The Sand Pebbles (1966)
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- PG-13
- 3h 2min
- Adventure, Drama
- 20 Dec 1966 (USA)
- Movie
- Nominated for 8 Oscars. Another 2 wins & 13 nominations.
- See more »
Photos and Videos
Cast verified as complete
Steve McQueen | ... |
Jake Holman
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Richard Attenborough | ... |
Frenchy Burgoyne
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Richard Crenna | ... |
Captain Collins
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Candice Bergen | ... |
Shirley Eckert
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Emmanuelle Arsan | ... |
Maily
(as Marayat Andriane)
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Mako | ... |
Po-han
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Larry Gates | ... |
Jameson
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Charles Robinson | ... |
Ensign Bordelles
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Simon Oakland | ... |
Stawski
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Ford Rainey | ... |
Harris
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Joe Turkel | ... |
Bronson
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Gavin MacLeod | ... |
Crosley
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Joe Di Reda | ... |
Shanahan
(as Joseph di Reda)
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Richard Loo | ... |
Major Chin
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Barney Phillips | ... |
Franks
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Gus Trikonis | ... |
Restorff
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Shepherd Sanders | ... |
Perna
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James Jeter | ... |
Farren
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Thomas H. Middleton | ... |
Jennings
(as Tom Middleton)
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Paul Chun | ... |
Cho-jen
(as Paul Chinpae)
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Tommy Lee | ... |
Chien
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Beulah Quo | ... |
Mama Chunk
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James Hong | ... |
Victor Shu
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Stephen Jahn | ... |
Haythorn
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Alan Hopkins | ... |
Wilsey
(as Jay Allan Hopkins)
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Stephen Ferry | ... |
Lamb
(as Steve Ferry)
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Ted Fish | ... |
Wellbeck
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Loren Janes | ... |
Coleman
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Glenn R. Wilder | ... |
Waldron
(as Glenn Wilder)
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Rest of cast listed alphabetically: | |||
Garrett Cassell | ... |
Commander (uncredited)
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Frank Coghlan Jr. | ... |
Bald Bespectacled Man at Red Kettle Bar (uncredited)
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Colleen Cosgrove | ... |
Missionary child (uncredited)
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Larry Duran | ... |
Brawler at Red Kettle Bar (uncredited)
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Robert Emhardt | ... |
Officer on San Pablo (uncredited)
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Robert Kelly-Schleyer | ... |
Bosun's Mate (uncredited)
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Jon Lormer | ... |
Hamilton (uncredited)
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Ko Pa | ... |
Boy Selling Birds (uncredited)
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Gil Perkins | ... |
Customer at Red Kettle Bar (uncredited)
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Walter Reed | ... |
Bidder at Red Kettle Bar (uncredited)
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Henry Wang | ... |
Lop-eye Shing (uncredited)
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Ben Wright | ... |
Englishman (uncredited)
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Directed by
Robert Wise |
Written by
Richard McKenna | ... | (novel) |
Robert Anderson | ... | (screenplay) |
Produced by
Charles H. Maguire | ... | associate producer (as Charles Maguire) |
Steve McQueen | ... | executive producer (uncredited) |
Robert Wise | ... | A Robert Wise Production |
Music by
Jerry Goldsmith |
Cinematography by
Joseph MacDonald | ... | director of photography |
Editing by
William Reynolds |
Editorial Department
David Bernstein | ... | colorist: digitally restored version (uncredited) |
Production Design by
Boris Leven |
Set Decoration by
William Kiernan | ... | (set decorations) |
Walter M. Scott | ... | (set decorations) |
John Sturtevant | ... | (set decorations) |
Costume Design by
Renié | ... | (costumes designed by) (as Renie) |
Makeup Department
Del Acevedo | ... | makeup artist |
Margaret Donovan | ... | hair styles |
Ben Nye | ... | makeup artist |
William Turner | ... | makeup artist (as Bill Turner) |
Sharleen Rassi | ... | hair stylist (uncredited) |
Jay Sebring | ... | hair designer: Steve McQueen (uncredited) |
Production Management
Saul Wurtzel | ... | unit production manager |
Second Unit Director or Assistant Director
Ridgeway Callow | ... | assistant director |
Charles H. Maguire | ... | second unit director (as Charles Maguire) |
Robert F. Liu | ... | first assistant director (uncredited) |
Art Department
Herbert Cheek | ... | location construction supervisor |
Howard Terpning | ... | poster artist |
Tom Jung | ... | graphic designer (uncredited) |
Robert W. King | ... | craft service (uncredited) |
Dong Kingman | ... | watercolor artist (uncredited) |
Dennis J. Parrish | ... | assistant property master (uncredited) |
Sound Department
Bernard Freericks | ... | sound |
Murray Spivack | ... | sound |
Douglas O. Williams | ... | sound |
Special Effects by
Gerald Endler | ... | special effects (as Jerry Endler) |
Johnny Borgese | ... | special effects (uncredited) |
