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Les Barbouzes (1964) Plus avec IMDbPro »

Vue d'ensemble

Note Générale:
7,0/10   498 votes
MOVIEmeter: ?
Down 19% in popularity this week. See why on IMDbPro.
Réalisateur:
Georges Lautner
Scénaristes:
Michel Audiard (dialogue)
Albert Simonin (writer)
Contact:
View company contact information for The Great Spy Chase on IMDbPro.
Date de sortie:
mai 1966 (USA) suite
Genre:
Comedie | Action | Thriller suite
Intrigue:
A cold-war spy parody. After the death of an armaments manufacturer, an international group of spies... suite | add synopsis
Plot Keywords:
suite
Avis des utilisateurs:
Situation Abnormal & All F... up... plus de (5 total)

Ensemble

  (dans l'ordre des crédits) (Vérifié comme complet)
Lino Ventura ... Francis Lagneau
Francis Blanche ... Boris Vassiliev
Bernard Blier ... Eusebio Cafarelli
Mireille Darc ... Amaranthe
Jess Hahn ... Le commodore O'Brien
André Weber ... Rossini
Louis Arbessier ... The Swiss colonel
Jacques Balutin ... Le douanier (scenes deleted)
Françoise Giret ... Mme Pauline
Violette Marceau ... Rosalinde
Anne-Marie Blot
Yves Elliot
Jean-Pierre Moutier (as J.P. Moutier)
Jean-François Régnier (as J.F. Régnier)
Michel Duplaix ... Le barbouze avec Fiduc
Gérard Darrieu ... L'agent Fiduc
Luce Bonifassy
Lutz Gabor ... Le colonel allemand / The German colonel
Yuzuru Shoji
Raoul Saint-Yves ... L'employé des wagons-lits
Philippe Castelli ... Le portier d'Istanbul / The porter in Istanbul
Robert Secq ... Benarshah
Yochka
Charles Millot ... Hans Muller
Noël Roquevert ... Colonel Lanoix
reste de la distribution par ordre alphabétique:
Luong-Ham Chan ... Le Chinois dans le train (uncredited)
Michel Dacquin ... Le barbouze du train (uncredited)
Robert Dalban ... Le camionneur (uncredited)
Hubert Deschamps ... Le douanier (uncredited)
Marius Gaidon ... L'espion poignardé (uncredited)
Georges Guéret ... L'Américain à Lisbonne (uncredited)
Monique Mélinand ... Mme Lagneau (uncredited)
Robert Thomas ... (uncredited)
Pierre-Jean Vaillard ... Récitant / Narrator (voice) (uncredited)
Dominique Valensi ... La fille chez Mme Pauline (uncredited)
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Réalisé par
Georges Lautner 
 
Scénaristes
(dans l'ordre alphabétique)
Michel Audiard  dialogue
Albert Simonin  writer

Produit par
Jean Mottet .... producer
Alain Poiré .... delegate producer
Robert Sussfeld .... producer
 
Musique originale
Michel Magne 
 
Image
Maurice Fellous 
 
Montage
Michelle David 
 
Création des décors
Jacques D'Ovidio 
 
Décorateur de plateau
Louis Germain 
 
Directeur de production
Robert Porte .... unit manager
 
Assistant réalisateur
Tristan Fleurquin .... assistant director
Paul Nuytens .... assistant director
Claude Vital .... assistant director
 
Technicien du son
René Longuet .... sound editor
 
Caméra et Département Electrique
Jean-Louis Castelli .... still photographer
Georges Pastier .... camera operator
 
Divers
António Escudeiro .... production assistant
José Fonseca e Costa .... production assistant
Edgar Gonsalves Preto .... production assistant
Annie Maurel .... script girl
 

Companies de productionDistributeurs
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Détails supplémentaires

Autre(s) titre(s):
Quattro spie sotto il letto (Italy)
The Great Spy Chase (USA)
suite
Parents Guide:
Add content advisory for parents
Durée:
109 min | Portugal:106 min | USA:84 min | West Germany:107 min | Argentina:108 min
Pays:
France | Italy
Langue:
Français
Couleur:
Noir et Blanc
Son:
Mono
Classification:
Finland:K-16 | West Germany:16 | Argentina:16
Lieux de tournage:
Chateau de Vigny, Val-d'Oise, France suite
Société:
Corona Cinematografica suite

Curiosités

Connexions:
Références Banco à Bangkok pour OSS 117 (1964) suite

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Avis des utilisateurs

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0 internautes sur 3 ont trouvé ce commentaire utile
Situation Abnormal & All F... up..., 13 mai 2008
5/10
Auteur : VanheesBenoit de Belgique

Being very much into spy movies and political thrillers, it is somewhat difficult for me to comment in an honest way about this movie. The reason is simple: it is a direct attack on this genre, and to all its main aspects. Every ingredient of a good spy movie is used to (try to) make fun about.

The young and lovely widow of a rich arms merchant has inherited without knowing a whole collection of A weapons. The arms merchant bought all these nukes, because they were threatening his sales of conventional weapons. Of course not very plausible, but OK... the story itself is of secondary importance, as the main aim is to make jokes about the traditional spy movies.

Four "rather suspicious" characters turn up at the 'château' of the rich widow, and all four claim to have known the deceased. As one of the French former Presidents (F. Faure), he also died due to a heart failure in a Parisian brothel. Of course the French movie makers can't resist to draw obvious similarities. The four seem to know each other quite well, as they are colleagues in the deadly spy game. Soon, they change the château into a kindergarten for nasty little spies. First they try to eliminate each other by exotic means like a scorpion or with explosives... But as they know each other's reputation too well, it all ends up with a status quo ante, just as the Korean war did. Than, it turns out that strange little yellow men are hiding behind the walls of the château, observing everything, waiting for the right moment to eliminate everyone... Only to be eliminated themselves by the 4 rival agents, teaming temporarily together. With guns making popping sounds like toy guns and shooting more bullets than a Gatling gun, the Yellow Danger soon is no longer a threat. Than, the four try to win the heart of the widow, who has stopped wearing black, and now gaily hops around like some kind of frivolous shepherdess. And "of course" it is the French spy -his name can be translated as 'lamb' by the way- who beats his 3 European rivals. The role of the US agent is limited in driving around in a very flashy car, blowing the horn very loudly, waving with lots of money, and being thrown out of the window each time by his more "intellectual" hum hum European rivals... So yes, lots of cheap clichés too...

The jokes are funny up to a certain level, but in the end, it really becomes too much of the same. Well, I prefer Lino Ventura in his serious spy movies, like the outstanding "Le Silencieux" (The silent one). But HE seems to enjoy the movie, one can almost feel him having it difficult not to burst into a loud laughter, when he's trying to talk "seriously" to the beautiful Amaranthe.

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