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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes:
Arnold Schulman (screenplay)
Edna Ferber (novel)
Date de sortie:
décembre 1960 (USA) suite
Accroche:
Story of a VAST and VIOLENT LAND! suite
Intrigue:
The epic saga of a frontier family, Cimarron starts with the Oklahoma Land Rush on 22 April 1889. The... suite | add synopsis
Récompenses:
Nominated for 2 Oscars. Another 1 win suite
Avis des utilisateurs:
Enjoyable pioneer saga plus de (23 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Glenn Ford | ... | Yancey 'Cimarron' Cravat (editor, 'Oklahoma Wigwam') | |
| Maria Schell | ... | Sabra Cravat born Venable | |
| Anne Baxter | ... | Dixie Lee (owner, Dixie's Social Club) | |
| Arthur O'Connell | ... | Tom Wyatt | |
| Russ Tamblyn | ... | William Hardy / The Cherokee Kid | |
| Mercedes McCambridge | ... | Mrs. Sarah Wyatt | |
| Vic Morrow | ... | Wes Jennings (Cherokee Kid gang) | |
| Robert Keith | ... | Sam Pegler (owner, 'Oklahoma Wigwam') | |
| Charles McGraw | ... | Bob Yountis | |
| Harry Morgan | ... | Jessie Rickey (printer) (as Henry {Harry} Morgan) | |
| David Opatoshu | ... | Sol Levy (shopkeeper) | |
| Aline MacMahon | ... | Mrs. Mavis Pegler | |
| Lili Darvas | ... | Felicia Venable (Sabra's mother) | |
| Edgar Buchanan | ... | Judge Neal Hefner | |
| Mary Wickes | ... | Mrs. Neal Hefner |
Détails supplémentaires
Autre(s) titre(s):
Edna Ferber's Cimarron (USA) (complete title)
suite
Parents Guide:
Durée:
147 min
Pays:
Langue:
Couleur:
Couleur (Metrocolor)
Rapport de forme:
2,35 : 1 suite
Son:
Classification:
West Germany:12 (f) | Finland:K-16 | Sweden:15 | USA:Approved (PCA #19510) | Argentina:13 | UK:U
Lieux de tournage:
Société:
Curiosités
Anecdotes:
Eva Marie Saint was considered for the role of Sabra. suite
Goofs:
Erreurs factuelles: In the scene where Jessie Rickey is using a letterpress to print "wanted" posters of the Cherokee Kid and his gang, even though he handed a "fresh" copy to Yancey Cravat, he is running the press dry which would yield no printed impressions - on letterpresses of that type, ink would be applied to the lead type with a roller before the paper is laid down to be run through the press. Plus, he is taking the finished copies off and without looking placing them face down - any printer worth his salt would inspect every print for quality before setting it aside. suite
Connexions De Film:
Référencé sur Long Ranger and Tonton (Shooting Stars of the West) (1989) suite
Bande son:
Cimarron suite
foire aux questions
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Forum
Discuter de ce film avec les autres utilisateurs sur Forum IMDb pour Cimarron (1960)| Recent Posts (updated daily) | User |
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| shot on 68 mm? | knowsbleed |
| One of Mann's Best Shot Sequences... | brainofj72 |
Recommendations
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| Cimarron | Giant | How the West Was Won | Man with the Steel Whip | The Painted Stallion |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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Liens liés
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |



I admit to not having read the book (but will now go to abe.com to find it!) or seen the earlier film, but find it interesting to compare this enjoyable movie with 'Giant'(Stevens, 1956), which incidentally also had Mercedes McCambridge in it, also concerned an essentially ill-matched couple, prejudice, mixed-race marriage, early oil-barons, and also takes in a number of years in which we see the characters grow older.
Unlike the other reviewers here, I did NOT find Maria Schell's accent annoying in the least. She makes a wonderfully believable pioneer (note: the accent is genuine, which also sets her apart from many other Hollywood 'foreigners') and she has a pleasingly natural acting style. She shines beautifully when she is interacting with other women, be it the wildcat and part-time prostitute Anne Baxter in one of the finest scenes of the film (smouldering and feisty but underused I think) or the earthy and magnificent McCambridge, whose subtle but hilarious Southern accent is expertly modulated and a joy to the ear. So many scenes between women in Westerns of this time are somewhat flat and stagey, but I think they're superb here and set this film apart.
Glenn Ford is good, and although the film rather tries to do too much (as does Giant, in my opinion), it's really a fun way to spend a rainy afternoon or even a hot afternoon. Plenty happens along the way and it has something to say.