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Clash by Night (1952)
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Overview
Note des utilisateurs:
Release Date:
4 août 1952 (Sweden) suiteAccroche:
Livin' in my house! Lovin' another man! Is that what you call bein' honest? That's just givin' it a nice name!Plot:
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy... suite | add synopsisPlot Keywords:
Avis des utilisateurs:
Bruising Drama suiteEnsemble
(Complete credited cast) | Barbara Stanwyck | ... | Mae Doyle D'Amato |
 | Paul Douglas | ... | Jerry D'Amato |
 | Robert Ryan | ... | Earl Pfeiffer |
 | Marilyn Monroe | ... | Peggy |
| J. Carrol Naish | ... | Uncle Vince |
| Keith Andes | ... | Joe Doyle |
| Silvio Minciotti | ... | Papa D'Amato |
| Tony Martin | ... | Singer of 'I Hear a Rhapsody' (voice) |
Additional Details
Parents Guide:
Add content advisory for parentsDurée:
105 minPays:
USALangue:
AnglaisCouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
Mono (RCA Sound System)Classification:
West Germany:16 (f) | Australia:PG | Finland:K-16 | Sweden:15 | USA:Approved (PCA #15599) | UK:PG (video rating)Emplacements De Pelliculage:
Monterey, California, USACuriosités
Guillemet:
Jerry D'Amato: That Mae is some dancer. Me, I'm like a hippo on two feet.Mae Doyle D'Amato: Yeah, MY two feet.
suite
Soundtrack:
Don't Cry suitefoire aux questions
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Message Boards
Discuss this movie with other users on IMDb message board for Clash by Night (1952)| Recent Posts (updated daily) | User |
|---|---|
| Ahead of its Time | edgar-82 |
| Consensus Film Noir Pictures--This is One of Them | kgun12 |
| NOT Film Noir. Okay, Maybe a little. | ksequoia |
Recommendations
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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Related Links
| Full cast and crew | Company credits | External reviews |
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This Fritz Lang film has been largely ignored though in it's way it is as psychologically astute as many of his better known works such as "Scarlett Street". In transposing a Clifford Odets play from New York to a Californian fishing community some of the more florid dialogue seems unnaturally heightened but the performances of the three principals (Barbara Stanwyck, Robert Ryan and particularly Paul Douglas) are stunning and the emotional core of the film is so strong that an audience can feel bruised by what's on screen. The blue collar milieu is perfectly evoked, the black-and-white cinematography by Nicholas Musuraca is first-rate and even the score seems understated, adding to, rather than detracting from the dramatic effect. Essential viewing.