| Peter Cushing | ... | Dr. Who | |
| Bernard Cribbins | ... | Tom Campbell | |
| Ray Brooks | ... | David | |
| Andrew Keir | ... | Wyler | |
| Roberta Tovey | ... | Susan | |
| Jill Curzon | ... | Louise | |
| Roger Avon | ... | Wells | |
| Geoffrey Cheshire | ... | Roboman | |
| Keith Marsh | ... | Conway | |
| Philip Madoc | ... | Brockley | |
| Steve Peters | ... | Leader Roboman | |
| Eddie Powell | ... | Thompson | |
| Godfrey Quigley | ... | Dortmun | |
| Peter Reynolds | ... | Man on bicycle | |
| Bernard Spear | ... | Man with carrier bag | |
| Sheila Steafel | ... | Young woman | |
| Eileen Way | ... | Old woman | |
| Kenneth Watson | ... | Craddock | |
| John Wreford | ... | Robber | |
| Robert Jewell | ... | Leader Dalek Operator |
Réalisé par | |||
| Gordon Flemyng | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Terry Nation | BBC television series | |
| Sydney Newman | characters (uncredited) | |
| Milton Subotsky | screenplay | |
| David Whitaker | additional material | |
Produit par | |||
| Max Rosenberg | .... | producer (as Max J. Rosenberg) | |
| Milton Subotsky | .... | producer | |
| Joe Vegoda | .... | executive producer | |
Musique originale | |||
| Bill McGuffie | |||
Image | |||
| John Wilcox | (director of photography) | ||
Montage | |||
| Ann Chegwidden | |||
Direction artistique | |||
| George Provis | |||
Décorateur de plateau | |||
| Maurice Pelling | |||
Maquillage | |||
| Bunty Phillips | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
Directeur de production | |||
| Ted Wallis | .... | production manager | |
| Tony Wallis | .... | unit manager | |
Assistant réalisateur | |||
| Anthony Waye | .... | assistant director | |
Département Art | |||
| Bill Waldron | .... | construction manager | |
| William Alexander | .... | draughtsman (uncredited) | |
Technicien du son | |||
| Buster Ambler | .... | sound recordist (as A. Ambler) | |
| John Cox | .... | sound supervisor | |
| John Poyner | .... | sound editor | |
| Peter Dukelow | .... | boom operator (uncredited) | |
Effets spéciaux | |||
| Ted Samuels | .... | special effects | |
Visual Effects | |||
| Gerald Larn | .... | matte painter (uncredited) | |
Caméra et Département Electrique | |||
| David Harcourt | .... | camera operator | |
| Ray Jones | .... | camera grip | |
| Maurice Gillett | .... | supervising electrician (uncredited) | |
Département Costume et garde-Robe | |||
| Jackie Cummins | .... | wardrobe supervisor | |
Département Musique | |||
| Barry Gray | .... | composer: electronic music | |
| Bill McGuffie | .... | conductor | |
Divers | |||
| Pamela Davies | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| AYRSHIRE SCREENING - Friday 18th April 2008 | pov99 |
| Podshock | kennyd4360 |
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| Dr. Who and the Daleks | Doctor Who | Superman | The Transformers: The Movie | Superman II |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Science-Fiction section | IMDb UK section | Add this title to MyMovies |
When I first saw this on TV as a kid, I was really taken with the fanciful far-out concepts of a conquered Earth. For a 12 year-old boy into sci-fi, this was and is the ultimate escapist fare. I had no knowledge of the British TV series at the time so my intro to Dr.Who was Peter Cushing (playing older than he is), the movie version of the old-time traditional Doctor. I probably saw this film before the previous one "Dr. Who and the Daleks" as I was puzzled by the Doctor's recognition of his old foes, the unforgettable Daleks. Yes, who can forget those frog-like voices, warped by metallics, usually screaming for the death of humans. The British cast is really keen, especially Cribbins as an out-of-place copper and Andrew Keir as a hobbled resistance fighter. They bring a curious reality to the fantastic setting.
The picture has a decidedly British flavor and, of course, is filmed in the British countryside. Though I didn't reason this out at the time when I was a kid, it had an obviously different taste to it; I was mostly familiar with U.S. low budget sci-fi pics of the '50s and '60s at the time. The scope of the picture seemed really huge back then: London in a destroyed state, humanity decimated. There was that really cool flying saucer, looking fully functional and detailed. And there were the creepy Robo-men, in their slick black bodysuits and far-out helmets, like some futuristic Nazis or space zombies. All of this stuff really just took me over and I couldn't wait for the next time the local TV channels would run it again (not very often, as it happened). Some years later, I realized the title, 2150 AD, sounded cool, but the invasion by the Daleks must have occurred only a few years before the events of this movie, and the dilapidated buildings all looked like they'd been wrecked in the sixties. Ah, no matter. Many years later, I got the DVD and the thrill, tho muted by the long passage of experience and adulthood, is still there. They really knew how to make 'em back then.