A Streetcar Named Desire (1951)

Note des utilisateurs:

8.1/10   

Réalisateur:

Elia Kazan

Writers:

Tennessee Williams (original play "A Streetcar Named Desire")
Oscar Saul (adaptation)

Release Date:

1 décembre 1951 (West Germany)

Genre:

Drame

Accroche:

...When she got there she met the brute Stan, and the side of New Orleans she hardly knew existed.

Plot:

Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.

Plot Keywords:

Neurotic | Pregnant Sister | Pregnant | Streetcar | Giving Birth

Awards:

Won 4 Oscars. Another 11 wins & 14 nominations

Avis des utilisateurs:

"I've Always Depended On The Kindness Of Strangers."

US TV Schedule:

Fri. July 10

10:00 PM

TCM

Ensemble

Vivien Leigh	...	Blanche DuBois
Marlon Brando	...	Stanley Kowalski
Kim Hunter	...	Stella Kowalski
Karl Malden	...	Harold 'Mitch' Mitchell
Rudy Bond	...	Steve
Nick Dennis	...	Pablo Gonzales
Peg Hillias	...	Eunice
Wright King	...	A Collector
Richard Garrick	...	A Doctor
Ann Dere	...	The Matron
Edna Thomas	...	The Mexican Woman
Mickey Kuhn	...	A Sailor

Autre(s) titre(s):

Un tramway nommé désir (Canada: French title) (France) [fr]

Durée:

122 min | USA:125 min (re-release)

Pays:

USA

Langue:

Anglais | Espagnol

Couleur:

Noir et Blanc

Aspect Ratio:

1.37 : 1

Son:

Mono (RCA Sound System)

Classification:

USA:GP (1970 re-release) | USA:Approved (certificate #14871) (original rating) | Australia:PG (TV rating) | France:Unrated | South Korea:12 | UK:12A (re-rating) | Argentina:13 | Australia:M | Finland:K-16 | Norway:16 | Portugal:M/12 | Sweden:15 | UK:15 (video rating) (1986) | UK:X (original rating) | USA:PG (1993 director's cut) | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:AA (Ontario) | Canada:PG (Manitoba)

Emplacements De Pelliculage:

Los Angeles, California, USA

Company:

Charles K. Feldman Group

Anecdotes:

In the French post-synchronized version, the actors are dubbed by: Jacqueline Porel (Vivien Leigh), Yves Vincent (Marlon Brando), Mony Dalmès (Kim Hunter), Robert Dalban (Karl Malden), Jean Clarieux (Rudy Bond) and Marie Francey (Peg Hillias).

Goofs:

Factual errors: Stanley says that Louisiana utilizes the Napoleonic Code (which was promulgated a year after the Louisiana Purchase). Actually, Louisiana uses as its private law the Louisiana Civil Code. Although it is similar to the Napoleonic Code, it has always been the controlling legal authority in the state.

Guillemet:

Stella: He smashed all the lightbulbs with the heel of my slipper.
Blanche DuBois: And you let him? Didn't run, didn't scream?
Stella: Actually, I was sorta thrilled by it.

Movie Connections:

Referenced in "To retire: (#1.32)" (1991)

"I've Always Depended On The Kindness Of Strangers."

When the history of American theater is written for the 20th Century the two most prominent names will be Eugene O'Neill and Tennessee Williams. Both men pushed the exploration of the human soul to the very limit in their work. Writing drama will never be the same because of the work of these two men.

Williams's masterpiece is A Streetcar Named Desire which ran over 860 performances in three years. When Warner Brothers bought the film rights, they did the highly unusual thing of bringing almost the entire Broadway cast over. That included Marlon Brando for whom this was his second film. Brando was not a movie name yet and the decision was made to recast the female lead with Vivien Leigh instead of Jessica Tandy who played Blanche Dubois on Broadway.

In doing so this gave Vivien Leigh the very unique position of having played opposite the two men who are held up as male acting icons for the last century, Marlon Brando and Leigh's husband at the time Laurence Olivier. Certainly Blanche Dubois was unlike anything she ever did opposite Olivier.

In fact Blanche is opposite that other southern belle that Leigh got her first Oscar for, Scarlett O'Hara. Scarlett may come on like a spoiled brat at first, but she turns out to be made of some real stern stuff when the chips are down.

Blanche Dubois however retreats into her own fantasies when trouble brews. She's left the plantation home in a small Mississippi town where she doubles as an English teacher and comes to live with her sister Stella and her husband Stanley Kowalski.

Brando is Kowalski and for years impressionists did him by yelling from the pit of their abdomens, "STELLA, STELLA." That is until The Godfather and then they stuffed their cheeks and said how one day a favor would be asked in return.

But impressionists only make a living because of the impressions made by the players. On Broadway and Hollywood, Stanley Kowalski made Marlon Brando a superstar and an icon for a couple of generations. Kowalski as done by Brando is a force of nature, primeval impulses that bubble to the surface in all of us sometimes.

Kim Hunter as Stella Kowalski and Karl Malden as Mitch Mitchell also won Oscars in the Supporting categories to go with Leigh's. Hunter is a torn women fighting both suspicions about her husband and her sister. The real reason why Blanche has come to live with them and the affect her silly flirtations are having on her husband and their marriage.

Malden as Mitchell starts out as passive and as nice as Jim Connor, the gentleman caller from that other Tennessee Williams masterpiece, A Glass Menagerie. But he proves to be something less than meets the eye in his dealings with Leigh.

A Streetcar Named Desire won all kinds of Awards, the three acting Oscars, one for Elia Kazan as Best Director and a whole bunch of technical ones. But An American In Paris won for Best Picture and Hollywood decided young Brando could wait for his and they gave it that year to Humphrey Bogart for The African Queen.

This film is still the best adaption to the screen of a Tennessee Williams play and is an absolute must to see.