Saikaku Ihara (novel)
Kenji Mizoguchi (writer)
(suite)
20 avril 1964 (USA) suite
The tale of a 17th century samurai's daughter. full summary | add synopsis
2 wins & 1 nomination suite
***** Well worth seeing plus de (15 total)
| Kinuyo Tanaka | ... | Oharu | |
| Tsukie Matsuura | ... | Tomo, Oharu's Mother | |
| Ichirô Sugai | ... | Shinzaemon, Oharu's Father | |
| Toshirô Mifune | ... | Katsunosuke | |
| Toshiaki Konoe | ... | Lord Harutaka Matsudaira | |
| Kiyoko Tsuji | ... | Landlady | |
| Hisako Yamane | ... | Lady Matsudaira | |
| Jûkichi Uno | ... | Yakichi Ogiya | |
| Eitarô Shindô | ... | Kahe Sasaya | |
| Akira Oizumi | ... | Fumikichi, Sasaya's Friend | |
| Kyôko Kusajima | ... | Sodegaki | |
| Masao Shimizu | ... | Kikuoji | |
| Daisuke Katô | ... | Tasaburo Hishiya | |
| Toranosuke Ogawa | ... | Yoshioka | |
| Hiroshi Oizumi | ... | Manager Bunkichi | |
| Haruyo Ichikawa | ... | Lady-in-waiting Iwabashi | |
| Yuriko Hamada | ... | Otsubone Yoshioka | |
| Noriko Sengoku | ... | Lady-in-waiting Sakurai | |
| Sadako Sawamura | ... | Owasa | |
| Masao Mishima | ... | Taisaburo Hishiya | |
| Eijirô Yanagi | ... | Forger | |
| Chieko Higashiyama | ... | Myokai, the Old Nun | |
| Takashi Shimura | ... | Old Man | |
| Benkei Shiganoya | ... | Jihei |
Réalisé par | |||
| Kenji Mizoguchi | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Saikaku Ihara | novel "Koshuku Ichidai Onna" | |
| Kenji Mizoguchi | writer | |
| Yoshikata Yoda | writer | |
Produit par | |||
| Hideo Koi | .... | producer | |
| Kenji Mizoguchi | .... | producer | |
| Isamu Yoshiji | .... | executive producer | |
Musique originale | |||
| Ichirô Saitô | |||
Image | |||
| Yoshimi Hirano | |||
| Yoshimi Kono | |||
Montage | |||
| Toshio Gotô | |||
Création des décors | |||
| Hiroshi Mizutani | |||
Divers | |||
| Isamu Yoshi | .... | historical consultant | |
Diary of Oharu
Saikaku: Life of a Woman (literal English title)
The Life of Oharu
suite
148 min | USA:133 min
1,37 : 1 suite
Iceland:L | Argentina:13 | Finland:K-16 | France:U | UK:PG | Hong Kong:I
This film, which was director Kenji Mizoguchi's dream project, was severely under-financed, and the production was forced to use a warehouse instead of a regular sound stage. This warehouse happened to be located near railways, and each time a train passed by, they had to stop shooting, which made the shooting of the film even more difficult with the director's obsessive use of long, continuous, uninterrupted takes. The same warehouse was also used for Josef Von Sternberg's film 'The Saga of Anatahan'. suite
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Kenji Mizoguchi's stunning masterpiece is a heartbreaking tale of purity in a world of corruption. Based on a seventeenth-century novel by Saikaku Ihara called The Woman Who Loved Love, the film tells the story of Oharu, a young woman who in her younger days worked as a lady-in-waiting at the Imperial Palace of Kyoto, but having fallen in love with a man below her rank is expelled from the palace, and she and her parents are forced to live in exile. Try as she might to find love in her relationships, she is constantly thwarted by her society's low expectations for a woman's heart and her father's ambitions for respectability, and soon descends to being a concubine, later a streetwalking prostitute. Mizoguchi's tones are so gentle and poetic that every frame works its way into your heart, and in such a delicate manner. Kinuyo Tanaka's performance as Oharu is beautiful as well, abandoning the melodramatic gestures common to Japanese film acting and going straight for the heart. Sumptuous production design and a decidedly feminist message make a film well worth seeing.