IMDb RATING
7.0/10
14K
YOUR RATING
Boris Karloff hosts a trio of horror stories concerning a stalked call girl, a vampire-like monster who preys on his family, and a nurse who is haunted by her ring's rightful owner.Boris Karloff hosts a trio of horror stories concerning a stalked call girl, a vampire-like monster who preys on his family, and a nurse who is haunted by her ring's rightful owner.Boris Karloff hosts a trio of horror stories concerning a stalked call girl, a vampire-like monster who preys on his family, and a nurse who is haunted by her ring's rightful owner.
- Awards
- 2 wins & 1 nomination
Lidia Alfonsi
- Mary (segment "Il telefono")
- (as Lydia Alfonsi)
Rika Dialyna
- Maria (segment "I Wurdalak")
- (as Rica Dialina)
Milly
- The Maid (segment "La goccia d'acqua")
- (as Milly Monti)
Milo Quesada
- Frank Rainer (segment "Il telefono")
- (uncredited)
Storyline
Did you know
- TriviaThis film served as inspiration for the naming of the heavy metal band Black Sabbath. In 1968, the band (then called Earth) was playing a small club in Birmingham, England. Across the street was a movie theater showing the film Black Sabbath. The band noticed that more people were in line to see the movie than were to see the band. Realizing that "horror sells tickets" they decided to change the band's name to Black Sabbath.
- GoofsThe narration of this film's English-dubbed version claims that "The Wurdulak" was written by Tolstoy and that "The Drop of Water" was written by Chekhov. The first claim is misleading; "The Wurdulak" was not written by Leo Tolstoy, the famous author of *War and Peace*, but by minor novelist Alexei Tolstoy. The second claim is completely untrue; Anton Chekhov never wrote a short story titled "The Drop of Water" or any story with a plot resembling that of the so-named segment of this film.
- Alternate versionsAs documented by Tim Lucas (in Video Watchdog #5), the order of the segments was rearranged by AIP for the English-language release. The original ordering was: "The Telephone," "The Wurdalak," and "The Drop of Water." In addition, "The Telephone" was re-dubbed and slightly re-cut by Bava at AIP's request to create a supernatural angle and disguise the lesbian overtones of the story.
- ConnectionsFeatured in Hatchet for the Honeymoon (1970)
Featured review
Horror classic full of thrills, chills, and suspenseful by terror maestro Mario Bava
This terrifying film with plenty of vampires , weird deeds and murders is formed by three stories proceeded in some memorably horrific set-pieces : 1) ¨The telephone¨ by author Snyder : A prostitute (Michele Mercier) terrorized in her flat by phone calls from a broken-out inmate (Milo Quesada) receives visit her lover (Lidia Alfonsi). 2) ¨The Wurdalak¨ by Aleksey Tolstoi : In a night of nightmare during the early 1800s , a Russian noble (Mark Damon, usual in Spaghetti Western) and a family (exceptional Boris Karloff, a gorgeous Susy Andersen, and Massimo Roghi) stumble vampires who must kill those love and go after their descendants ; the undead vampires of hell terrorize the house in a orgy of stark horror. 3) ¨The drop of water¨ by Chekhov : In the early 1900s , a nurse (Jacqueline Pierreux, mother of actor Jean Pierre Leaud, 400 blows) steals a ring from a medium dead and she seeks avenge , then a ghastly specter arises , exacting cruel revenge for past robbery.
Bava's second great hit (the first was Black Sunday or Mask of the demon) surprisingly realized with startling visual content and well scripted by Marcello Fondato and Albert Bevilacqua . This omnibus terror is plenty of thrills and chills in glimmer color and in lurid paste with sensational results . This genuinely creepy tale is photographed by Ubaldo Terzano and Bava himself with magentas , shades of ochre , translucently pale turquoises and deep orange-red reflecting paleness on the victims . Eerie and suspenseful musical score by Roberto Nicolisi , though in American version was composed by Lex Baxter , Corman's usual. The motion picture was stylishly and strikingly shot by Bava , filmed in parallel orbit to those Roger Corman ( Edgar Allan Poe cycle) and produced by American International (James H. Nicholson , Samuel Z. Arkoff) . Bava along with Riccardo Freda are fundamental kings of Italian horror , in fact collaborated deeply among them , as Bava terminated two films of Freda, ¨Il Vampiri¨ and ¨Caltiki¨ and they created the Giallo sub-genre. Rating : Good , acceptable atmospheric direction from genre master MarioBava , this is one more compelling horror ventures in which his camera stalks in sinister style throughout a tale with extraordinary visual skills . A must see for terror buffs.
Bava's second great hit (the first was Black Sunday or Mask of the demon) surprisingly realized with startling visual content and well scripted by Marcello Fondato and Albert Bevilacqua . This omnibus terror is plenty of thrills and chills in glimmer color and in lurid paste with sensational results . This genuinely creepy tale is photographed by Ubaldo Terzano and Bava himself with magentas , shades of ochre , translucently pale turquoises and deep orange-red reflecting paleness on the victims . Eerie and suspenseful musical score by Roberto Nicolisi , though in American version was composed by Lex Baxter , Corman's usual. The motion picture was stylishly and strikingly shot by Bava , filmed in parallel orbit to those Roger Corman ( Edgar Allan Poe cycle) and produced by American International (James H. Nicholson , Samuel Z. Arkoff) . Bava along with Riccardo Freda are fundamental kings of Italian horror , in fact collaborated deeply among them , as Bava terminated two films of Freda, ¨Il Vampiri¨ and ¨Caltiki¨ and they created the Giallo sub-genre. Rating : Good , acceptable atmospheric direction from genre master MarioBava , this is one more compelling horror ventures in which his camera stalks in sinister style throughout a tale with extraordinary visual skills . A must see for terror buffs.
helpful•203
- ma-cortes
- Dec 12, 2008
Details
- Release date
- Countries of origin
- Language
- Also known as
- Die drei Gesichter der Furcht
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 37 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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