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Clifford Odets (screenplay) and
Ernest Lehman (screenplay) ...
(suite)
27 juin 1957 (USA) suite
They know him - and they shiver - the big names of Broadway, Hollywood and Capitol Hill. They know J.J.- the world-famed columnist whose gossip is gospel to sixty million readers! They know the venom that flickers in those eyes behind the glasses - and they fawn - like Sid Falco, the kid who wanted "in" so much, he'd sell out his own girl to stand up there with J.J., sucking in the sweet smell of success! This is J.J.'s story - but not the way he would have liked it told! suite
Powerful but unethical Broadway columnist J.J. Hunsecker coerces unscrupulous press agent Sidney Falco into breaking up his sister's romance with a jazz musician. full summary | add synopsis
Nominated for BAFTA Film Award. Another 1 win & 2 nominations suite
Oh, Those GREAT NY Scenes! plus de (81 total)
| Burt Lancaster | ... | J.J. Hunsecker | |
| Tony Curtis | ... | Sidney Falco | |
| Susan Harrison | ... | Susan Hunsecker | |
| Martin Milner | ... | Steve Dallas (as Marty Milner) | |
| Jeff Donnell | ... | Sally | |
| Sam Levene | ... | Frank D' Angelo | |
| Joe Frisco | ... | Herbie Temple | |
| Barbara Nichols | ... | Rita | |
| Emile Meyer | ... | Lt. Harry Kello | |
| Edith Atwater | ... | Mary | |
| The Chico Hamilton Quintet | ... | Themselves | |
| reste de la distribution par ordre alphabétique: | |||
| Nick Adams | ... | Hot-Dog Stand Customer (uncredited) | |
| Jay Adler | ... | Manny Davis (uncredited) | |
| Lewis Charles | ... | Al Evans (uncredited) | |
| Buddy Clark | ... | Bassist in Chico Hamilton Quintet (uncredited) | |
| Lawrence Dobkin | ... | Leo Bartha (uncredited) | |
| John Fiedler | ... | Counterman (uncredited) | |
| Bess Flowers | ... | Extra at Toots Shor's (uncredited) | |
| William Forrest | ... | Sen. Harvey Walker (uncredited) | |
| Robert Fuller | ... | Extra (uncredited) | |
| Joe Gray | ... | Patron at 21 Club (uncredited) | |
| Chico Hamilton | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| James Hill | ... | Man outside theatre (uncredited) | |
| Paul Horn | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| Fred Katz | ... | Himself - Chico Hamilton Quintet (uncredited) | |
| Joseph Leon | ... | Joe Robard (uncredited) | |
| Clifford Odets | ... | Man outside theatre (uncredited) | |
| Jane Ross | ... | (uncredited) | |
| Autumn Russell | ... | Linda James (uncredited) | |
| Carson Smith | ... | Himself (uncredited) | |
| Queenie Smith | ... | Mildred Tam (uncredited) | |
| Lurene Tuttle | ... | Loretta Bartha (uncredited) | |
| Harry Tyler | ... | Coffee shop counter man (uncredited) | |
| Philip Van Zandt | ... | Radio program director (uncredited) | |
| David White | ... | Otis Elwell (uncredited) | |
Réalisé par | |||
| Alexander Mackendrick | |||
Scénaristes | ||
| Clifford Odets | (screenplay) and | |
| Ernest Lehman | (screenplay) | |
| Ernest Lehman | (novella) | |
| Alexander Mackendrick | uncredited | |
Produit par | |||
| James Hill | .... | producer | |
| Tony Curtis | .... | executive producer (uncredited) | |
| Harold Hecht | .... | executive producer (uncredited) | |
| Burt Lancaster | .... | executive producer (uncredited) | |
Musique originale | |||
| Elmer Bernstein | (music scored by) | ||
Image | |||
| James Wong Howe | |||
Direction artistique | |||
| Edward Carrere | |||
Décorateur de plateau | |||
| Edward G. Boyle | (as Edward Boyle) | ||
Création des costumes | |||
| Mary Grant | |||
Maquillage | |||
| Robert J. Schiffer | .... | makeup artist (as Robert Schiffer) | |
Directeur de production | |||
| Richard McWhorter | .... | production manager | |
Assistant réalisateur | |||
| Richard Maybery | .... | assistant director | |
Technicien du son | |||
| Robert G. Carlisle | .... | sound effects editor (as Robert Carlisle) | |
| Jack Solomon | .... | sound recordist | |
Dpartement Editorial | |||
| Alan Crosland Jr. | .... | editorial supervisor | |
Département Musique | |||
| Elmer Bernstein | .... | conductor | |
| Lloyd Young | .... | music editor | |
| John Pisano | .... | musician: guitar dubbing, Martin Milner (uncredited) | |
Divers | |||
| Harold Hecht | .... | presenter (as Hecht, Hill and Lancaster) | |
| James Hill | .... | presenter (as Hecht, Hill and Lancaster) | |
| Burt Lancaster | .... | presenter (as Hecht, Hill and Lancaster) | |
| Thom Conroy | .... | dialogue director (uncredited) | |
| Mike Hyatt | .... | film restoration (uncredited) | |
| Ruth McCrough Miller | .... | production assistant (uncredited) | |
96 min
1,66 : 1 suite
Mono (Westrex Recording System)
USA:TV-PG | West Germany:16 (f) | UK:A (original rating) | Australia:PG | Finland:K-16 | Sweden:15 | UK:PG | USA:Approved (PCA #18585)
One of the musical refrains that is repeated throughout the film was used nearly note for note in Boogie Nights (1997). suite
Continuité: In first scene in Sydney's office, secretary picks up a stack of magazines and newspapers, that change position and height of stack from shot to shot. suite
Référencé sur A Dying Breed: The Making of 'The Leopard' (2004) (V) suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
Another poster "stole" the one line summary I wanted to use: "Match me, Sidney." Damn. It's one of the best lines in the movie. Oh, well.
"Sweet Smell of Success" is a great, wildly entertaining movie. It reminds me of "Dangerous Liasons" in both it's subject ("bad" people making life worse for more decent folk) and how swiftly and imaginatively directed it is. It's juicy from beginning to end. Burt Lancaster is once again terrific as J.J. Hunsecker, Walter Winchell-esque writer of a "society" column which is more of a tool of destruction for those who cross his path.
But it's Tony Curtis who holds the movie together. Always scheming and plotting and never letting a decent human emotion take precedence over his drive to succeed at any cost. He's Marvelous and was never again to achieve what he did here.
But there's a third star to this production and it's New York City itself. The on location photography is stunning. What is amazing is that at the time the movie was made (1957) on location filming was just becoming "in vogue". For a film like this, it HAD to filmed on location or else it's power would be substantially diluted. I work in Manhattan near where a lot of this film was made (J.J. lives in the Brill Building which is on Broadway between 49th and 50th Streets, right around the corner from me). To see what the neighborhood looked like over 40 years ago is amazing. Surprisingly, it's the astonishing on site photography that prevents the film from really feeling dated. Also, the themes in the film are timeless as well.
"Sweet Smell of Success" is a classic from top to bottom.