| John Gavin | ... | Ernst Graeber | |
| Liselotte Pulver | ... | Elizabeth Kruse Graeber (as Lilo Pulver) | |
| Jock Mahoney | ... | Immerman | |
| Don DeFore | ... | Hermann Boettcher | |
| Keenan Wynn | ... | Reuter | |
| Erich Maria Remarque | ... | Professor Pohlmann | |
| Dieter Borsche | ... | Captain Rahe | |
| Barbara Rütting | ... | Woman Guerrilla | |
| Thayer David | ... | Oscar Binding | |
| Charles Régnier | ... | Joseph | |
| Dorothea Wieck | ... | Frau Lieser | |
| Kurt Meisel | ... | Heini | |
| Agnes Windeck | ... | Frau Witte | |
| Clancy Cooper | ... | Sauer | |
| John Van Dreelen | ... | Political Officer | |
| Klaus Kinski | ... | Gestapo Lieutenant | |
| Alice Treff | ... | Frau Langer | |
| Alexander Engel | ... | Mad Air Raid Warden | |
| Jim Hutton | ... | Hirschland (as Dana J. Hutton) | |
| Bengt Lindström | ... | Steinbrenner | |
| Wolf Harnisch | ... | Sergeant Muecke | |
| Karl Ludwig Lindt | ... | Dr. Karl Fresenburg | |
| Lisa Helwig | ... | Frau Kleinert | |
| reste de la distribution par ordre alphabétique: | |||
| Paul Frees | ... | Several characters (voice) (uncredited) | |
| Alexander Welbat | ... | Otto Binding (uncredited) | |
| Ralf Wolter | ... | Feldmann, the taylor (uncredited) | |
Réalisé par | |||
| Douglas Sirk | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Orin Jannings | writer | |
| Erich Maria Remarque | novel | |
Produit par | |||
| Robert Arthur | .... | producer | |
Musique originale | |||
| Miklós Rózsa | |||
Image | |||
| Russell Metty | |||
Montage | |||
| Ted J. Kent | |||
Direction artistique | |||
| Alexander Golitzen | |||
| Alfred Sweeney | |||
Décorateur de plateau | |||
| Russell A. Gausman | |||
Création des costumes | |||
| Bill Thomas | |||
Maquillage | |||
| Bud Westmore | .... | makeup artist | |
Directeur de production | |||
| Norman Deming | .... | unit production manager | |
Assistant réalisateur | |||
| Michael Braun | .... | assistant director | |
| Joseph E. Kenney | .... | assistant director | |
Technicien du son | |||
| Leslie I. Carey | .... | sound | |
| Vernon W. Kramer | .... | sound | |
Effets spéciaux | |||
| Whitey McMahon | .... | special effects | |
| Clifford Stine | .... | special effects | |
Caméra et Département Electrique | |||
| Clifford Stine | .... | special photography | |
Département Musique | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Divers | |||
| Heinz Götze | .... | assistant: Mr. Deming | |
| Herman Ulbricht | .... | technical advisor: military | |
| Eva Ebner | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
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| The Longest Day | Cross of Iron | Arch of Triumph | The Dirty Dozen | Europa Europa |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
A Douglas Sirk film from Universal Pictures in 1958 -- this is probably the wrong combination of director, studio, and year for a grim movie about Germany in the last months of World War II. Everything, including John Gavin's well-coiffed hair, looks a bit too "Hollywood."
However, this disconnect between style and substance has its advantages, too, creating an underlying sort of tension which keeps the movie from being labeled a failure.
Watch the supporting cast for Jock Mahoney, Klaus Kinski, and Dana ("Jim") Hutton. Lilo Pulver is an earnest but uncompelling leading lady and John Gavin never looked handsomer. (And that's saying something!) You need to wait about 50 minutes before he takes his shirt off and the resulting scene is disappointingly brief but any sight of The Chest is a cause for celebration.
Point to ponder: would any Hollywood studio risk this kind of ending in today's market?