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A Hatful of Rain ()


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A Korean War veteran's morphine addiction wreaks havoc upon his family.

Director:
Awards:
  • Nominated for 1 Oscar. Another 6 wins & 9 nominations.
  • See more »
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Cast verified as complete

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Celia Pope
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Johnny Pope
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Polo Pope
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John Pope, Sr.
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Mother
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Chuch (as Gerald O'Loughlin)
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Apples
Rest of cast listed alphabetically:
Tom Ahearne ...
Bartender (uncredited)
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Man in Elevator (uncredited)
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Middle-Aged Man (uncredited)
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Barfly (uncredited)
Albert Dannibal ...
The Thin Man (uncredited)
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Barfly (uncredited)
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Jack (uncredited)
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Barfly (uncredited)
Jane Hoffman ...
Lone Woman (uncredited)
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Boss (uncredited)
Jay Jostyn ...
Doctor (uncredited)
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Bartender (uncredited)
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Man at Mailbox (uncredited)
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Spectator at Football Game (uncredited)
Jimmy Rogers ...
Child (uncredited)
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Celia's Supervisor (uncredited)
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Mr. Wagner (uncredited)
Michael Vale ...
Cab Driver (uncredited)
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Loud Man in Elevator (uncredited)
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Bartender (uncredited)
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Ed (uncredited)

Directed by

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Fred Zinnemann

Written by

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Michael V. Gazzo ... (play) (as Michael Vincente Gazzo)
 
Michael V. Gazzo ... (screenplay) (as Michael Vincente Gazzo) and
Alfred Hayes ... (screenplay)
 
Carl Foreman ... (screenplay) (originally uncredited)

Produced by

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Buddy Adler ... producer

Music by

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Bernard Herrmann

Cinematography by

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Joseph MacDonald ... director of photography (as Joe MacDonald)

Editing by

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Dorothy Spencer

Art Direction by

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Leland Fuller
Lyle R. Wheeler

Set Decoration by

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Stuart A. Reiss
Walter M. Scott

Costume Design by

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Mary Wills

Makeup Department

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Ben Nye ... makeup artist
Helen Turpin ... hair stylist

Second Unit Director or Assistant Director

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Ben Kadish ... assistant director

Art Department

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George Westenhiser ... props (uncredited)

Sound Department

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Bernard Freericks ... sound
Harry M. Leonard ... sound
Don Isaacs ... sound editor (uncredited)
Dick Jensen ... sound editor (uncredited)
Jim Leppert ... sound editor (uncredited)

Visual Effects by

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L.B. Abbott ... special photographic effects

Camera and Electrical Department

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Alan Stetson ... grip (uncredited)

Costume and Wardrobe Department

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Charles Le Maire ... executive wardrobe designer (as Charles LeMaire)
Sam Benson ... wardrobe (uncredited)

Music Department

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Bernard Herrmann ... conductor (uncredited) / orchestrator (uncredited)

Additional Crew

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Jay Julien ... producer: stage play
Burt Steiner ... dialogue director (uncredited)

Thanks

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John Graham ... acknowledgement with thanks: for his generous cooperation in the production - Department of Commerce and Public Events, City of New York (as Mr. John Graham)
Crew believed to be complete

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

War veteran Johnny Pope, his wife of four years Celia Pope, who is pregnant with their first child, and Johnny's younger brother Polo Pope live together in a working class existence in the inner city of New York. Johnny and Polo have always looked out for each other, which is now made all the more difficult with Polo, unknown to Johnny, being attracted to Celia himself. Uneducated Polo is currently the largest household breadwinner working as a bouncer at a sleazy bar - it the best paying job with his skills - as Johnny, untold to Celia, has lost his latest job, the fourth such in the last three months. Without a word, Johnny often disappears for large periods of time, and although she inherently still loves him, Celia is uncertain if she can stay in a marriage in which he no longer touches her or acknowledges their baby, especially as she believes he is having an affair. She would admit to herself that in her loneliness she often does think about falling into Polo's arms. These issues are exacerbated by the visit of Johnny and Polo's father from Palm Beach, he who they have not seen since before Johnny and Celia's wedding, this thus the first time he will have met his daughter-in-law. Unknown to John Sr. who has always treated Johnny as the favored son, both Johnny and Polo have a strained relationship with him in he never being there when they need him. What John Sr. did not tell them before the arrival of his two day stay is that he has come specifically for $2,500 Polo had promised was his whenever he needed it, he wanting it for his retirement plans, with the problem being that Polo no longer has the money which further places Polo in John Sr.'s bad books. All of these issues stem directly from a secret Johnny is keeping, with Polo the only one in the family who knows: that Johnny is a two fix a day junkie, he having become addicted to morphine when he was in the hospital at the end of his military service. Polo's saved $2,500 went to Johnny for his fixes, while Johnny immediately owes "Mother", his primary supplier, $500 - money which Johnny doesn't have - Mother who knows the fine line of getting the money versus keeping Johnny hooked and thus keeping him as a lucrative customer. Written by Huggo

Plot Keywords
Taglines The tender love story of Johnny Pope, husband, brother, father-to-be! See more »
Genres
Parents Guide Add content advisory for parents »
Certification

Additional Details

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Also Known As
  • Une poignée de neige (France)
  • Un sombrero lleno de lluvia (Spain)
  • 夜を逃れて (Japan, Japanese title)
  • Giftiger Schnee (West Germany)
  • Un cappello pieno di pioggia (Italy)
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Runtime
  • 109 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Box Office

Budget $1,820,000 (estimated)

Did You Know?

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Trivia Anthony Franciosa was nominated for a Tony Award for his performance as Polo in the original Broadway production. He was nominated for an Academy Award for reprising the role in this film. See more »
Goofs When Johnny surprises Celia with dinner and flowers, the camera starts to back out of the kitchen, but something or someone runs into the curtain hanging on the right, causing it to move quite a bit. See more »
Movie Connections Referenced in Lew Hoad & Shelley Winters and Anthony Franciosa (1957). See more »
Soundtracks Don't Get Around Much Anymore See more »
Quotes John Pope, Sr: Polo, You're a bum. You always were and you always will be.
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