Boccaccio '70 (1962)

Réalisateurs:

Vittorio De Sica
Federico Fellini

Scénaristes:

Giovanni Arpino (segment)
Italo Calvino (segment)

Date de sortie:

26 juin 1962 (USA)

Genre:

Comedie | Fantasy | Romance

Intrigue:

Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana...

Plot Keywords:

Billboard | Apostrophe In Title | Digit In Title | Episodic | Amusement Park

Avis des utilisateurs:

do not miss!

Ensemble

Marisa Solinas	...	Luciana (segment "Renzo e Luciana")
Germano Gilioli	...	Renzo (segment "Renzo e Luciana")
Anita Ekberg	...	Anita (segment "Le tentazioni del dottor Antonio")
Peppino De Filippo	...	Dr. Antonio Mazzuolo (segment "Le tentazioni del dottor Antonio")
Romy Schneider	...	Pupe (segment "Il lavoro")
Tomas Milian	...	Conte Ottavio (segment "Il lavoro") (as Thomas Milian)
Romolo Valli	...	Lawyer Zacchi (segment "Il lavoro")
Sophia Loren	...	Zoe (segment "La riffa")
Luigi Giuliani	...	Gaetano (segment "La riffa")
Alfio Vita	...	Cuspet (segment "La riffa")

Autre(s) titre(s):

Boccaccio '70 (USA)
Boccace 70 (France)

Durée:

Argentina:205 min | Germany:125 min (3 episodes) (cut) | Netherlands:158 min (3 episodes) | USA:150 min (3 episodes) (cut) | France:150 min (3 episodes) (cut) | 208 min (4 episodes)

Pays:

Italy | France

Langue:

Italien | Allemand

Couleur:

Couleur (Technicolor/Eastmancolor)

Rapport de forme:

1,66 : 1

Son:

Mono

Classification:

Australia:PG | Hungary:18 | Netherlands:12 (2004) (DVD) | Netherlands:9 (2009) (DVD) | Argentina:16 | Finland:K-16 | Italy:VM14 | Sweden:15 | UK:X | USA:Unrated | Germany:6 (re-rating) | West Germany:18

Lieux de tournage:

E.U.R., Rome, Lazio, Italy

Société:

Cineriz

Anecdotes:

Federico Fellini's segment, "Le tentazioni del dottor Antonio", was his first work in color. It and Fellini's contribution to L'amore in città (1953) along with his co-directed "Variety Lights" are the "1/2" alluded to in the title of 8½ (1963).

Connexions De Film:

Référencé sur Mafioso (1962)

Bande son:

Legata a un granello di sabbia

do not miss!

Specifically for film lovers,like myself, who only ever got to watch this collection (minus the first segment) on late-late night commercial TV- run out and get a copy of this remastered version. To watch this as it was originally intended- the work of some of Italy's finest directors- is a joy. As for which segment is the best... it's hard to say...Fellini's segment is better than I remembered it...and who could ever forget Anita Ekberg...in truth I have a fondness for all these Italian films I saw in my youth that makes objectivity hard.P.S.: Of course, the same must be said for Yesterday, Today and Tomorrow-also reissued- I nearly cried at how good the print was.