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IMDb > Gion bayashi (1953)

Gion bayashi (1953)

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Note des utilisateurs: 7.9/10 (283 votes)
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Overview

Réalisateur:
Kenji Mizoguchi
Writers:
Matsutarô Kawaguchi (novel)
Matsutarô Kawaguchi (screenplay)
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Release Date:
11 juin 1978 (USA) suite
Genre:
Drame suite
Plot:
In the post-war Gion district of Kyoto, the geisha Miyoharu agrees to apprentice the 16 year-old Eiko... suite | add synopsis
Awards:
2 wins suite
Avis des utilisateurs:
Superb, subtle Mizoguchi drama suite

Ensemble

 (Interprètes principaux)
Michiyo Kogure ... Miyoharu
Ayako Wakao ... Eiko
Seizaburô Kawazu ... Kusuda
reste de la distribution par ordre alphabétique:
Saburo Date ... Imanishi
Sumao Ishihara ... Kokichi
Midori Komatsu ... Oume
Kanji Koshiba ... Kanzaki
Kikue Môri ... Domestic arts teacher
Chieko Naniwa ... Okimi
Eitarô Shindô ... Sawamoto
Ichirô Sugai ... Saeki
Haruo Tanaka ... Ogawa
Emiko Yanagi ... Kaname
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Additional Details

Autre(s) titre(s) :
A Geisha
Gion Festival Music
Musiciens de Gion ou La fête à Gion, Les (France) [fr]
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Durée:
85 min | Argentina:90 min
Pays:
Japan
Langue:
Japonais
Couleur:
Noir et Blanc
Aspect Ratio:
1.37 : 1 suite
Son:
Mono
Classification:
Argentina:13
MOVIEmeter: ?
V 8% since last week why?
Company:
Daiei Studios suite

Curiosités

Connexions De Film:
Referenced in Aru eiga-kantoku no shogai (1975) suite

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9 out of 9 people found the following comment useful:-
Superb, subtle Mizoguchi drama, 29 July 2004
Author: Steve O. de Venice, CA

I liked this better than the more schematic SISTERS OF THE GION. This story of an established geisha who takes on a younger one as a sort of apprentice has engaging characters and a quiet, low-key, intimate realism that's highly effective.

Since it's Mizoguchi, you know the direction, casting, lighting, sets, framing -- all the mise en scene -- are exquisitely sensitive and artistic. The acting is excellent, subtle and believable. Everything is "right", one might even say "perfect" -- an adjective one is tempted to apply to this director's work at its best. Every shot is beautifully, often breath-takingly conceived and executed.

The glimpses this film gives of the rigorous training and daily life of traditional geishas are a big plus that adds greatly to its interest.

Mizoguchi made poetry with a movie camera, and I would call A GEISHA one of his best films.

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