| John Gavin | ... | Ernst Graeber | |
| Liselotte Pulver | ... | Elizabeth Kruse Graeber (as Lilo Pulver) | |
| Jock Mahoney | ... | Immerman | |
| Don DeFore | ... | Hermann Boettcher | |
| Keenan Wynn | ... | Reuter | |
| Erich Maria Remarque | ... | Professor Pohlmann | |
| Dieter Borsche | ... | Captain Rahe | |
| Barbara Rütting | ... | Woman Guerrilla | |
| Thayer David | ... | Oscar Binding | |
| Charles Régnier | ... | Joseph | |
| Dorothea Wieck | ... | Frau Lieser | |
| Kurt Meisel | ... | Heini | |
| Agnes Windeck | ... | Frau Witte | |
| Clancy Cooper | ... | Sauer | |
| John Van Dreelen | ... | Political Officer | |
| Klaus Kinski | ... | Gestapo Lieutenant | |
| Alice Treff | ... | Frau Langer | |
| Alexander Engel | ... | Mad Air Raid Warden | |
| Jim Hutton | ... | Hirschland (as Dana J. Hutton) | |
| Bengt Lindström | ... | Steinbrenner | |
| Wolf Harnisch | ... | Sergeant Muecke | |
| Karl Ludwig Lindt | ... | Dr. Karl Fresenburg | |
| Lisa Helwig | ... | Frau Kleinert | |
| reste de la distribution par ordre alphabétique: | |||
| Paul Frees | ... | Several characters (voice) (uncredited) | |
| Alexander Welbat | ... | Otto Binding (uncredited) | |
| Ralf Wolter | ... | Feldmann, the taylor (uncredited) | |
Réalisé par | |||
| Douglas Sirk | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Orin Jannings | writer | |
| Erich Maria Remarque | novel | |
Produit par | |||
| Robert Arthur | .... | producer | |
Musique originale | |||
| Miklós Rózsa | |||
Image | |||
| Russell Metty | |||
Montage | |||
| Ted J. Kent | |||
Direction artistique | |||
| Alexander Golitzen | |||
| Alfred Sweeney | |||
Décorateur de plateau | |||
| Russell A. Gausman | |||
Création des costumes | |||
| Bill Thomas | |||
Maquillage | |||
| Bud Westmore | .... | makeup artist | |
Directeur de production | |||
| Norman Deming | .... | unit production manager | |
Assistant réalisateur | |||
| Michael Braun | .... | assistant director | |
| Joseph E. Kenney | .... | assistant director | |
Technicien du son | |||
| Leslie I. Carey | .... | sound | |
| Vernon W. Kramer | .... | sound | |
Effets spéciaux | |||
| Whitey McMahon | .... | special effects | |
| Clifford Stine | .... | special effects | |
Caméra et Département Electrique | |||
| Clifford Stine | .... | special photography | |
Département Musique | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Divers | |||
| Heinz Götze | .... | assistant: Mr. Deming | |
| Herman Ulbricht | .... | technical advisor: military | |
| Eva Ebner | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| UK DVD | mowgli_07 |
| Finally on DVD, in France | luckard |
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| The Longest Day | Cross of Iron | Arch of Triumph | The Dirty Dozen | Europa Europa |
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
Re: Shannon Box's (sbox@gvtc.com) observation: "In short, this is an important film of significant value. Not because it is about history, but because it is about the redeeming quality of humanity, even if displayed in the setting of our onetime enemy." I would change the last of Shannon's statement to BECAUSE it is displayed in the setting of our onetime enemy. I saw this film shortly after it was released, in a theater on a USArmy post in Munich, Germany (McGraw Kaserne). At that time I was a student, especially of German history. This film provided an opportunity to be transported, for a few hours, into that closed society that our German friends had lived through but could not adequately convey to us. For those who enjoyed this film I would recommend reading "The Officer Factory" by Hans Helmut Kirst and Betrayed Skies (I have forgotten the author, but that is a first rate but largely unknown German pilot's story of his unwilling part in the air war). In short, this is a modern day All Quiet on the Western Front.