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Giuseppe Verdi (1953)
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Vue d'ensemble
Note Générale:
Date de sortie:
1 mai 1957 (USA) suiteIntrigue:
The great Italian opera composer recalls his eventful life on his deathbed: his childhood in Busseto... suite | add synopsisAvis des utilisateurs:
Great Composer Biopic plus de (3 total)Ensemble
(Interprètes principaux)| Pierre Cressoy | ... | Giuseppe Verdi | |
| Anna-Maria Ferrero | ... | Margherita Barezzi Verdi | |
| Gaby André | ... | Giuseppina Strepponi | |
| Sandro Ruffini | ... | Impr. Marelli | |
| Camillo Pilotto | ... | Antonio Barezzi | |
| Laura Gore | ... | Berberina Streppono | |
| Loris Gizzi | ... | Gioacchino Rossini | |
| Emilio Cigoli | ... | Gaetano Donizetti | |
| Mario Del Monaco | ... | Francesco Tamagno | |
| Tito Gobbi | |||
| reste de la distribution par ordre alphabétique: | |||
| Gianni Agus | |||
| Enzo Biliotti | ... | Impr. Martini | |
| Lola Braccini | |||
| Aldo Bufi Landi | ... | Alexandre Dumas figlio | |
| Guido Celano | ... | Victor Hugo | |
| Liana Del Balzo | |||
| Eduardo de Santis | |||
| Hady De Santis | |||
| Franca Dominici | ... | Moglie Di Rossini | |
| Mario Ferrari | ... | Ufficiale Austriaco | |
| Teresa Franchini | ... | Old lady | |
| Irene Genna | ... | Violetta | |
| Olga Vittoria Gentilli | |||
| Enrico Glori | ... | Funz. teatro La Fenice | |
| Orietta Moscucci | |||
| Franca Omencini | |||
| Turi Pandolfini | ... | Impiegato del banco dei Pegni | |
| Rosetta Pasquini | |||
| Gian Paolo Rosmino | |||
| Marika Rowsky | |||
| Giuseppina Salvi | |||
| Gloria Villar | |||
| Anna Vivaldi | |||
| Leonello Zanchi | |||
Détails supplémentaires
Parents Guide:
Add content advisory for parentsDurée:
USA:118 min | Italy:121 minPays:
ItalyLangue:
ItalienCouleur:
Couleur (Ferraniacolor)Rapport de forme:
1,37 : 1 suiteSon:
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Liens liés
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| IMDb Biographie section | IMDb Italy section | Add this title to MyMovies |

The life and work of the great Italian operatic composer Giuseppi Verdi (1813-1901) is depicted in this 1953 film, made in Italy. Pierre Cressy portrays the composer with intensity and feeling, while Gaby Andre his second wife with tenderness and pathos. A host of fine singers adorn operatic excerpts, including Tenor Mario del Monaco in a startling death scene from "Otello" and Tito Gobbi in a dramatic moment from "Rigoletto." Throughout the film there are elaborately staged scenes from "Nabucco," "Il Trovatore," "La Forza del Destino," "Aida," and "Falstaff." A rare look at the domestic and love life of this composer is afforded, within the usual dramatic license given such biopics. Alas, the direction of Raffaello Matarazzo lacks imagination, and his camera remains stationary and lifeless in both dramatic and in the operatic re-creation scenes. The lighting of his scenes is often flat and dull, and and the musical excerpts are not well blended into the story; in fact, several scenes end abruptly and clumsily, as though the editor didn't take the time to polish the cuts. The end effect is a film for a hard-core opera lovers, but not for the general public. It is a shame so much potential talent and effort was wasted on a below-par presentation. Verdi deserves better, and one looks forward to a more successful presentation to one of the world's greatest composers.