- Nominated for 1 Oscar. Another 6 wins & 9 nominations.
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Photos and Videos
Cast verified as complete
Rod Steiger | ... |
Sol Nazerman
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Geraldine Fitzgerald | ... |
Marilyn Birchfield
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Brock Peters | ... |
Rodriguez
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Jaime Sánchez | ... |
Jesus Ortiz
(as Jaime Sanchez)
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Thelma Oliver | ... |
Ortiz' Girl
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Marketa Kimbrell | ... |
Tessie
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Baruch Lumet | ... |
Mendel
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Juano Hernandez | ... |
Mr. Smith
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Linda Geiser | ... |
Ruth Nazerman
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Nancy R. Pollock | ... |
Bertha
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Raymond St. Jacques | ... |
Tangee
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John McCurry | ... |
Buck
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Charles Dierkop | ... |
Robinson
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Eusebia Cosme | ... |
Mrs. Ortiz
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Warren Finnerty | ... |
Savarese
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Jack Ader | ... |
Morton
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Marianne Kanter | ... |
Joan
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Ed Morehouse | ... |
Oratory Award
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Rest of cast listed alphabetically: | |||
Marc Alexander | ... |
Rubin (uncredited)
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Donny Burks | ... |
Minor Role (uncredited)
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Robert Dahdah | ... |
Jew in Cage (uncredited)
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Morgan Freeman | ... |
Man on Street (uncredited)
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Hilda Haynes | ... |
Mrs. Harmon (uncredited)
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E.M. Margolese | ... |
Papa (uncredited)
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Donnie Melvin | ... |
David Nazerman (uncredited)
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Donnell O'Brien | ... |
Man (uncredited)
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Reni Santoni | ... |
Junkie Selling Radio (uncredited)
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Bill Steele | ... |
Man (uncredited)
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Directed by
Sidney Lumet |
Written by
Morton S. Fine | ... | (screenplay) (as Morton Fine) & |
David Friedkin | ... | (screenplay) |
Edward Lewis Wallant | ... | (novel) |
Produced by
Philip Langner | ... | producer |
Roger H. Lewis | ... | producer (as Roger Lewis) |
Joseph Manduke | ... | associate producer |
Worthington Miner | ... | executive producer |
Music by
Quincy Jones |
Cinematography by
Boris Kaufman | ... | director of photography |
Editing by
Ralph Rosenblum |
Editorial Department
Sheila Bakerman | ... | assistant editor |
Casting By
Jessica Levy |
Production Design by
Richard Sylbert |
Costume Design by
Anna Hill Johnstone |
Makeup Department
Ed Callaghan | ... | hair stylist |
Bill Herman | ... | makeup artist |
Production Management
Ulu Grosbard | ... | unit manager |
Mel Howard | ... | assistant production manager |
Al Markim | ... | executive in charge of production (as Alfred Markim) |
Second Unit Director or Assistant Director
Dan Eriksen | ... | assistant director |
Art Department
Albert Brenner | ... | assistant art director (as Al Brenner) |
Jack Flaherty | ... | set dresser |
Ken Thompson | ... | construction chief |
Thomas Wright | ... | chief props (as Tom Wright) |
Sound Department
Jack Fitzstephens | ... | sound editor |
James A. Gleason | ... | sound mixer (as James Gleason) |
Alan Heim | ... | sound editor |
Dennis Maitland | ... | sound |
James Perdue | ... | sound (uncredited) |
Camera and Electrical Department
Joseph F. Coffey | ... | camera operator (as Joseph Coffee) |
Howard Fortune | ... | chief electrician (as Buddy Fortune) |
Edward Knott | ... | chief grip (as Eddie Knott) |
Peter Norman | ... | first assistant camera (uncredited) |
Costume and Wardrobe Department
George Newman | ... | wardrobe |
Marilyn Putnam | ... | wardrobe |
Location Management
Harold Reidman | ... | location manager (uncredited) |
Music Department
Billy Byers | ... | orchestrator (as William Byers) |
Quincy Jones | ... | orchestrator |
Richard Hazard | ... | orchestrator (uncredited) |
Quincy Jones | ... | conductor (uncredited) |
Carol Kaye | ... | musician: bass (uncredited) |
Tony Ortega | ... | musician (uncredited) |
Jack Sheldon | ... | musician: trumpet (uncredited) |
Script and Continuity Department
Maggie James | ... | script supervisor |
Additional Crew
Belle Iacobellis | ... | production secretary |
