The River (1951)

Note Générale:

7,7/10   

Réalisateur:

Jean Renoir

Scénaristes:

Rumer Godden (novel)
Rumer Godden (screenplay) ...

Date de sortie:

19 décembre 1951 (France)

Genre:

Drame | Romance

Accroche:

Beauty...Mystery...Delightful Humor...

Intrigue:

Three adolescent girls growing up in Bengal, India, learn their lessons in life after falling for an older American soldier.

Plot Keywords:

American | Bengal | India | Teenage Girl | Ex Soldier

Récompenses:

Nominated for 2 BAFTA Film Awards. Another 1 win & 1 nomination

Avis des utilisateurs:

Thoughtful and Beautiful...

Ensemble

Nora Swinburne	...	The Mother
Esmond Knight	...	The Father
Arthur Shields	...	Mr. John
Suprova Mukerjee	...	Nan
Thomas E. Breen	...	Capt. John
Patricia Walters	...	Harriet
Radha	...	Melanie
Adrienne Corri	...	Valerie
June Hillman	...	Narration (voice)

Autre(s) titre(s):

Le fleuve (France)

Durée:

99 min

Pays:

France | India | USA

Langue:

Anglais | Bengali

Couleur:

Couleur (Technicolor)

Rapport de forme:

1,37 : 1

Son:

Mono (Western Electric Sound System)

Classification:

UK:U | USA:Approved | Australia:G | Finland:S | Sweden:Btl

Lieux de tournage:

West Bengal, India

Société:

Oriental International Films

Anecdotes:

This film was instrumental in launching the careers of Satyajit Ray - an assistant on the film - and Subrata Mitra, who went on to become Ray's cinematographer.

Goofs:

Continuité: The position of Captain John's hand changes when he is on the ground (at 00:59:11).

Guillemet:

Harriet: Who's important to you, Captain John?
Capt. John: Everybody.

Connexions:

Référencé sur King Lear (1987)

Thoughtful and Beautiful...

This is a little known film, but well worth watching if you're lucky enough to find it on Video or TV. The director Jean Renoir is the son of the French Impressionist Painter Pierre Auguste Renoir ( the cinematographer Claude Renoir is Jean's nephew ) and the family talent shines throughout this film, which is beautifully shot. Whether showing the amazing landscape of India and the river itself, the colours and intricacies of the many Indian festivals, or even a close up of Valerie's face as she gazes at Captain John, every frame displays grace, beauty and style that film rarely captures.

The plot itself, how a troubled outsider affects three teenaged girls, is a simple tale, and all the more powerful for it. We've all had a crush, and know the river of emotions that are awakened by one. Each of the three girls, the irrepressible and dramatic Valerie, the talented but awkward Harriet, and the stoic Melanie ( who despite schooling in the West is somehow more Indian in nature than her friends who've been brought up in India ) vie for Captain John's affections in their own way.

However, the real love of this film is India itself - it's fascinating people, beliefs, festivals, and the constant River that runs through them all. It's a slow paced film, not in a hurry to get to any kind of conclusion, and you are immersed in the country, and what it's like to live there. Like relaxing on one of the many river boats, as its floats gently downstream, the film meanders along, showing us different scenes along the way, from the local postman's route to the house gates to the son's fascination with Cobras, with the story always moving on, though always interwoven with more day to day life. This brings a familiar reality to the film, it doesn't just skip moments that might not immediately concern the main characters - like life, other events happen, and they have their place in this film too.

Actually getting to watch this film will be hard, it's not well known ( and not even considered one of Renoir's best ), but if you ever come home one night, flick on the TV, and see this starting, then get comfortable, and enjoy a lovingly made film about a country and the people, both native and foreigners, who live there.