All I Desire (1953)

Note Générale:

7,0/10   

Réalisateur:

Douglas Sirk

Scénaristes:

Robert Blees (writer)
Carol Ryrie Brink (novel)

Date de sortie:

juillet 1953 (USA)

Genre:

Drame

Accroche:

Now He Knew Her as Other Men Had!

Intrigue:

In 1910, a wayward mother re-visits the family she deserted.

Plot Keywords:

Butterfly Collection | Framed Butterfly | Melodrama | Beautiful Woman | Period Piece

Avis des utilisateurs:

A good starting point - with one of the best in town

Ensemble

Barbara Stanwyck	...	Naomi Murdock
Richard Carlson	...	Henry Murdoch
Lyle Bettger	...	Dutch Heineman
Marcia Henderson	...	Joyce Murdoch
Lori Nelson	...	Lily Murdoch
Maureen O'Sullivan	...	Sara Harper
Richard Long	...	Russ Underwood
Billy Gray	...	Ted Murdoch
Dayton Lummis	...	Col. Underwood
Lotte Stein	...	Lena Maria Svenson
Fred Nurney	...	Hans Peterson
reste de la distribution par ordre alphabétique:
Donald Kerr	...	Comic (scenes deleted)

Autre(s) titre(s):

Stopover (USA) (working title)
You Belong to Me (USA) (working title)

Durée:

79 min

Pays:

USA

Langue:

Anglais

Couleur:

Noir et Blanc

Rapport de forme:

1,37 : 1

Son:

Mono (Western Electric Recording)

Classification:

Canada:PG (Ontario) | Australia:PG | Finland:S | USA:Approved (PCA #16364) | Sweden:15

Lieux de tournage:

Circle Drive, Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA

Société:

Universal International Pictures (UI)

Anecdotes:

Film debut of Sally Fraser.

Guillemet:

Naomi Murdoch: We're a big disappointment to each other, aren't we? You've got a mother with no principles; I've got a daughter with no guts.

Connexions:

Référencé sur Bens Confiscados (2004)

Bande son:

All I Desire

A good starting point - with one of the best in town

Although not in the same class as Douglas Sirk's major melodramas, "All I Desire" has many of the traits that would be developed in these later works. As such it is essential viewing for fans of Sirk's films. His use of color is legendary so much is lost by this being filmed in black and white, the result of a tight fisted Universal Studios.

Fans of Barbara Stanwyk should not miss it either. Stanwyk is one of a handful of actresses who simply never gave a weak performance. Under the direction of the likes of Wilder or Sirk, she's a compelling screen presence. Sirk had great admiration for Stanwyk calling her "one of the best in town". He used her a few years later in "There's Always Tomorrow" which remains his greatest unrecognised opus. There his criticism of the American family values is particularly cutting, whereas "All I Desire" has an altogether more forgiving view of small town narrow mindedness.

Sirks films are always worth watching. They are extremely well crafted with each shot carefully thought out. Nothing is left to chance. Those who dismiss the melodrama as an inferior genre would do well to take a close look at his body of work. "All I Desire" makes a good starting point.