Angel Face (1952)

Note des utilisateurs:

7.3/10   

Réalisateur:

Otto Preminger

Writers:

Frank S. Nugent (screenplay) and
Oscar Millard (screenplay) ...

Release Date:

11 décembre 1952 (USA)

Genre:

Drame | Film-Noir | Crime

Accroche:

She loved one man ... enough to KILL to get him!

Plot:

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

Plot Keywords:

Ambulance | Chauffeur | Melodrama | Jealousy | Piano

Avis des utilisateurs:

Mid-20th Century Obsession

Ensemble

Robert Mitchum	...	Frank Jessup
Jean Simmons	...	Diane Tremayne Jessup
Mona Freeman	...	Mary Wilton
Herbert Marshall	...	Mr. Charles Tremayne
Leon Ames	...	Fred Barrett
Barbara O'Neil	...	Mrs. Catherine Tremayne
Kenneth Tobey	...	Bill Crompton
Raymond Greenleaf	...	Arthur Vance
Griff Barnett	...	The Judge
Robert Gist	...	Miller
Morgan Farley	...	Juror
Jim Backus	...	Dist. Atty. Judson
reste de la distribution par ordre alphabétique:
Grandon Rhodes	...	Prison chaplain (scenes deleted)
Charles Tannen	...	TV broadcaster (scenes deleted)
Ralph Volkie	...	Good Humor man (scenes deleted)
Peggy Walker	...	TV girl (scenes deleted)

Autre(s) titre(s):

Infernale beauté (Belgium: French title) [fr]
Un si doux visage (France) [fr]

Durée:

91 min

Pays:

USA

Langue:

Anglais | Japonais

Couleur:

Noir et Blanc

Aspect Ratio:

1.37 : 1

Son:

Mono (RCA Sound System)

Classification:

Norway:16 | Finland:K-16 | USA:Approved (PCA #15993) | Sweden:15 | Australia:PG

Emplacements De Pelliculage:

Beverly Hills Fire Department, Beverly Hills, California, USA

Company:

RKO Radio Pictures

Anecdotes:

When Robert Mitchum got fed up with repeated re-takes in which the director Otto Preminger ordered him to slap Jean Simmons across the face, he turned around and slap Preminger, asking whether it was this way he wanted it. Preminger immediately demanded of Howard Hughes for Mitchum to be replaced. Hughes refused.

Goofs:

Continuity: After Diane insists on paying for dinner, Frank declines her offer, noting that he can afford it even on his salary. He takes out his wallet and places money on the table. Diane then later says, "At least let me pay for my half." He obliges. She takes out her purse and gives him some cash. Frank then picks up the money he had put down (which would have covered the full bill), puts her money (covering half the bill) down in its place, and gives her all of his money, which she puts in her purse. Nobody ends up paying for Frank's half and Diane ends up with more money than she started with.

Guillemet:

Frank Jessup: [to Mary] You know something? You're a pretty nice guy - for a girl.

Movie Connections:

Referenced in Watching the Detectives (2007)

Soundtrack:

I Couldn't Sleep a Wink Last Night

Mid-20th Century Obsession

Just saw this movie for the first time today and don't know why I've not seen it before; we taped it off TCM some time ago. It is haunting, as others have commented. I'm surprised that no one compares it to the admittedly somewhat overblown "Leave Her to Heaven" from 1945: the obsession with possession of those she loves by both Ellen and Diane is remarkable. I wonder if any scholars of women's film history have ventured here.