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Ryûzô Kikushima (writer)
Akira Kurosawa (writer)
(suite)
7 mai 1963 (USA) suite
A crafty samurai helps a young man and his fellow clansmen save his uncle, who has been framed and imprisoned by a corrupt superintendent. full summary | add synopsis
1 win suite
Among the Most Entertaining of Kurosawa's or Mifune's Movies plus de (38 total)
| Toshirô Mifune | ... | Sanjûrô Tsubaki / The Samurai | |
| Tatsuya Nakadai | ... | Hanbei Muroto | |
| Keiju Kobayashi | ... | The Spy | |
| Yûzô Kayama | ... | Iori Izaka | |
| Reiko Dan | ... | Chidori, Mutsuta's daughter | |
| Akihiko Hirata | ... | Samurai | |
| Takashi Shimura | ... | Kurofuji | |
| Kamatari Fujiwara | ... | Takebayashi | |
| Takako Irie | ... | Mutsuta's wife | |
| Masao Shimizu | ... | Kikui | |
| Yûnosuke Itô | ... | Mutsuta, the Chamberlain | |
| Akira Kubo | ... | Samurai | |
| Kenzo Matsui | ... | Samurai | |
| Hiroshi Tachikawa | ... | Samurai | |
| Yoshio Tsuchiya | ... | Samurai | |
| Kunie Tanaka | ... | Samurai | |
| reste de la distribution par ordre alphabétique: | |||
| Tatsuyoshi Ehara | ... | Samurai | |
| Tatsuhiko Hari | ... | Samurai | |
| Kôji Uruki | |||
Réalisé par | |||
| Akira Kurosawa | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Ryûzô Kikushima | writer | |
| Akira Kurosawa | writer | |
| Hideo Oguni | writer | |
| Shugoro Yamamoto | novel "Peaceful Days" | |
Produit par | |||
| Ryûzô Kikushima | .... | associate producer | |
| Tomoyuki Tanaka | .... | associate producer | |
Musique originale | |||
| Masaru Satô | |||
Image | |||
| Fukuzo Koizumi | |||
| Takao Saitô | |||
Montage | |||
| Akira Kurosawa | |||
Création des décors | |||
| Yoshirô Muraki | |||
Technicien du son | |||
| Wataru Konuma | .... | sound recordist | |
| Hisashi Shimonaga | .... | sound recordist | |
Caméra et Département Electrique | |||
| Ichirô Inohara | .... | lighting technician | |
Divers | |||
| Ryu Kuze | .... | fencing advisor | |
Sanjuro (USA)
suite
96 min
2,35 : 1 suite
Mono (Perspecta Sound encoding) (Westrex Recording System)
Singapore:PG | Australia:PG | Finland:K-12 | Sweden:15 | Switzerland:12 | UK:12 | UK:PG (re-rating) (2002) | UK:A (original rating) | West Germany:12 | USA:PG-13
In the scene where Sanjuro has to kill about a dozen of Kikui's men and then smacks three of the young samurai for forcing him to kill so many, Toshirô Mifune slapped the three young actors for real. As seen in the film, the slaps both surprised the actors and knocked them backwards. suite
Révélant des erreurs: When the Chamberlain's nephew goes to peek over the wall to check if Kikui's house is full of troops, he supports himself on the wall which bends slightly, belying its supposed sturdiness. suite
Sanjûrô Tsubaki: He was exactly like me. A naked sword. He didn't stay in his sheath. suite
Référencé sur Kurosawa: The Last Emperor (1999) (TV) suite
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| Yojimbo | Shichinin no samurai | Batman Begins | Miyamoto Musashi kanketsuhen: kettô Ganryûjima | Zoku Miyamoto Musashi: Ichijôji no kettô |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb Japan section | Add this title to MyMovies |
Akira Kurosawa and Toshiro Mifune combined their abilities in numerous fine movies, and while "Sanjuro", for its part, is lighter than most of the others, it is certainly one of the most entertaining of the movies that either of the two has made. Mifune gets a role that allows him to get many good moments, and it's also a role that he must have enjoyed playing.
The story is quite interesting, with many good turns and a way of keeping you guessing as to what will happen next. Mifune plays a samurai who takes it upon himself to try to save a rather hapless but nevertheless worthy clan from government conspiracy and from its own foolishness. It's a role that gives him both plenty of good lines and plenty of good action sequences. Kurosawa, of course, knows just how to get the most out of all of the material, and the story also provides some interesting psychological insights on the characters.
The settings are very good, and they are often used in creative ways in telling the story. Except for Mifune's character, most of the other characters are fairly one-dimensional, but they are believable, and they also allow plenty of room for Mifune to get the most out of each of his scenes. The result is a very enjoyable and well-crafted movie.