Concha R. Castaño (story)
Antonio Guzmán Merino (writer)
(suite)
28 mai 1959 (France) suite
Joselito is a naughty boy that sings like the nightingales. He lives in a little town near Sevilla.... suite | add synopsis
Franco was probably very proud of this one plus de (3 total)
| Joselito | ... | Joselito | |
| Ivy Bless | |||
| Archibald L. Lyall | |||
| Vicky Lagos | |||
| Manuel Zarzo | |||
| Aníbal Vela | |||
| Lola del Pino | |||
| Emma Picó | |||
| Luis Moreno | |||
| Félix Briones | |||
| Manuel Guitián | |||
| Carmelo G. Robledo | (as Carmelo Robledo) | ||
| Luis Roses | |||
| José María Sánchez Roda | |||
| Mari Carmen Alonso | |||
| reste de la distribution par ordre alphabétique: | |||
| Antonio Vela | ... | Gordillo (uncredited) | |
Réalisé par | |||
| Antonio del Amo | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Concha R. Castaño | story | |
| Antonio del Amo | writer | |
| Antonio Guzmán Merino | writer | |
| Camilo Murillo | writer | |
| Francisco Naranjo | writer | |
| Concepción Rodríguez Castaño | story | |
| María Dolores Sánchez Ovín | story | |
Produit par | |||
| Juan Francisco Blanco Lavín | .... | producer | |
| Cesáreo González | .... | producer | |
Musique originale | |||
| Miguel García Morcillo | |||
| Antonio Valero | |||
Image | |||
| Juan Mariné | |||
Montage | |||
| Petra de Nieva | |||
Création des décors | |||
| Eduardo Torre de la Fuente | |||
Décorateur de plateau | |||
| Eduardo Torre de la Fuente | |||
Maquillage | |||
| Ángeles Echevarría | .... | hair stylist (as Angelines Echevarría) | |
| José Echevarría | .... | makeup artist | |
Assistant réalisateur | |||
| Sebastián Almeida | .... | assistant director | |
Département Art | |||
| Antonio Luna | .... | property master | |
Caméra et Département Electrique | |||
| Luciano Díaz | .... | still photographer | |
| Fernando Guillot | .... | assistant camera | |
| Luis Muñoz Alcolea | .... | camera operator (as Luis M. Alcolea) | |
| Antonio Ortas | .... | still photographer | |
Département Costume et garde-Robe | |||
| Humberto Cornejo | .... | wardrobe | |
Dpartement Editorial | |||
| Carmen Frías | .... | assistant editor | |
Divers | |||
| Santiago Peláez | .... | administrator (as Santiago Peláez Suárez) | |
| María Teresa Ramos | .... | script supervisor | |
77 min
Couleur (Technicolor)
Caudal escondido suite
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| Gloria Mairena | The Fighting Temptations | Días de viejo color | Un rayo de luz | Fanaa |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | IMDb Musical section |
| IMDb Spain section | Add this title to MyMovies |
When I was a kid, in the early sixties, Joselito Jiminez was a big star in French Canada. Some older people never forget him. I remember that this movie was at the Madelon cinema house of my hometown when it burned. We kids, at school, have fun talking about Joselito with the burning voice ! Now, I'm much older and I had a second grade university degree in history, and my subject was the French Canadian distributor France-Film, who was a very very conservative company. In the fifties and early sixties, that was France-Film who made Joselito a star in Quebec. After seeing this film, I know why! This is a very conservative movie! We had to know that in Spain, by that
time, dictator Franco was looking very closely to every point of what's goin' on in his country. Movies had to reflect his conservative and dictatorial regime. So, this movie reflects really that. See the big presence of Catholic religion propaganda, the naive melodrama, the sense of the family and the touristic look of the landscapes of Spain. Quebec, in the fifties and early sixties, was exactly in this same way: very catholic and conservative. So, I now really understand why Joselito was a star back then! Today, this movie really looks awful, but we can also enjoy it as a representation of the Spain of Franco.