Overview
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Release Date:
27 mai 1954 (USA)
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Accroche:
Gun-Queen of the Arizona Frontier ! . . . and her kind of men !!!
Plot:
Vienna has built a saloon outside of town, and she hopes to build her own town once the railroad is put through...
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Avis des utilisateurs:
A Shakespearian western
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Crew verified as complete
Additional Details
Autre(s) titre(s):
Johnny Guitare (Belgium: French title) (France) [fr]
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Durée:
110 min | West Germany:104 min (cut version)
Aspect Ratio:
1.37 : 1
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Son:
Mono (RCA Sound System)
Curiosités
Anecdotes:
Crawford, who had bought the rights to the novel, selling it to Republic Pictures with the provision that she would star, initially wanted
Claire Trevor to play the part of Emma and was jealous of the younger, competitive
Mercedes McCambridge.
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Goofs:
Continuity: In the beginning of the film, when Johnny Guitar passes by the miners riding, his shadow is projected to his left side. In the next shot it is projected to his right side.
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Guillemet:
Vienna:
You shouldn't have come back, Tom.
Old Tom:
I won't be in the way.
Vienna:
I can't have anyone here.
Old Tom:
Nobody notices me. I'm just part of the furniture.
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Soundtrack:
Johnny Guitar
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I was 15 the very first time I watched this wonderful movie, and from that moment it became a kind of cult classic, a cinema icon, for me. I had to wait over ten years to be able to enjoy it again, and by this time it had reached the category of legend on my personal film paradise. The great score by Victor Young, which I never could forget, is probably the most romantic and sentimental music ever composed for the screen, with the Johnny Guitar theme, with the voice of Peggy Lee, bringing us the fascination of the legend they called Johnny Guitar. Also the fantastic colourful images, with those reddish tones of fire and passion, and the backgrounds, the landmarks, the characters and the sutile and perfect dialogues, make this film a total masterpiece or modern cinema. A western without savages, cavalry, rodeos, and the usual John Ford stuff. A different western, ahead of its time, and very misunderstood by the public then, but, fortunately, reborn from the limbo and forgiveness, rediscovered by new generations, and still alive, fresh as in its first day, and always inmortal. Joan Crawford was never so great, and the exchange of poisoned words with McCambridge at the saloon "You haven't got the nerve" , and "If I don't kill you first" on reply to "I'll kill you" by Emma, makes me to smile, as both characters show they wear the trousers rather than the men do. In short, there never was a film like Johnny Guitar, and there never will. Now, on its 50th aniversary, it is time to enjoy it once more, and to wish that we could have been at Vienna's, being part of that group of characters with no equal in cinema iconography.