François Chalais (dialogue)
Henri Decoin (screenplay)
(suite)
25 novembre 1949 (France) suite
My God She Really Could Act! plus de (4 total)
| Maria Montez | ... | Christina de Rinck | |
| Erich von Stroheim | ... | Eric | |
| Arletty | ... | Martha | |
| Pierre Brasseur | ... | Fabius / Jean | |
| Marcel Dalio | ... | Fred (as Dalio) | |
| Marcel Dieudonné | ... | Prosper | |
| Les Fratellini | ... | Eux-même | |
| Jules Berry | ... | Pfeiffer | |
| reste de la distribution par ordre alphabétique: | |||
| Eddy Debray | ... | L'announceur (uncredited) | |
| Julien Maffre | ... | Un valet de piste (uncredited) | |
| Jean-Pierre Mocky | ... | (uncredited) | |
| Marc Natol | ... | (uncredited) | |
| Marcel Rouzé | ... | (uncredited) | |
Réalisé par | |||
| Bernard-Roland | |||
Scénaristes(dans l'ordre alphabétique) | ||
| François Chalais | dialogue | |
| Henri Decoin | screenplay | |
| Marcel Rivet | scenario & screenplay | |
| Charles Spaak | dialogue | |
Produit par | |||
| Jacques Gauthier | .... | co-producer | |
| Hubert Vincent-Bréchignac | .... | producer | |
Musique originale | |||
| Maurice Thiriet | |||
Image | |||
| Roger Hubert | |||
Montage | |||
| Germaine Artus | |||
Création des décors | |||
| Roland Quignon | |||
| Orson Welles | (uncredited) | ||
Direction artistique | |||
| Serge T. de Laroche | |||
Maquillage | |||
| Marcel Bordenave | .... | makeup artist | |
| Jean Clément | .... | hair stylist: Arletty | |
| Paul Dean | .... | makeup artist (as Paule Dean) | |
| Janine Jarreau | .... | hair stylist: Maria Montez | |
Assistant réalisateur | |||
| Gilbert Caucanas | .... | assistant director | |
| Claude Walter | .... | assistant director | |
Département Art | |||
| Alfred Marpaux | .... | production design assistant | |
| Paul Moreau | .... | production design assistant | |
Technicien du son | |||
| Jacques Lebreton | .... | sound engineer | |
Cascadeur | |||
| Freres Desprez | .... | stunt performer: Le double saut | |
| Paul Renard | .... | stunt performer (Le Mur de la Morte) | |
Caméra et Département Electrique | |||
| Adolphe Charlet | .... | camera operator | |
| Max Dulac | .... | first assistant camera | |
| René Guisart | .... | second assistant camera | |
| Raymond Voinquel | .... | still photographer | |
Département Musique | |||
| Marceau Van Hoorebecke | .... | musical director | |
Divers | |||
| D'Obregon | .... | administrator | |
| Louis Leclerc | .... | production assistant | |
| Lucie Lichtig | .... | script supervisor | |
| Paule Tanguy | .... | production secretary | |
Portrait of a Murderer (France) (alternative title)
Portrait of an Assassin
suite
100 min
1,37 : 1 suite
Lucienne de Rinck: And a little advice: Don't try to kill me off before dessert. The cook makes a remarkable omlette soufflé. suite
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| Dortoir des grandes | Le vieux fusil | Plein soleil | Classe tous risques | L'été meurtrier |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
I FINALLY got my DVD of Portrait of an Assasin today. It took a little longer than anticipated but it was well worth the wait.
This movie proves Maria Montez could act quite well, given the proper venue. Though in french, I enjoyed it thoroughly. It would have been nice had the actors had done an english version......not just dubbed by anyone. But alas it was not! Hearing Maria do french was interesting. Though handled well, you could tell it wasn't her native tongue. Unlike the French actors, she enuciated her lines so they were understandable. Personally I think the reason Maria had such a problem with her acting in her english movies is that she (undoubtly at the request of the studio) had to re-aquire her spanish accent, which she had lost years prior........Yes Virginia, Maria was faking her own accent!!!
I find it peculiar how there seems to be a problem with Maria character's name. Even the DVD cover mistakenly listed it as Catherine. Doesn't anyone ever actually view the movies before writing stuff about it?
Now Speaking of the DVD cover. WHY did they put Maria on the back of it instead of the front? She was first billed in the actual movie credits. To add insult to injury they took 2 of the supporting actors, Arletty & Von Stronheim and gave them the billing on the cover like they were the stars of it when they were NOT.........So What is up with this thing about not putting Maria on the cover of her own movies???? Arabian Nights was like this also.
There's a bit of trivia that you might find interesting about this movie. Henri Decoin wrote this movie and went on to direct L'Affaire des Poisons in 1955. A movie about Catherine DeShayes the Satanic High Priestess of 17th century Paris. It looks like the pinkie Ring Arletty was wearing thoughout the movie may have been a special one belonging to Miss DeShayes. And it is said that Maria became the owner of it after the movie was done shooting.