oh Louis! I don't want to marry Lionel!
Louis Mazzini: Why not?
Sibella: He's so dull.
Louis Mazzini: I must admit he exhibits the most extraordinary capacity for middle age that I've ever encountered in a young man of twenty-four.
- Crazy creditsThe opening credits list photos of the 4 leading actors with their character names; in the case of Alec Guinness, 8 photos of the 8 characters he plays are shown, along with the one character name of "The D'Ascoyne Family." In the end credits, the 8 character names are listed for him.
- Alternate versionsWas available in a computer colorized version.
- ConnectionsFeatured in Film Profile: Michael Balcon (1961)
- SoundtracksIl mio tesoro intanto
Aria from "Don Giovanni"
Written by Wolfgang Amadeus Mozart (as Mozart)
Libretto by Lorenzo da Ponte (uncredited)
The music is played by The Philharmonia Orchestra
Conducted by Ernest Irving
Sung by an unidentified soloist
Featured review
My most beloved Ealing film, it's dated but in a good way
As I've said on all my Ealing movie reviews, I watched these cause the plots looked interesting but I'm still unsure on how to judge the movies. I'm not one to dismiss them as 'old' and therefore 'boring'; at the same time I don't just jump on the bandwagon saying they're classics just because they've got that reputation and a lot of people without even judging for themselves assume they're great.
To quote to further my point - "A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain So, watching this with an open mind, I really enjoyed it. Yes you have to realise it's not a modern movie so the kind of themes and scenes presented are different from the packaged elements of modern Hollywood, but that makes postwar British cinema very refreshing viewing. I think the use of the term 'comedy' is misleading because it most likely refers to it in the classic literary sense from Shakespeare and Greek theatre (probably in the early 20th century people were a bit better read than today so these terms would still have meaning to them) which refers to a story with happy ending and farcial plot and wit rather than obvious jokes like in the modern sense but even these movies have some funny scenes. Also the humour and premise is black comedy and subtle so look for something modern if you need laugh-out-loud movies.
'Kind Hearts and Coronets' When I first came across this the plot looked so unique I knew I just had to see it at least once, although I've rewatched it many times since. I do find Guinness's 8 roles are over-hyped because most of them have few lines and the distinctions between a few of them are non-existent though it's still a novelty and a brave act to pull off in a movie. For me, Mazzini's 'bad guy' characterisation is the most appealing element of the movie, with a characterisation that makes even a criminal charming and someone to empathise with a little (and for me some visual appeal). The unique premises of who we see him murder next and the wit and black humour makes it a treasure of a film that I'm glad was made and is still available and enjoyed.
One of my most beloved films for definite. Definitely worth one watch just to see something different.
To quote to further my point - "A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain So, watching this with an open mind, I really enjoyed it. Yes you have to realise it's not a modern movie so the kind of themes and scenes presented are different from the packaged elements of modern Hollywood, but that makes postwar British cinema very refreshing viewing. I think the use of the term 'comedy' is misleading because it most likely refers to it in the classic literary sense from Shakespeare and Greek theatre (probably in the early 20th century people were a bit better read than today so these terms would still have meaning to them) which refers to a story with happy ending and farcial plot and wit rather than obvious jokes like in the modern sense but even these movies have some funny scenes. Also the humour and premise is black comedy and subtle so look for something modern if you need laugh-out-loud movies.
'Kind Hearts and Coronets' When I first came across this the plot looked so unique I knew I just had to see it at least once, although I've rewatched it many times since. I do find Guinness's 8 roles are over-hyped because most of them have few lines and the distinctions between a few of them are non-existent though it's still a novelty and a brave act to pull off in a movie. For me, Mazzini's 'bad guy' characterisation is the most appealing element of the movie, with a characterisation that makes even a criminal charming and someone to empathise with a little (and for me some visual appeal). The unique premises of who we see him murder next and the wit and black humour makes it a treasure of a film that I'm glad was made and is still available and enjoyed.
One of my most beloved films for definite. Definitely worth one watch just to see something different.
helpful•202
- FrangipaniMozzie
- Nov 18, 2010
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Adel verpflichtet
- Filming locations
- Leeds Castle, Maidstone, Kent, England, UK(Chalfont - D'Ascoyne family castle)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $35,948
- Opening weekend US & Canada
- $8,004
- Dec 1, 2019
- Gross worldwide
- $146,400
- Runtime1 hour 46 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was Kind Hearts and Coronets (1949) officially released in India in English?
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