No Way Out (1950)

Réalisateur:

Joseph L. Mankiewicz

Scénaristes:

Joseph L. Mankiewicz (written by) and
Lesser Samuels (written by)

Date de sortie:

16 août 1950 (USA)

Genre:

Drame | Film-Noir

Accroche:

Is it a question ...or an answer

Intrigue:

The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle...

Plot Keywords:

Brothers | Hospital | Race Riot | Death Of Brother | Shot In The Leg

Récompenses:

Nominated for Oscar. Another 1 nomination

Avis des utilisateurs:

Refreshingly uncool - Poitier and Widmark at their very best!

Ensemble

Richard Widmark	...	Ray Biddle
Linda Darnell	...	Edie Johnson - Mrs. John Biddle
Stephen McNally	...	Dr. Dan Wharton
Sidney Poitier	...	Dr. Luther Brooks
Mildred Joanne Smith	...	Cora Brooks
Harry Bellaver	...	George Biddle
Stanley Ridges	...	Dr. Sam Moreland
Dots Johnson	...	Lefty Jones - Orderly

Durée:

106 min

Pays:

USA

Langue:

Anglais | American Sign Language

Couleur:

Noir et Blanc

Rapport de forme:

1,37 : 1

Son:

Mono (Western Electric Recording)

Classification:

USA:Approved (certificate #14257) | West Germany:16 (f) | Finland:K-16 | Sweden:15

Société:

Twentieth Century-Fox Film Corporation

Anecdotes:

When the black actors who were part of the race riot scene found out that they were getting paid less than their white equivalents, they protested until accommodations were made.

Connexions De Film:

figure dans "Biography: Linda Darnell: Hollywood's Fallen Angel" (1999)

Bande son:

Sophisticated Lady

Refreshingly uncool - Poitier and Widmark at their very best!

I watched this film soon after having seen the dreadfully stupid (but almost universally praised) American History X. The comparison does not make you very optimistic as far as the development of movies with a social message is concerned.

No Way Out is a very good story about racism - maybe the best ever told on screen. It is mainly set in a hospital, where black and white doctors and nurses - among other things - patch up people who bashed each other's heads in in race riots. Sidney Poitier is a very young, upwardly mobile doctor with high ethic standards, Richard Widmark a nasty, racist piece of "white trash" from Beaver Canal who accuses the black doctor of having killed his brother while under his care. This sounds pretty plain, but the screenplay succeeds in giving the characters real personal traits, and the actors fully live up to their task.

I have never seen Sidney Poitier better than here - and this apparently was his first screen appearance! The young doctor is, on the one hand, angry because of the racially motivated humiliations he has to endure. On the other hand, the accusations of the white bigot really shake him badly. He is having serious doubts about his abilities as a doctor because of it, although he is sure he did the right thing. In my opinion it was very wise to introduce these self doubts which are not race related. It makes of Poitier's character a well intentioned conscientious individual many people without regard of race (or gender or religion or whatever) can relate to.

Richard Widmark as the black doctor's racist adversary gives an equally brilliant performance. We see him here at his slimiest, meanest. He really is pure hate - yet even his character is more than a stereotype. His hate is propelled by an encompassing self pity which is really nauseating! This becomes most evident in the dramatic final scene. "Little Black Simba!", he shouts again and again to the black doctor like a moron, and the stupid taunting gets more and more pathetic. Then, badly wounded, he dissolves into a whimpering bundle and the viewer comes to the conclusion that the worst punishment for that creature consists in just staying alive!

It is my opinion that the ever more persistent culture of coolness will not make the world a better or more desirable place to live in. Therefore I really was delighted to see that No Way Out is refreshingly uncool. It addresses social and philosophical issues in a down to earth way. Unforgettable to me is the conversation between the girl from Beaver Canal, the racist's brother's former wife, and the black servant of a white doctor, the boss of Sidney Poitier's character. The servant tells the girl that in her free time she likes to invite friends and cook elaborate meals for them. That is a lot of work you're doing in your free time, the girl remarks. To this the servant says: I like doing it, and it makes me feel I am somebody. Outdated? Corny? What do I care! The statement is still valid.

It should be noted that No Way Out is not a story of different groups of people pitted against each other but a story about individuals who have to find themselves in society and decide what stand they are taking towards civilisation. The movie states that civilisation and civilised behavior is not something you can take for granted and that it depends on the choice of every single human being.