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L'avventura (1960)
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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes:
Date de sortie:
4 mars 1961 (USA)
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Intrigue:
A woman disappears during a Mediterranean boating trip. But during the search, her lover and her best friend become attracted to each other. full summary | add synopsis
Récompenses:
Nominated for 2 BAFTA Film Awards.
Another 3 wins
&
1 nomination
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Avis des utilisateurs:
Shallow Characters In A Very Deep Film
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Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Gabriele Ferzetti | ... | Sandro | |
| Monica Vitti | ... | Claudia | |
| Lea Massari | ... | Anna | |
| Dominique Blanchar | ... | Giulia | |
| Renzo Ricci | ... | Anna's Father | |
| James Addams | ... | Corrado | |
| Dorothy De Poliolo | ... | Gloria Perkins | |
| Lelio Luttazzi | ... | Raimondo | |
| Giovanni Petrucci | ... | Prince Goffredo | |
| Esmeralda Ruspoli | ... | Patrizia | |
| Jack O'Connell | ... | Old man on the island | |
| Angela Tommasi Di Lampedusa | ... | The Princess | |
| Franco Cimino | |||
| Prof. Cucco | ... | Ettore | |
| Giovanni Danesi |
Détails supplémentaires
Autre(s) titre(s):
Parents Guide:
Durée:
143 min
Couleur:
Rapport de forme:
1,78 : 1 suite
Son:
Classification:
Australia:PG |
Italy:VM14 |
Argentina:16 |
Finland:K-16 |
Iceland:L |
Singapore:PG |
South Korea:15 |
Sweden:15 |
UK:PG (re-rating) (1995) |
UK:X (original rating) |
West Germany:18
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Antonioni set out to make a film on the instability of emotions and described his film as a detective story back to front.
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Goofs:
Equipe ou équipement visible: During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface.
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Guillemet:
Connexions De Film:
Référencé sur "Allemaal film: Tussen kunst en kassa (#1.5)" (2007)
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Liens liés
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There's something strange going on in this film.
The first time I watched it, it seemed to wash over me without affecting me in anyway. Later on(and I've read this in other people's comments here as well) I found images and dialogue from the movie creeping into my subconscious; entire dreams would take place upon the island where Anna goes missing(often in monochrome), or I'd start to compare real life events to those that occur during the film. Did Antonioni plant subliminal messages within the movie? Probably not. It's more likely the masterful pace he employs here, coupled with the busy, deep cinematography is the cause of this. Notice how the backgrounds NEVER go out of focus, no matter how much is going on within the frame. Check out the scene about an hour and ten minutes in, where Sandro and the old man are talking in the middle of an extremely busy street; nothing blurs or goes out of focus, even when a tram comes in and out of the shot, nothing loses it's perspective, and as the scene ends and they walk deep into the shot we can see way past them and far, far into the distance.
This seems to be why the film has such a deep affect on the subconscious. The characters are deliberately shallow and are placed at the very foreground of every shot, yet the backgrounds are rich tableaux bustling with life. In the scenes on the island where Anna disappears, we see the main characters always in shot, yet in the background there is a feeling that something strange within nature itself is going on. The darkening of the clouds, the sudden mist upon the water, the rocks falling to the sea, even the sudden appearance of the old hermit character, all give a certain unease.
There's also the haunting feeling of the film, as Anna's friends begin, almost immediately to forget about her. Soon, they don't seem to care a jot about her, and neither, in a sense, do we. It's this feeling of loose ends and guilt on our part(for joining her so called 'friends' in forgetting about her so quickly) that leaves the deepest impression. The characters in this film are so morally shallow(the ending bears this out) yet they are the reason this film leaves such a strong impression on those who watch it, and who become captivated by it.
I cant recommend this film to everyone because I know that the Hollywood Blockbuster has reduced most modern cinema-goers attention spans to almost zero. But if you fancy a challenge, or merely wish to luxuriate in classic cinema.....begin here.