Paul Wurtzel | ... | special effects (uncredited) |
Visual Effects by
L.B. Abbott | ... | special photographic effects |
Travis Dutch | ... | digital restoration scanning |
Emil Kosa Jr. | ... | special photographic effects |
Stunts
Larry Duran | ... | stunts (uncredited) |
Loren Janes | ... | stunt double: Steve McQueen (uncredited) / stunts (uncredited) |
Gil Perkins | ... | stunts (uncredited) |
Bill Saito | ... | stunts (uncredited) |
Glenn R. Wilder | ... | stunts (uncredited) |
Camera and Electrical Department
Dick Johnson | ... | second unit photography (as Richard Johnson) |
Thomas Del Ruth | ... | second assistant camera (uncredited) |
Dave Friedman | ... | assistant camera (uncredited) |
John R. Hamilton | ... | still photographer (uncredited) |
Clyde Taylor | ... | gaffer (uncredited) |
Costume and Wardrobe Department
Ed Wynigear | ... | wardrobe |
Music Department
Lionel Newman | ... | conductor |
David Tamkin | ... | orchestrations |
Larry Bunker | ... | musician: percussion (uncredited) |
Vince De Rosa | ... | musician: french horn (uncredited) |
The Hollywood Studio Symphony | ... | music performed by (uncredited) |
Artie Kane | ... | musician: piano (uncredited) |
Arthur Morton | ... | orchestrator (uncredited) |
Richard Nash | ... | musician: trombone (uncredited) |
Emil Richards | ... | musician: percussion (uncredited) |
Frederick Seykora | ... | musician: cello (uncredited) |
Paul Shure | ... | musician: violin (uncredited) |
Murray Spivack | ... | music engineer (uncredited) |
Douglas Williams | ... | music engineer (uncredited) |
Additional Crew
Harley Misiner | ... | technical adviser (as Harley Misiner MMC. USN {Ret.}) |
Irving Schwartz | ... | diversions |
Maurice Zuberano | ... | production associate |
Alan Callow | ... | production assistant (uncredited) |
Larry Leverett | ... | public relations assistant (uncredited) |
Richard D. Zanuck | ... | studio executive (uncredited) |
Production Companies
- Argyle Enterprises (produced by)
- Solar Productions (produced by)
- Robert Wise Productions
- Twentieth Century Fox
Distributors
- Twentieth Century Fox (1966) (United States) (theatrical) (as Twentieth Century - Fox Film Corporation) (released by)
- Twentieth Century Fox Film Company (1966) (United Kingdom) (theatrical)
- Fox Film (1967) (Sweden) (theatrical)
- Fox Films (1967) (Argentina) (theatrical)
- Dear Film (1967) (Italy) (theatrical)
- Netherlands Fox Film Corporation (1967) (Netherlands) (theatrical)
- Centfox (1967) (West Germany) (theatrical)
- CBS (1973) (United States) (tv)
- TF1 (1978) (France) (tv) (dubbed version)
- Fox-Stockholm Film Distribution (1979) (Sweden) (theatrical)
- CBS/Fox Home Video (1984) (Australia) (video)
- Twentieth Century Fox Home Entertainment (Netherlands) (VHS)
- 20th Century Fox Home Entertainment (2001) (United States) (DVD)
- 20th Century Fox Home Entertainment (2001) (United States) (VHS) (pan-and-scan)
- 20th Century Fox Home Entertainment (2002) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2004) (Hong Kong) (video) (Video Compact Disc)
- Deltamac Co. (2004) (Hong Kong) (video) (Video Compact Disc)
- Svensk Filmindustri (SF) (2005) (Sweden) (DVD)
- SF Home Entertainment (2005) (Sweden) (DVD)
- Twentieth Century Fox Home Entertainment (2006) (Netherlands) (DVD)
- 20th Century Fox Home Entertainment (2008) (Germany) (Blu-ray)
- 20th Century Fox Home Entertainment (2008) (Hong Kong) (Blu-ray) (DVD)
- 20th Century Fox Home Entertainment (2008) (United States) (Blu-ray) (DVD)
- 20th Television (2008) (United States) (tv) (syndication)
- Deltamac Co. (2008) (Hong Kong) (Blu-ray) (DVD)
- SF Home Entertainment (2008) (Sweden) (Blu-ray) (DVD)
- Twentieth Century Fox Home Entertainment (2008) (Netherlands) (Blu-ray) (DVD)
- Deltamac Co. (2007) (Hong Kong) (DVD)
- Filmconfect Home Entertainment (2019) (Germany) (Blu-ray)
- The Criterion Channel (2022) (United States) (tv) (streaming)
- Magnetic Video (United States) (VHS)
Special Effects
Other Companies
- International Alliance of Theatrical Stage Employees (IATSE) (acknowledgement)
- Panavision (camera equipment provided by)
Storyline
Plot Summary |
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the "rice-bowl" system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission.
Written by Martin H. Booda |
Plot Keywords | |
Taglines | THE STORY OF MEN...men who disturbed the sleeping dragon of China as the world watched in terror! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Filming Locations |
Box Office
Budget | $12,000,000 (estimated) |
Did You Know?
Trivia | Director Robert Wise was so proud of this movie that he held yearly parties with surviving cast members to celebrate it. See more » |
Goofs | The Machinist Mate First Class (MM1c) rate patch that Holman wears on his left shoulder is a post 1941-type where the "crow" faces to its right side. In 1926 when the movie is set, the crow on a Machinist Mate's rate patch faced left, looking away from the wearer's face. After 1941, all USN petty officer rate patch "crows" faced forward, like their wearer, to "face the enemy". See more » |
Movie Connections | Featured in Slaying the Dragon (1988). See more » |
Soundtracks | Sleepy Time Gal See more » |
Crazy Credits | There is a credit for 'Diversions by Irving Schwartz' in tribute to a mysterious, unknown correspondent whose letters proved a morale booster to cast and crew during trying location work in Hong Kong and Taiwan. See more » |
Quotes |
Frenchy Burgoyne:
[exchanging marriage vows; slowly and with feeling]
We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to. I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. When you're cold, and hungry, and afraid, so am I. I'm going to stay with you all that I can, take the best care of you that I can, and love you 'til I die. Maily: I will always love you and honor you and serve you, and stay as near to you as I can, and do everything for you, and live for you. I won't have *any* life except our life together. I will just love you, Frenchy, all of me, loving you forever. See more » |