Let's Make Up (1954)
Lilacs in the Spring (original title)Reference View | Change View
- 1h 34min
- Comedy, Fantasy
- Apr 1955 (USA)
- Movie
Photos and Videos
Complete, Cast awaiting verification
Errol Flynn | ... |
John 'Beau' Beaumont
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Anna Neagle | ... |
Carole Beaumont / Lillian Grey / Nell Gwynn / Queen Victoria
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David Farrar | ... |
Charles King / King Charles II
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Kathleen Harrison | ... |
Kate
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Peter Graves | ... |
Albert Gutman / Prince Albert
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Helen Haye | ... |
Lady Drayton
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Scott Sanders | ... |
Old George
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Alma Taylor | ... |
1st Woman
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Hetty King | ... |
2nd Woman
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Alan Gifford | ... |
Hollywood Director
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Jennifer Mitchell | ... |
Young Carole
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Gillian Harrison | ... |
Very Young Carole
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George Margo | ... |
Reporter
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Rest of cast listed alphabetically: | |||
George Benson | ... |
Theatre Royal manager (uncredited)
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Ernest Blyth | ... |
Romano's Patron (uncredited)
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Stephen Boyd | ... |
Beaumont's Poolside Companion (uncredited)
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Sean Connery | ... |
Extra in crowd scene (uncredited)
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Victor Harrington | ... |
Romano's Patron (uncredited)
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Gerard Heinz | ... |
Waiter at Romano's (uncredited)
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Sam Kydd | ... |
Actor in Beaumont Film (uncredited)
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Directed by
Herbert Wilcox |
Written by
Robert Nesbitt | ... | (book for musical play "The Glorious Days") and |
Harold Purcell | ... | (book for musical play "The Glorious Days") |
Produced by
Herbert Wilcox | ... | producer |
Music by
Robert Farnon |
Cinematography by
Mutz Greenbaum | ... | director of photography (as Max Greene) |
Editorial Department
Reginald Beck | ... | supervising editor |
Gordon Daniel | ... | second assistant editor (uncredited) |
Ron Freeman | ... | first assistant editor (uncredited) |
Basil Warren | ... | assembly cutter (uncredited) |
Art Direction by
William C. Andrews |
Makeup Department
Nora Bentley | ... | hair stylist |
Harold Fletcher | ... | makeup artist |
Production Management
Patricia Smith | ... | unit manager |
John Wilcox | ... | production manager (as J.D. Wilcox) |
Second Unit Director or Assistant Director
Frank Hollands | ... | assistant director |
John Comfort | ... | third assistant director (uncredited) |
Maurice Gibson | ... | second assistant director (uncredited) |
Art Department
Len Townsend | ... | assistant art director (as Leonard Townsend) |
A.J. Van Montagu | ... | assistant art director (as A. Van Montagu) |
Albert Witherick | ... | assistant art director |
Sound Department
Peter Handford | ... | sound recordist |
Len Shilton | ... | sound recordist |
H. Blackmore | ... | sound camera operator (uncredited) |
Cyril Brown | ... | dubbing crew (uncredited) |
Bill Cook | ... | boom operator (uncredited) |
Jack Lovelock | ... | boom assistant (uncredited) |
Kevin Sutton | ... | assistant boom operator (uncredited) |
Stunts
Nosher Powell | ... | stunts (uncredited) |
Camera and Electrical Department
Austin Dempster | ... | camera operator |
Bert Cann | ... | still photographer (uncredited) |
Alf Hicks | ... | focus puller (uncredited) |
Skeets Kelly | ... | second camera operator (uncredited) |
Peter Sandford | ... | clapper loader (uncredited) |
Brian West | ... | clapper loader (uncredited) |
Costume and Wardrobe Department
Maude Churchill | ... | wardrobe supervisor |
Anthony Holland | ... | dresses: Miss Neagle |
Music Department
Harry Acres | ... | conductor: songs / music arranger: songs / orchestrator: songs |
Robert Farnon | ... | music arranger: incidental score / conductor (uncredited) |
Script and Continuity Department
Phyllis Crocker | ... | continuity |
Additional Crew
Betty Buchel | ... | choreographer |
Philip Buchel | ... | choreographer |
Robert Nesbitt | ... | director: stage production |
Thanks
Bruce Bairnsfather | ... | acknowledgment: "Blighty" front cloth by permission of |
Production Companies
Distributors
- Republic Pictures International, British Film Division (1955) (United Kingdom) (theatrical)
- United Artists (1956) (United States) (theatrical)
- Syncron Film (1956) (Norway) (theatrical)
- Les Films Fernand Rivers (1956) (France) (theatrical)
Special Effects
Other Companies
- Humphries Laboratories (processed by)
Storyline
Plot Summary |
A young entertainer, Carole Beaumont, is wooed by actor and Producer Charles King but, uncertain of her feelings, she resists his attentions. During an air raid, a bomb explosion rocks the café and Carole is knocked unconscious. In her confused state, fantasies flash through her mind, and she seems to become Nell Gwyn of Old Drury, with Charles King looking very much like King Charles. Recovering, she is advised by her doctor to take a rest in the country and, there, another beau, Albert Gutman, prompts his grandmother, Lady Drayton, to invite Carole to their family home at Windsor. She accepts and telephones Charles, but hangs up when his phone is answered by a female voice. Looking out on Windsor Castle, she sees herself as the young Queen Victoria, and Albert as Prince Albert. Influenced by her daydream, she accepts Albert's proposal. Charles arrives to tell her that all arrangements are made for her to leave with him and the company for Burma, but she refuses saying she will never marry an actor. Barmaid Kate tells Charles why Carole feels the way she does about actors: Carole's mother, Lillian Grey, was with a touring show in 1913 when the handsome star, John Beaumont raised her from the chorus to be his partner in his first West End show. They were a success, fell in love and were married. But the war soon took Beau off to Flanders and Lillian was left to become a great star on her own. Carole was born in wartime, but saw little of her busy mother.
Written by Les Adams |
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Taglines | Dancing. Singing or Slugging - It's a "No-holds-barred" delight! See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | In the modern sequences, Anna Neagle, age fifty, played the daughter of Errol Flynn, age forty-five. See more » |
Movie Connections | Featured in Let's Make Up (1958). See more » |
Soundtracks | Keep the Home Fires Burning (Till the Boys Come Home) See more » |