| Photos (see all 4 | slideshow) |
| Ray Milland | ... | Stanford White | |
| Joan Collins | ... | Evelyn Nesbit | |
| Farley Granger | ... | Harry Kendall Thaw | |
| Luther Adler | ... | Delphin Delmas | |
| Cornelia Otis Skinner | ... | Mrs. Thaw | |
| Glenda Farrell | ... | Mrs. Nesbit | |
| Frances Fuller | ... | Mrs. Elizabeth White | |
| Phillip Reed | ... | Robert Collier (as Philip Reed) | |
| Gale Robbins | ... | Gwen Arden | |
| James Lorimer | ... | McCaleb | |
| John Hoyt | ... | William Travers Jerome | |
| Robert F. Simon | ... | Stage Manager (as Robert Simon) | |
| Harvey Stephens | ... | Dr. Hollingshead | |
| Emile Meyer | ... | Greenbacher | |
| reste de la distribution par ordre alphabétique: | |||
| Robert Adler | ... | Driver (uncredited) | |
| Aladdin | ... | Violinist (uncredited) | |
| Harry Carter | ... | Chauffeur (uncredited) | |
| Samuel Colt | ... | Man in Club (uncredited) | |
| Midgie Dare | ... | Checkroom Girl (uncredited) | |
| Steve Darrell | ... | Warden (uncredited) | |
| Edith Evanson | ... | Josie (uncredited) | |
| Marlene Felton | ... | Tennis Girl (uncredited) | |
| William Forrest | ... | Simpson (uncredited) | |
| Edna Holland | ... | Saleswoman (uncredited) | |
| Henry Kulky | ... | Prisoner (uncredited) | |
| Ruta Lee | ... | Tennis Girl (uncredited) | |
| Theresa Lyons | ... | Mrs. Comsky, Charwoman (uncredited) | |
| Wilbur Mack | ... | Man at Building Dedication (uncredited) | |
| Jerry Martin | ... | Waiter (uncredited) | |
| Harold Miller | ... | Club Steward (uncredited) | |
| Leonard Mudie | ... | Man in Audience (uncredited) | |
| Ivan Triesault | ... | Ludwing - Maitre d' (uncredited) | |
| Barbara Wilson | ... | Tennis Girl (uncredited) | |
Réalisé par | |||
| Richard Fleischer | |||
Scénaristes | ||
| Walter Reisch | (written by) and | |
| Charles Brackett | (written by) | |
Produit par | |||
| Charles Brackett | .... | producer | |
Musique originale | |||
| Leigh Harline | |||
Image | |||
| Milton R. Krasner | (director of photography) (as Milton Krasner) | ||
Montage | |||
| William Mace | |||
Direction artistique | |||
| Maurice Ransford | |||
| Lyle R. Wheeler | |||
Décorateur de plateau | |||
| Stuart A. Reiss | |||
| Walter M. Scott | |||
Maquillage | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Assistant réalisateur | |||
| Ben Kadish | .... | assistant director | |
Technicien du son | |||
| Alfred Bruzlin | .... | sound | |
| Harry M. Leonard | .... | sound | |
Effets spéciaux | |||
| Ray Kellogg | .... | special photographic effects | |
Camera and Electrical Department | |||
| Bob Rose | .... | additional grip (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe director | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Ken Darby | .... | vocal supervisor | |
| Lionel Newman | .... | conductor | |
| Edward B. Powell | .... | orchestrator | |
Divers | |||
| David Robel | .... | choreographer | |
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
| IMDb Biographie section | IMDb USA section | Add this title to MyMovies |
Like the person that preceded me on this thread, I, too, saw this movie on the True Stories Channel, just this very morning. Over the years, I had seen bits and pieces of it, before, but never the whole movie in its entirety.
With that said, I must admit that I am a HUGE (!!!) Joan Collins fan, so it's doubtful that I would've subjected myself to the movie's excruciatingly slow pace had it NOT co-starred "Joanie." I mean, I've followed "Joanie's" career through muck ("Empire of the Ants") and mire ("The Girl in the Red Velvet Swing"), so I can honestly say that "Joanie" MAY star in bad motion pictures, but she NEVER gives a bad performance!
Yes, I agree with the other posters, Ray Milland DOES, indeed, deliver a VERY bland and wooden performance as architect, Stanford White. However, much the same thing can be said for Farley Granger, too, in the villain's role of Harry Thaw. While I can't speak for Granger, I feel I must stand up for Milland: In 1945, under Billy Wilder's superior direction, he won a much-deserved Oscar for his performance as an alcoholic in "The Lost Weekend." So, for his lackluster performance in this movie, I place the blame on the director, Richard Fleischer.
Look, this movie was supposed to be a break-out role for "Joanie." Alas, it wasn't to be. Sure, she'd go on to make other "A" movies, like "Land of the Pharaohs" and the rare Paul Newman clunker, "Rally 'Round the Flag, Boys!" However, after the final Bob Hope/Bing Crosby road movie, "The Road to Hong Kong," "Joanie" was lucky to get work in TV shows like "Batman."
Fortunately, OUR "Joanie" is a SURVIVOR! Super-producer, Aaron Spelling, remembered her from his salad days, and cast her as the Super-Bitch, "Alexis Carrington," in his night-time soap opera, "Dynasty," and the rest - as they say - is history!