Costantino il grande (1962)

Note Générale:

5,4/10   

Réalisateur:

Lionello De Felice

Scénaristes:

Michael Audley (dialogue)
Ennio De Concini (writer)

Date de sortie:

décembre 1962 (USA)

Genre:

Aventure | Drame | Histoire | Romance

Intrigue:

Somewhat fictionalized dramatic account of Late Roman Emperor Constantine, his rise to power, and his...

Plot Keywords:

Emperor | Christianity | Peplum | Male Female Relationship | Rome Italy

Avis des utilisateurs:

The Violent Rise of Christendom in Europe

Ensemble

Cornel Wilde	...	Constantine
Belinda Lee	...	Fausta
Massimo Serato	...	Maxentius
Christine Kaufmann	...	Livia
Fausto Tozzi	...	Hadrian
Tino Carraro	...	Emperor Maximianus
Carlo Ninchi	...	Constantius Chlorus
Vittorio Sanipoli	...	Apuleius
Elisa Cegani	...	Elena
reste de la distribution par ordre alphabétique:
Lia Angeleri	...	Clavia, Christian
Franco Fantasia	...	Roman Soldier
Lauro Gazzolo	...	Amodius
Nando Gazzolo	...	Licinius
Veriano Genesi	...	Torturer
Loris Gizzi	...	Roman Prosecutor
Enrico Glori	...	Livia's Father
Jole Mauro	...	Celi, Fausta's Maid
Annibale Ninchi	...	Galarius
Carlo Tamberlani	...	Diocletian
Renato Terra	...	Jailer

Autre(s) titre(s):

Constantine and the Cross (USA)
Constantine the Great

Durée:

UK:109 min | USA:120 min | Sweden:114 min

Pays:

Yugoslavia | Italy

Langue:

Italien

Couleur:

Couleur (Eastmancolor)

Rapport de forme:

2,35 : 1

Son:

Mono

Classification:

Australia:PG | USA:Approved | Finland:K-16 | Norway:15

Lieux de tournage:

Rome, Lazio, Italy

Société:

Beaver-Champion Attractions

The Violent Rise of Christendom in Europe

This Italian production stars an American born in Hungary (Wilde), a German, and a Brit in key roles. American Cornell Wilde plays Constantine. Livia, a pious Christian woman loved by Constantine's friend Hadrian is played by German prodigy Christine Kauffman (at the age of 18, she was already a veteran). And the tragic British glamor- girl Belinda Lee plays Constantine's devoted wife Fausta (Lee died in a car crash shortly after this film was completed). The rest of the cast rounds out nicely with Italian actors, many of whom are quite good.

The subject matter is, ultimately, the story of Christianity's (really Eastern Orthodoxy) rise from an obscure, persecuted cult to one of Europe's dominant religions through its adoption by one of the great Byzantine Roman conquerors - Emperor Constantine. Those who are not interested in this ideologically and historically important subject should probably avoid this film, because it does, at times, move pretty slowly.

The story is epic and heroic following Constantine, Fausta, Hadrian and Livia from their young adulthood through to Constntine's rise to power and eventual unification of the empire. Constantine is depicted as a brilliant warrior, leader and strategist (which he certainly was) with stability and peace at the heart of his motivations (which is arguable). Much is left out of the story and much is changed. There is no clear indication of Constantine's formidable intellect and education, nor the ambiguity of his motives and alliances. Much of the complex intrigues of Constantine's times is ignored or altered in order to keep the story moving. Even so, the story can be a little hard to follow if you are not already familiar with the history.

The production is generally very good. The acting is fine, though Wilde and Lee are both a little stiff at times, and don't seem to have developed the chemistry appropriate for their roles. Christine Kauffman (Livia), and Fausto Tozzi (Hadrian) are excellent in their important supporting roles. The sets are great, though the occasional and unnecessary bird's eye views of Rome (a miniature) are a bit silly. the costumes are impressively detailed, and the battles are well choreographed and filmed - though it is sometimes hard to figure out what is going on in the battle scenes.

Considering the grand scale of the film, Constantine and the Cross is quite good. I enjoy historical fiction - even when it is more fiction than history - so - had I gone with my own personal enjoyment of this film, I would have given it a 7. It is a good effort to portray an important and under-examined subject. Well worth seeing by those interested in the history of religion, Christians, and movie fans who enjoy epic historical fiction.