Ely A. Landau | ... | presenter (as Ely Landau) |
Dana Steadley | ... | production secretary |
Herbert R. Steinmann | ... | presenter |
Production Companies
Distributors
- Allied Artists Pictures (1964) (United States) (theatrical)
- Planet Film Distributors (1964) (United Kingdom) (theatrical)
- American International Pictures (AIP) (1965) (United States) (theatrical)
- Wivefilm (1966) (Sweden) (theatrical)
- American-International Television (AIP-TV) (1966) (United States) (tv) (syndication)
- House of Dare (1967) (Australia) (theatrical)
- Metro-Goldwyn-Mayer (1967) (India) (theatrical)
- Nora-Filmverleih (1967) (West Germany) (theatrical)
- Kontinental (1970) (Norway) (theatrical)
- Commonwealth United Television (1971) (United States) (tv) (syndication)
- National Telefilm Associates (NTA) (1974) (United States) (tv) (syndication)
- Nord Video (1981) (Norway) (VHS) (Beta) (Video 2000)
- NTA Home Entertainment (1983) (United States) (VHS)
- CBS/Fox Home Video (1984) (Australia) (video)
- Republic Pictures Home Video (1985) (United States) (VHS)
- Republic Pictures Home Video (1997) (United States) (VHS)
- Artisan Home Entertainment (2003) (United States) (DVD)
- Cult Classic (2010) (Brazil) (DVD)
- Olive Films (2012) (Canada) (Blu-ray)
- Olive Films (2012) (Canada) (DVD)
- Olive Films (2012) (United States) (Blu-ray)
- Olive Films (2012) (United States) (DVD)
- Swashbuckler Films (2014) (France) (theatrical) (re-release)
- New Star (2016) (Greece) (theatrical) (re-release)
- Spectrum (West Germany) (VHS)
Special Effects
- Film Opticals (optical effects)
Other Companies
- Recording Studios (sound recording)
- F. Hillsberg (titles)
Storyline
Plot Summary |
In a poor neighborhood of New York, the bitter and lonely Jewish pawnbroker Sol Nazerman is a survivor from Auschwitz that has no emotions or feelings. Sol lost his dearest family and friends in the war and his faith in God and belief in mankind. Now he only cares for money and is haunted by daydreams, actually flashbacks from the period of the concentration camp. Sol's assistant is the ambitious Latino Jesus Ortiz, who wants to learn with Sol how to run a business of his own. When Sol realizes that the obscure laundry business he has with the powerful gangster Rodriguez comes also from brothels, Sol recalls the fate of his beloved wife in the concentration camp and has a nervous breakdown. His attitude leads Jesus Ortiz to tragedy and Sol finds a way to cry. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
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Taglines | The Most Talked About Picture! See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $930,000 (estimated) |
Did You Know?
Trivia | Richard Sylbert's set was deliberately designed to be a series of cages--wire meshes, bars, locks, alarms, etc.--to symbolize that even though Sol was no longer in a concentration camp, he was effectively still imprisoned by his memories. See more » |
Goofs | As Jesus runs down the street, his shirt changes from a V-neck to a turtle neck, and then back again. See more » |
Movie Connections | Featured in The Hot Spot/Mr. Destiny/Memphis Belle/Welcome Home, Roxy Carmichael (1990). See more » |
Soundtracks | I Don't Wanna Be a Loser See more » |
Quotes |
Jesus Ortiz:
Say, how come you people come to business so naturally? Sol Nazerman: You people? Oh, let's see. Yeah. I see. I see, you... you want to learn the secret of our success, is that right? Alright I'll teach you. First of all you start off with a period of several thousand years, during which you have nothing to sustain you but a great bearded legend. Oh my friend you have no land to call your own, to grow food on or to hunt. You have nothing. You're never in one place long enough to have a geography or an army or a land myth. All you have is a little brain. A little brain and a great bearded legend to sustain you and convince you that you are special, even in poverty. But this little brain, that's the real key you see. With this little brain you go out and you buy a piece of cloth and you cut that cloth in two and you go and sell it for a penny more than you paid for it. Then you run right out and buy another piece of cloth, cut it into three pieces and sell it for three pennies profit. But, my friend, during that time you must never succumb to buying an extra piece of bread for the table or a toy for a child, no. You must immediately run out and get yourself a still larger piece cloth and so you repeat this process over and over and suddenly you discover something. You have no longer any desire, any temptation to dig into the Earth to grow food or to gaze at a limitless land and call it your own, no, no. You just go on and on and on repeating this process over the centuries over and over and suddenly you make a grand discovery. You have a mercantile heritage! You are a merchant. You are known as a usurer, a man with secret resources, a witch, a pawnbroker, a sheenie, a makie and a kike! Jesus Ortiz: [long pause] You really some teacher, Mr. Nazerman. You really, really 's the greatest. See more » |