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Mary Poppins (1964)
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Vue d'ensemble
Note Générale:
Date de sortie:
29 août 1964 (USA) suiteAccroche:
See It Again and Again with that Supercalifragilistic Music! [re-release Australia 1976] suiteIntrigue:
A magic nanny comes to work for a cold banker's unhappy family. full summary | add synopsisRécompenses:
Won 5 Oscars. Another 12 wins & 12 nominations suiteAvis des utilisateurs:
I urge people to try it again. plus de (177 total)Ensemble
(Vue d'ensemble du casting, par ordre d'apparence) | Julie Andrews | ... | Mary Poppins |
 | Dick Van Dyke | ... | Bert / Mr. Dawes Senior (as Navckid Keyd) |
 | David Tomlinson | ... | Mr. Banks |
| Glynis Johns | ... | Mrs. Banks |
| Hermione Baddeley | ... | Domestic - Ellen |
| Reta Shaw | ... | Domestic - Mrs. Clara Brill |
| Karen Dotrice | ... | Jane Banks |
| Matthew Garber | ... | Michael Banks |
 | Elsa Lanchester | ... | Katie Nanna |
| Arthur Treacher | ... | The Constable |
| Reginald Owen | ... | Admiral Boom |
 | Ed Wynn | ... | Uncle Albert |
| Jane Darwell | ... | The Bird Woman |
| Arthur Malet | ... | Mr. Dawes, Junior |
| James Logan | ... | Citizen |
Détails supplémentaires
Parents Guide:
Add content advisory for parentsDurée:
139 minPays:
USALangue:
AnglaisCouleur:
Couleur (Technicolor)Rapport de forme:
1,66 : 1 suiteSon:
4-Track Stereo (RCA Sound Recording)Classification:
France:U | Iceland:L | South Korea:Tous | USA:Approved (certificate #20453) (original rating) | USA:G (re-rating) (1972) | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:S | Peru:PT | Spain:T | Sweden:Btl | UK:ULieux de tournage:
Walt Disney Studios, Burbank, California, USACuriosités
Anecdotes:
Julie Andrews was determined to nail the lullaby "Stay Awake". She took nearly 50 takes (most reports suggest 47) in the Disney recording studio to create the perfect "soft" voice quality for the song. Dick Van Dyke, on the other hand, took only one take to record his verses as Mr. Dawes, Sr. on "Fidelity, Fiduciary Bank". suiteGoofs:
Erreurs faites par les personnages (éventuellement des erreurs délibérées par les cinéastes): When Mrs. Banks bends to embrace the children (when the Constable brings the children back from the park), her head is turned to her left rather than looking at her children, obviously anticipating Mr. Banks' line which cuts off her embrace. suiteGuillemet:
[first lines]Bert: All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go! Room 'ere for everyone. Gather around. The constable - responstable! Now 'ow does that sound? Hm. 'Ello, Miss Lark, I've got one for you. Miss Lark... likes to walk... in the park... with Andrew! Hello, Andrew. Ah, Mrs. Corry, a story for you. Your daughters were shorter than you - but they grew!
suite
Bande son:
Feed the Birds (Tuppence a Bag) suitefoire aux questions
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`Tart', `not nearly so sentimental as ‘The Sound of Music', `Disney's finest achievement' ... I'd read critics' comments like these with puzzlement. Had they seen the same film I had?
Of course they had: it's just that someone had got it wrong; and as it turned out, it was me. I still think that anyone who calls `Mary Poppins' Disney's finest is being silly - Disney's finest hour was clearly the one that saw `Pinocchio', `Fantasia', `Dumbo' and `Bambi' - but what we have here is a fine, clever film, NOT overly sweet.
What won me over was the ending. David Tomlinson changes from a mechanical banker to a human being with surprising fluency. It's not any one scene: it's the entire extended sequence, from the run on the bank to the end credits. And it's not just Tomlinson's acting, either, but the long, lingering shots of him standing and walking in darkness, and a use of music that's far more sophisticated than I'd first supposed it to be, the general intelligence of the script. The last lines given to Mary Poppins I'd missed the point of the first time round. She's a riddle throughout the film which the film's conclusion partially, but only partially, unravels.
Considered as a musical `Mary Poppins' lacks something. WHAT it lacks is revealed when we hear the Jane and Michael tramping around the house singing `Supercalifragilisticexpialidocious' (a great song, by the way) - and they GET THE TUNE WRONG. They get it wrong in exactly the irritating way that children WOULD get it wrong. This may be an inspired touch of realism, but it surely violates the ethos of musicals, as do the deeply pedestrian songs `Stay Awake', `Sister Suffragette' and `A Spoonful of Sugar'. This was the side of `Mary Poppins' I'd remembered. I'd forgotten the haunting quality of `Feed the Birds' and `Let's Go Fly a Kite', and the punch of the score as a whole.
So anyway, I'm now a convert. I can't find anything to seriously object to except Dick Van Dyke's ludicrous accent, which makes him sound almost, but not quite, like Bugs Bunny.