The Last Time I Saw Paris (1954)

Réalisateur:

Richard Brooks

Scénaristes:

F. Scott Fitzgerald (story)
Julius J. Epstein (screenplay) ...

Date de sortie:

3 avril 1955 (Japan)

Genre:

Drame | Romance

Intrigue:

Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked...

Plot Keywords:

Journalist | Self Destruction | Expatriate | Stroke | Melodrama

Avis des utilisateurs:

An Actress Comes of Age

Ensemble

Elizabeth Taylor	...	Helen Ellswirth / Wills
Van Johnson	...	Charles Wills
Walter Pidgeon	...	James Ellswirth
Donna Reed	...	Marion Ellswirth / Matine
Eva Gabor	...	Mrs. Lorraine Quarl
Kurt Kasznar	...	Maurice (owner, Cafe Dhingo)
George Dolenz	...	Claude Matine
Roger Moore	...	Paul Lane (tennis pro)
Sandy Descher	...	Vicki Wills
Celia Lovsky	...	Mama Janette
Peter Leeds	...	Barney (Europa News Service reporter)
John Doucette	...	Campbell (Europa News Service)
Odette Myrtil	...	Singer (as Odette)

Durée:

116 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur (Technicolor)

Rapport de forme:

1,75 : 1

Son:

Mono (Western Electric Sound System)

Classification:

Australia:PG | Finland:K-16 | Portugal:M/12 | UK:A (original rating) | UK:U (video rating) (1997) | USA:Approved (PCA #17124, General Audience)

Lieux de tournage:

Cannes, Alpes-Maritimes, France

Société:

Metro-Goldwyn-Mayer (MGM)

Anecdotes:

This is one of a handful of Metro-Goldwyn-Mayer productions of the early 1950s whose original copyrights were never renewed and are now apparently in Public Domain; for this reason this title is now offered, often in very inferior copies, at bargain prices, by numerous VHS and DVD distributors who do not normally handle copyrighted or Metro-Goldwyn-Mayer material.

Goofs:

Continuité: Near the end of the film, when Helen is wearing the red dress, Charlie comes home drunk and puts the chain on the door. The chain is a lot longer than a normal door chain, at least 12 inches. When Helen comes home later and tries to get in, the chain is now much shorter. It's now the length of a normal door chain.

Guillemet:

Helen Ellswirth: Do you mind if Paul takes me home?
Charles Wills: Paul who?
Helen Ellswirth: Paul anybody. Party like this, must be at least 7 Pauls.

Connexions De Film:

Référencé sur "One Day at a Time: Last Time I Saw Paris (#8.5)" (1982)

Bande son:

Adeste Fidelis (O Come All Ye Faithful)

An Actress Comes of Age

Here in The Last Time I Saw Paris an interesting thing happens. Elizabeth Taylor becomes a woman. Before this picture there were really only two other outstanding performances by Miss Taylor. Or I should say where she was allowed to rise above the material. The first being of course the rhapsodic National Velvet and the second the astonishing A Place In The Sun. The films in between those and The Last Time I Saw Paris were mostly along the `Isn't she beautiful?' line of movie making, and, why not? That was the main engine of most Hollywood star vehicles of the day. A Star didn't have to be a talent. But it was essential to possess a presence that reached out from the screen and touched the audience in a primal way. Miss Taylor had that in spades but she had much more that was often eclipsed in the dazzling explosion of her extraordinary almost alien beauty. But here in the hands of director Richard Brooks (who would later lead her to her triumph in Cat On A Hot Tin Roof) Miss Taylor finds a new level in her abilities as an actress. Her Helen is a woman of many layers and dark corners, of mercurial flights and deep sadness. Elizabeth at the tender age of 22 grasps all the aspects of this tragic woman and illuminates not only the screen with them but the whole enterprise as well. She shows us where she, as an actress is going in the future. And who she will become in her later films, one of the best screen actresses of the twentieth century. This is the real beginning of the Elizabeth Taylor of legend. She fills the role as no one of her generation could. Never again after this film would she sleepwalk through a film, a beautiful shadow to dream over. She is aided in what is perhaps one of Van Johnson's best performances. Donna Reed scores high in the role of Helen's bitter sister and Walter Pidgon is a delight as her roguish father. A standout cameo is presented by Eva Gabor, (not Zsa Zsa) the only one of the famous sisters who had any real talent. The only false performance in the film comes from child actress Sandy Descher. When you compare her forced and overly cute performance to that of the child Elizabeth Taylor in `Jane Eyre' then you see what a treasure Miss Taylor has always been. There is something so essentially wonderful in this gem from MGM and it is this. The Last Time I Saw Pairs is the perfect example of the last flowering in the 50's of the `woman's picture'. Films where women could be multi faceted and complex and drive the story on under their own steam as whole human beings. This is a window to the 50's and a style of filmmaking that seems gone forever, great stories of strong women who fill the screen with power and grace. But with `Far From Heaven' and `The Hours' I may be wrong about forever. I recommend this admittedly dated but charming film for anyone who wants to see what screen acting is all about. It is about thinking and Miss Taylor is a master at the craft.