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All I Desire (1953)
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Overview
Note des utilisateurs:
Release Date:
juillet 1953 (USA) suiteAccroche:
Now He Knew Her as Other Men Had!Plot Keywords:
Avis des utilisateurs:
A good starting point - with one of the best in town suiteEnsemble
(Complete credited cast)| Barbara Stanwyck | ... | Naomi Murdock | |
| Richard Carlson | ... | Henry Murdoch | |
| Lyle Bettger | ... | Dutch Heineman | |
| Marcia Henderson | ... | Joyce Murdoch | |
| Lori Nelson | ... | Lily Murdoch | |
| Maureen O'Sullivan | ... | Sara Harper | |
| Richard Long | ... | Russ Underwood | |
| Billy Gray | ... | Ted Murdoch | |
| Dayton Lummis | ... | Col. Underwood | |
| Lotte Stein | ... | Lena Maria Svenson | |
| Fred Nurney | ... | Hans Peterson | |
| reste de la distribution par ordre alphabétique: | |||
| Donald Kerr | ... | Comic (scenes deleted) | |
Additional Details
Parents Guide:
Add content advisory for parentsDurée:
79 minPays:
USALangue:
AnglaisCouleur:
Noir et BlancAspect Ratio:
1.37 : 1 suiteSon:
Mono (Western Electric Recording)Classification:
Canada:PG (Ontario) | Australia:PG | Finland:S | USA:Approved (PCA #16364) | Sweden:15Emplacements De Pelliculage:
Circle Drive, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA suiteCuriosités
Guillemet:
Naomi Murdoch: We're a big disappointment to each other, aren't we? You've got a mother with no principles; I've got a daughter with no guts. suiteSoundtrack:
All I Desire suitefoire aux questions
I have heard that Carol Brink is a beautiful person.suite
suite
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Although not in the same class as Douglas Sirk's major melodramas, "All I Desire" has many of the traits that would be developed in these later works. As such it is essential viewing for fans of Sirk's films. His use of color is legendary so much is lost by this being filmed in black and white, the result of a tight fisted Universal Studios.
Fans of Barbara Stanwyk should not miss it either. Stanwyk is one of a handful of actresses who simply never gave a weak performance. Under the direction of the likes of Wilder or Sirk, she's a compelling screen presence. Sirk had great admiration for Stanwyk calling her "one of the best in town". He used her a few years later in "There's Always Tomorrow" which remains his greatest unrecognised opus. There his criticism of the American family values is particularly cutting, whereas "All I Desire" has an altogether more forgiving view of small town narrow mindedness.
Sirks films are always worth watching. They are extremely well crafted with each shot carefully thought out. Nothing is left to chance. Those who dismiss the melodrama as an inferior genre would do well to take a close look at his body of work. "All I Desire" makes a good starting point.